The Babysitter

When I first saw "hand that rocks the cradle" I remember thinking this premise had been done before in a really chilling TV movie. Couldn't remember the title. For some reason I thought it was The nanny.(Haha). Well, it came back to me so here's my review of the babysitter.

I can't call this anywhere near a good movie but I liked it when I saw it mainly because the whole "stalker movie" genre had not been overdone as of yet-or maybe I was just to young to care.

At any rate-this follows a very similar premise to cradle-I guess Joanna was more a housesitter then a nanny, though I seem to remember it differently. It doesn't matter though because if you know the plot of hand that rocks the cradle you know the plot of the babysitter. For some reason, though-and maybe it was because of the then newness of the premise this TV movie scared the heck out of me.

It is more chilling then cradle, less campy. Joanna, whose name I remembered after all this time, is genuinely frightening. I wouldn't mind seeing this again mainly because this was an early stalker movie and I'd like to see if it still chilled me as much.It's hard to do a complete review as the movie's a bit of a blur to me but I do remember the story as being dark and really creepy. I don't remember any gore-if it were to come out now I'm sure it'd be laughed at by many but back then, when the premise was still new it was pretty darn good thriller material, if not a genuinely good movie. For Genuine fans of cradle though, this is a must see.

My TIVO is programmed to get William Shatner films since he's usually so much fun to watch in action. But he proved relatively restrained in his role.

Frankly, I wasn't expecting much from this film, perhaps a kitschy hour and a half of entertainment.

I've never seen Remingston Steele, so as soon as a young Zimbalist comes on the screen I could no help thinking "wow, who is that?" She is very convincing in the role of an enigmatic housekeeper who works her way into the family of Shatner and Duke-Astin.

The film begins at a slow pace, but has the saving grace of not falling into the typical and predictable TV movie of the week plot.

The acting is very good all around, as well as Zimbalist, Duke-Astin and John Houseman turn in good performances.

I was surprised to see on IMDb after watching the film that it was directed by Peter Medak. I greatly respect Medak for his work in _The Changeling_ (1980), _The Krays_ (1990) and _Romeo is Bleeding_ (1993), all non-mainstream highly-respected (nearly cult) films. It is really surprising that Medak seems to weave between these films and TV sitcoms, movies of the week, and so on. His influence in creating the proper mood is, in retrospect, dominant in the film.

As someone else mentioned, the sound quality is quite bad and it is at times difficult to make out the dialog.

A family thinks they've hit gold when they hire the almost perfect Joanna Redwine as The Babysitter. They'll soon find out that they should have done a background check first.

The Benedict family just moved into a beautiful house on the water just outside of Seattle. Tara is a spoiled problem child for her parents Jeff and over protective/worrying mom Liz. One day while outside playing, Tara sees this beautiful 18 year old girl named Joanna. She's very mysterious and almost mesmerizing in the way she talks and walks around, and she grabs a hold of young Tara's impressionable innocence. After we see her cause Liz to get into a car accident, Liz decides to hire Joanna as her live in nanny for the summer responsible for cooking/cleaning and taking care of young Tara.

All is well at first. Tara and Joanna get along perfectly, Joanna cooks amazing food for the family, and she starts a deep friendship with Liz. The friendship seems caring at first, with Joanna helping Liz with her self confidence as a mother and wife, but quickly turns a bit dark as she starts pushing Liz to drink after a year of sobriety. Eventually she gets Liz out of the way (thanks to her alcoholism) and seduces Jeff into beginning an affair with her. As Joanna's past starts to come to light thanks to a nosy neighbour, she gets backed into a corner which causes her severe dangerous side to come out.

The Babysitter is a fun little early 80's movie that is really about two different stories melded perfectly into one film. On the one hand, it is about a mysterious and dangerous girl who works hard to break up the Benedict family. On the other hand, the movie plays into the failing marriage between Liz and Jeff. It's kind of sad to watch them crumble even when Joanna doesn't try to ruin things for them. The ending is unfortunately kind of lackluster and doesn't provide that big pay off I was hoping for. We get an idea of how psychotic Joanna is and what she did to families before the Benedict's, but it only touched on that topic and never dived deep into it.

It is a bit of a slower paced made-for-TV thriller, but there is something about the story and the mystery of Joanna that keeps the viewer glued to the screen. Stephanie Zimbalist performance as Joanna is definitely mesmerizing and hypnotizing, not only to the family she's manipulating, but the audience as well. Patty Duke is a definite standout for me. She does a good job as the alcoholic mother who is desperate to keep her family together while she battles the bottle. William Shatner is his usual self, with a couple of over the top moments in his performance.

All in all The Babysitter was an enjoyable movie, especially for Made-for-TV fans like myself. It loses marks with how slow it runs (the middle frame is a bit dull), but the acting by Zimbalist and Duke along with a compelling mystery kept my attention the whole way.

6/10

Good acting by a solid cast makes this somewhat-familiar material worth slogging through, even though the issues it raises seem to get all fouled up. Patty Duke Astin plays a doctor's wife who has hired a mysterious young woman to care for her rather hapless daughter, which causes friction in their already-shaky household. Quinn Cummings, fresh off her stint on TV's "Family", has a few surprisingly strong scenes standing up to babysitter Stephanie Zimbalist, but Zimbalist's role is a wash-out. Her character isn't given the grand, juicy build-up that villains usually receive in television suspensers, but perhaps this time it was a mistake (director Peter Medak is so overly-cautious letting the pieces fall into place that he becomes unintentionally coy about the whole thing). The film is shrouded in murk; Medak, going for a low-key mood, doesn't allow the drama to take shape, and as a result the story and characters become lethargic blobs.

This had potential, and it actually did realize some of it. However, the dialog is hard to hear in places, and the editing is just bizarre, several times jumping from a tense moment straight to another scene without resolving anything.

My biggest objection, though, is more fundamental: for the first two-thirds or so of the movie, the fascinating "babysitter" seems to have some kind of supernatural... something. It's never clarified what, but she seems to be almost mesmerizing people on occasion; at another moment, she is unfazed by a car nearly hitting her, almost as though she is in control of the situation more than the driver is. Then in the last third or so, that "something" seems to vanish and she is just a crazy young woman.

Zimbalist is captivatingly beautiful here and seems game to bring her character to life, and the other players are all fine in their roles. However, the story just doesn't quite make sense in spots and the relationships feel hurky-jerky. A bit more time invested into the writing would have helped, as would a better job on the sound mixing and the editing. Lacking those things, I can only give this a 4, as I ended up just wondering what the point of this was. Still, if you're a fan of stalker/psycho movies, or of Shatner or Zimbalist (or anyone else here), you will probably enjoy this at least a little bit.