Nachdem er aus der fortschrittlichsten Stadt des postapokalyptischen Australiens vertrieben wurde, reist ein Landstreicher mit einer Gruppe verlassener Kinder, um sich gegen die Königin der ... Alles lesenNachdem er aus der fortschrittlichsten Stadt des postapokalyptischen Australiens vertrieben wurde, reist ein Landstreicher mit einer Gruppe verlassener Kinder, um sich gegen die Königin der Stadt zu erheben.Nachdem er aus der fortschrittlichsten Stadt des postapokalyptischen Australiens vertrieben wurde, reist ein Landstreicher mit einer Gruppe verlassener Kinder, um sich gegen die Königin der Stadt zu erheben.
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This stirring movie in comic-strip style is packed with unbelievable car stunts , thrills, chills and noisy action . Violent movie about a futuristic road-warrior cop with high-velocity action and kinetic energy . This classic is set a few years from now , a dangerous, desolate post-industrial future world where rules the strongest law . It concerns about the exploits and feats of an ex-police named Max (Mel Gibson) on the apocalyptic future world . Being stolen of his possessions by Jeddeiah (Bruce Spence) and his son while walking through the Australian outback , Max heads toward a remote city called Bartertown , a post-nuclear location full of kind of criminals and governed by Aunt Entity (Tina Turner). Bartertown runs on methane gas, which is produced from pig feces by prisoner-slaves. All methane comes from an underground cavern, Underworld . Max is forced to fight against Master Blaster on behalf of Aunt Entity in order that she gains whole control of the town . Max survives a battle-to-the-death in Roman style Thunderdome arena . But when the combat is over he is thrown back out into the solitary desert . Exiled Mad Max meets a group of orphans, the only survivors of a plane crash during the nuclear war . The group of children and teens is living as a strange commune ( similarly to ¨William Golding's Lord of flies¨) and take to Max as their Messiah named the 'Captain Walker' . Max says them that he's not Captain Walker and that civilization is gone , wiped out by the nuclear apocalypse . Later on , Mad Max along with them returns Bartertown to confront cutthroats and the revenge takes place . Max and the group wreak havoc on the city and escape from fortress but vengeance will be terrible and bands of depraved crazies thirsty for blood pursue them . They are besieged by motorized warlords and they'll have to fight against the cutthroats , a band of depraved crazies thirsty for blood and survive some battles to-the-death with lots of blood and gore, including throating-slit , beheading , impaling and blow up.
This exciting picture packs kinetic action , thrills, chills , tension and abundant violence . Spectacular stunt-work plenty of fights , motorcycle races , cars with bounds and leaps and explosions . The picture is divided in three parts : the first happens on the boisterous city of Bartertown , the second on the sunny desert with metaphysical moments and Max surrounded by children and third , the conclusion , again on Bartertown and the subsequent getaway in ¨Mad Max 2¨ style . Top-notch Mel Gibson as road warrior at one of his first main roles , he embarks a spectacular adventure against vicious murderous and with some philosophical moments . Weird roles and fantastic atmosphere combine with stunning action scenes in this remarkable action film that completes perfectly the excellent trilogy . Rumbling score fitting to action by Maurice Jarre and emotive music including chores when are developed the scenes of the children . Special and weird futuristic atmosphere created by cameraman Dean Semler who reflects splendidly the barren outdoors . The motion picture is stunningly directed by George Miller ( and George Ogilvi) , author of the excellent post-apocalypse ¨Mad Max¨ trilogy along with the writer and producer Byron Kennedy . It's followed by numerous imitations as the recent ¨Doomsday¨(2008, Neal Marshall), rip offs, and exploitations ,especially Italians products . Rating : Good, better than average , the Mad Max trilogy result to be the most successful Aussie movies of all time . This remarkable action film will appeal to Science Fiction buffs. Rating : 7 , Above average. Well worth watching.
