Red Heat: Unschuld hinter Gittern

Linda Blair is behind bars again! This time in ultra-communistic, ultra-fascist East Germany (if you thought the Cold War had died down in the mid-80s, films like this and "Rambo II" make you re-think your position). She gives an earnest performance in this (plus she has one terrific topless scene), and Sylvia Kristel makes a convincing "top bi*ch". The film has moments of artistry (Blair's voice-over reading of her letter, which stops when the warden throws it away), and the feeling of grim hopelessness inside the prison is well-portrayed. But there are some pretty boring parts too, mostly in the first and last 20 minutes. The long-awaited fight between Blair and Kristel is also a disappointment, because it takes place in near-complete darkness and the director keeps interrupting it with less interesting action footage. Footnote: avoid the Region 2 DVD version, it is cut in several places. ** out of 4.

Linda Blair gets mistaken for someone else and she and another woman are thrown into a brutal german prison where she has no rights now. Sylvia Kristel plays the leader of the in for life inmates and she torments others until Blair cannot stand it and fights her. Blair doesn't know that her fiancee and his friends are planning to break her out but they better do it quick before angry Kristel gets to her first. Pretty good with a good score by Tangerine Dream.

An average women-in-prison exploiter, but for a change it is set in East Germany during the period of the cold war. Remarkable are a couple of casting choices: Elisabeth Volkmann, best known from numerous silly sex comedies and the TV sketch series "Klimbim" plays the tough warden, and the usually so vulnerable Sylvia Kristel plays the inmates' top bitch (in a red wig), the kind of role normally played by the likes of Pam Grier or Sybil Danning. Volkmann has enough acting range to pull it off, but Kristel is completely and utterly miscast.

Otherwise, this follows the genre rules extremely faithfully. We have all the compulsary ingredients: shower scenes, mistreatments by the staff, cat fights, revolts, escapes, etc. Virtually a remake of Chained Heat.

Linda Blair has stated that she was sold this film as a "female Midnight Express." Yes, it has elements of that. But it's more like an adult remake of Born Innocent. Linda's character even has the same name, Chris. Born Innocent represents Linda's best work as a juvenile. Her performance is better in Born Innocent than in The Exorcist. Red Heat may well be her best performance as an adult. Yet this is one of the most difficult Blair films to find. I don't think it ever got a proper theatrical release in the United States, although it may have played the grind house circuit. I first saw in on VHS year ago, and watched it recently again on YouTube. It's a wildly entertaining film that's face-paced and got it all - nudity, rape, cat fights, shower scenes, suicide, etc. You've seen it all before, but the setting in an East German prison before the wall came down (actually filmed in Hungary) adds a great deal to the mood and tone of the film. For Linda Blair fans, this film is essential. For fans of women in prison flicks, it's not to be missed.

A few years before the Arnold S. / Jim Belushi team up action movie Red Heat, Linda Blair made yet another prison flick under that same title. As these exercises go it wasn't bad. The look of the picture is very Eastern Bloc - lots of dimly lit concrete corridors and depressing gray uniforms - and pretty realistic. The tone is one of grim Cold War authoritarianism. East Germany is made to look like just about the least welcoming place on earth, which it pretty much was. Plus, the script is a bit more literate, more realistic, less exploitative and more politically aware than what we usually get in one of these women-in- prison flicks. The resulting movie is a little better but a lot less fun to watch than the typical women-behind-bars (WBB) flick.

And honestly, just who exactly wants a more realistic, less exploitative WBB? Most of these movies are chock full of exploitative silliness and don't take themselves very seriously, which makes for a fun / campy viewing experience. Chained Heat, for instance, is objectively a pretty terrible movie but is a lot of fun to watch, mostly because it IS so exploitative and silly. Red Heat by comparison, is more convincingly realistic than Chained Heat, but also relentlessly grim and more than a little tedious as its unpleasant tourist-in-hell story line slowly works it way along.