This exciting picture packs kinetic action , thrills, chills , tension and abundant violence . Spectacular stunt-work plenty of fights , motorcycle races , cars with bounds and leaps and explosions . The picture is divided in three parts : the first happens on the boisterous city of Bartertown , the second on the sunny desert with metaphysical moments and Max surrounded by children and third , the conclusion , again on Bartertown and the subsequent getaway in ¨Mad Max 2¨ style . Top-notch Mel Gibson as road warrior at one of his first main roles , he embarks a spectacular adventure against vicious murderous and with some philosophical moments . Weird roles and fantastic atmosphere combine with stunning action scenes in this remarkable action film that completes perfectly the excellent trilogy . Rumbling score fitting to action by Maurice Jarre and emotive music including chores when are developed the scenes of the children . Special and weird futuristic atmosphere created by cameraman Dean Semler who reflects splendidly the barren outdoors . The motion picture is stunningly directed by George Miller ( and George Ogilvi) , author of the excellent post-apocalypse ¨Mad Max¨ trilogy along with the writer and producer Byron Kennedy . It's followed by numerous imitations as the recent ¨Doomsday¨(2008, Neal Marshall), rip offs, and exploitations ,especially Italians products . Rating : Good, better than average , the Mad Max trilogy result to be the most successful Aussie movies of all time . This remarkable action film will appeal to Science Fiction buffs. Rating : 7 , Above average. Well worth watching.
This will be silly and disjointed for those who found the second mean and rampaging. Spielberg had intervened in popular imagination, so there's a kid friendly dash of Indiana Jones along with some Lone Ranger. But from Mad Max I come away with two things, the narrative edges of world we discover and the cinematic action of the chase.
I don't take to the Bartertown portion of the film, it may be closer to Road Warrior in spirit but all I see here is rushed spectacle intended for a boorish audience, contraptions. We do see a bit more of the Max world around this place but not in any way I care for. It feels like this part was bolted on when they decided to turn a separate script into a Mad Max movie.
No, I find myself oddly captivated by the Lord of the Flies portion. There are glimmers of magic for me in the way the narrative of something that crashed from the skies one day has been preserved in the minds of kids. The way it's revealed through a screen that frames remnants of half- remembered story, the chorus of awestruck kids for whom all of this has profound meaning.
It does open up a window to a whole swathe of Max world but this time with deep feeling, as myth the kids have vowed to keep in memory and bide their time for. Sure, we are in Goonies territory and again in the end with the city, but there's hushed yearning here, an almost Biblical kind.
The rest is in the big chase, a train this time, briefer than usual and over before it really exhilarates, as if more by obligation than real affinity for it. They would eventually build a whole other film around it, extending it to an entire circus around the rig, but that would have to wait for 30 years.
I don't take to the Bartertown portion of the film, it may be closer to Road Warrior in spirit but all I see here is rushed spectacle intended for a boorish audience, contraptions. We do see a bit more of the Max world around this place but not in any way I care for. It feels like this part was bolted on when they decided to turn a separate script into a Mad Max movie.
No, I find myself oddly captivated by the Lord of the Flies portion. There are glimmers of magic for me in the way the narrative of something that crashed from the skies one day has been preserved in the minds of kids. The way it's revealed through a screen that frames remnants of half- remembered story, the chorus of awestruck kids for whom all of this has profound meaning.
It does open up a window to a whole swathe of Max world but this time with deep feeling, as myth the kids have vowed to keep in memory and bide their time for. Sure, we are in Goonies territory and again in the end with the city, but there's hushed yearning here, an almost Biblical kind.
The rest is in the big chase, a train this time, briefer than usual and over before it really exhilarates, as if more by obligation than real affinity for it. They would eventually build a whole other film around it, extending it to an entire circus around the rig, but that would have to wait for 30 years.
Mad Max Beyond Thunderdome (1985) was a travesty. Even though it takes place in an even bleaker future, the filmmakers decided to line their pockets even further by making this one "family friendly (i.e. P.G.-13). What made the other films gritty and nihilistic is missing from this film. Only a few spots but other than that it's just other one of those sequels that morphed into a more mainstream movie (i.e Robocop 3). Needless to say I was very disappointed because when I was much younger I was a huge Mad Max mark.
The story takes place years after the events that transpired in part two. Max is content with his life out in the wastelands. But one day, the fates would appear. Someone has robbed him of his caravan and his old souped up vehicle (sadly no longer in running condition). When he recovers he finds that all roads lead to one of the last vestiges of civilization, an arm pit called "Bartertown". Whilst in "Bartertown" Max finds the person who cold cocked him but his unable to do anything about it. So, after a brief scuffle with the local authorities Max is taken to meet the "mayor" of "Bartertown" Aunt Enity (Tina Turner). After a brief display of his talents, Enity and Max strike a deal....
Like the other films, the world of Pro Wrestling has taken several themes and characters from this movie (i.e. The Thunderdome and The Master Blasters, etc..). Many knock-offs and wannabes have spawn off of this one as well. It even started up a sub-genre, children living in a post-apocalyptic society films. Not a bad film but die-hards of the first two will be disappointed.
C+
The story takes place years after the events that transpired in part two. Max is content with his life out in the wastelands. But one day, the fates would appear. Someone has robbed him of his caravan and his old souped up vehicle (sadly no longer in running condition). When he recovers he finds that all roads lead to one of the last vestiges of civilization, an arm pit called "Bartertown". Whilst in "Bartertown" Max finds the person who cold cocked him but his unable to do anything about it. So, after a brief scuffle with the local authorities Max is taken to meet the "mayor" of "Bartertown" Aunt Enity (Tina Turner). After a brief display of his talents, Enity and Max strike a deal....
Like the other films, the world of Pro Wrestling has taken several themes and characters from this movie (i.e. The Thunderdome and The Master Blasters, etc..). Many knock-offs and wannabes have spawn off of this one as well. It even started up a sub-genre, children living in a post-apocalyptic society films. Not a bad film but die-hards of the first two will be disappointed.
C+
Mad Max Beyond Thunderdome was a bigger production than its predecessor: Road Warrior. I still think I like Road Warrior better. The nemesis was more nemesisee and Mad Max himself was in more peril.
Beyond Thunderdome was lighter as far as mood (which the presence of children may have caused). This time the nemesis was the incomparable Tina Turner as Aunty Enmity, but I couldn't bring myself to hate her. The character wasn't a real hatemonger and... it's Tina Turner. She was the Beyonce before Beyonce.
One thing I'll give Beyond Thunderdome over Road Warrior is the theme song. It's top ten in my book. In 2002, for Spider-Man, Nickelback sang: "they say that a hero can save us, I'm not going to stand here and wait." Well, Tina Turner laid the groundwork for that in '85 when she said: "We don't need another hero." And she knocked that song out of the park.
Beyond Thunderdome was lighter as far as mood (which the presence of children may have caused). This time the nemesis was the incomparable Tina Turner as Aunty Enmity, but I couldn't bring myself to hate her. The character wasn't a real hatemonger and... it's Tina Turner. She was the Beyonce before Beyonce.
One thing I'll give Beyond Thunderdome over Road Warrior is the theme song. It's top ten in my book. In 2002, for Spider-Man, Nickelback sang: "they say that a hero can save us, I'm not going to stand here and wait." Well, Tina Turner laid the groundwork for that in '85 when she said: "We don't need another hero." And she knocked that song out of the park.
Why why why did someone think it was a good idea to fill Max Max 3 with a bunch of annoying kids?
Its like half way through the movie the crew was switched and they thought they were making Oliver!
Such a horrible way to end a most amazing trilogy.
Max goes from road warrior to babysitter.
Still any Max is better than no Max.
Such a horrible way to end a most amazing trilogy.
Max goes from road warrior to babysitter.
Still any Max is better than no Max.
Wusstest du schon
- WissenswertesTina Turner had to shave her head for her wig to fit properly. She reportedly had no problem with that.
- PatzerWhen Max walks in the desert, we see him holding the monkey at his chest. However, when he abruptly falls, there is no sign of the monkey jumping from him, but we then see it alive and safe at the children's cave.
- Zitate
Aunty Entity: Do you know who I was? Nobody. Except on the day after, I was still alive. This nobody had a chance to be somebody.
- Crazy CreditsMel Gibson, who plays Mad Max, is listed again among the Stunt Crew in the End Credits.
- Alternative VersionenScenes filmed but cut from the final film: Max comforting the dying Ghekko while facing Bartertown from the desert dunes and telling him it's Tomorrowmorrow land (this scene can be glimpsed in the Tina Turner video for We Don't Need Another Hero.) Max waking in Crack in Earth in the middle of the night and remembering his wife Jessie and crying, realising he is no better than the people he has hunted for so long.
- VerbindungenFeatured in At the Movies: Special Show: The Jack of All Films (1985)
- SoundtracksWe Don't Need Another Hero (Thunderdome)
Written by Terry Britten and Graham Lyle
Performed by Tina Turner
Produced by Terry Britten
Copyright © 1985 Good Single Music Ltd. & My Axe Music Ltd.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Mad Max: Más allá de la cúpula del trueno
- Drehorte
- Mermaid's Cave, Blackheath, Blue Mountains, New South Wales, Australien(Tribal Childrens' Home - crack in the earth)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.230.219 $
- Eröffnungswochenende in den USA und in Kanada
- 7.283.714 $
- 14. Juli 1985
- Weltweiter Bruttoertrag
- 36.231.434 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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What is the streaming release date of Mad Max - Jenseits der Donnerkuppel (1985) in Canada?
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