[go: up one dir, main page]

    VeröffentlichungskalenderDie 250 besten FilmeMeistgesehene FilmeFilme nach Genre durchsuchenTop Box OfficeSpielzeiten und TicketsFilmnachrichtenSpotlight: indische Filme
    Was läuft im Fernsehen und was kann ich streamen?Die 250 besten SerienMeistgesehene SerienSerien nach Genre durchsuchenTV-Nachrichten
    EmpfehlungenNeueste TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightFamily Entertainment GuideIMDb-Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsZentrale AuszeichnungenFestival CentralAlle Ereignisse
    Heute geborenBeliebteste ProminenteProminente Nachrichten
    HilfecenterBereich für BeitragsverfasserUmfragen
Für Branchenexperten
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Mad Max - Jenseits der Donnerkuppel

Originaltitel: Mad Max Beyond Thunderdome
  • 1985
  • 12
  • 1 Std. 47 Min.
IMDb-BEWERTUNG
6,2/10
158.663
IHRE BEWERTUNG
BELIEBTHEIT
4.921
331
Mel Gibson and Tina Turner in Mad Max - Jenseits der Donnerkuppel (1985)
After being exiled from the most advanced town in post apocalyptic Australia, a drifter travels with a group of abandoned children to rebel against the town's queen.
trailer wiedergeben1:53
2 Videos
99+ Fotos
Action EpicCar ActionDesert AdventureDystopian Sci-FiOne-Person Army ActionQuestActionAdventureSci-Fi

Nachdem er aus der fortschrittlichsten Stadt des postapokalyptischen Australiens vertrieben wurde, reist ein Landstreicher mit einer Gruppe verlassener Kinder, um sich gegen die Königin der ... Alles lesenNachdem er aus der fortschrittlichsten Stadt des postapokalyptischen Australiens vertrieben wurde, reist ein Landstreicher mit einer Gruppe verlassener Kinder, um sich gegen die Königin der Stadt zu erheben.Nachdem er aus der fortschrittlichsten Stadt des postapokalyptischen Australiens vertrieben wurde, reist ein Landstreicher mit einer Gruppe verlassener Kinder, um sich gegen die Königin der Stadt zu erheben.

  • Regie
    • George Miller
    • George Ogilvie
  • Drehbuch
    • Terry Hayes
    • George Miller
    • Byron Kennedy
  • Hauptbesetzung
    • Mel Gibson
    • Tina Turner
    • Bruce Spence
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    158.663
    IHRE BEWERTUNG
    BELIEBTHEIT
    4.921
    331
    • Regie
      • George Miller
      • George Ogilvie
    • Drehbuch
      • Terry Hayes
      • George Miller
      • Byron Kennedy
    • Hauptbesetzung
      • Mel Gibson
      • Tina Turner
      • Bruce Spence
    • 316Benutzerrezensionen
    • 161Kritische Rezensionen
    • 71Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 10 Nominierungen insgesamt

    Videos2

    4K Trailer
    Trailer 1:53
    4K Trailer
    Mad Max Beyond Thunderdome
    Trailer 1:25
    Mad Max Beyond Thunderdome
    Mad Max Beyond Thunderdome
    Trailer 1:25
    Mad Max Beyond Thunderdome

    Fotos121

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 115
    Poster ansehen

    Topbesetzung76

    Ändern
    Mel Gibson
    Mel Gibson
    • Mad Max
    Tina Turner
    Tina Turner
    • Aunty Entity
    Bruce Spence
    Bruce Spence
    • Jedediah
    Adam Cockburn
    • Jedediah Jnr.
    Frank Thring
    Frank Thring
    • The Collector
    Angelo Rossitto
    Angelo Rossitto
    • The Master
    Paul Larsson
    Paul Larsson
    • The Blaster
    Angry Anderson
    Angry Anderson
    • Ironbar
    Robert Grubb
    Robert Grubb
    • Pig Killer
    George Spartels
    George Spartels
    • Blackfinger
    Edwin Hodgeman
    Edwin Hodgeman
    • Dr. Dealgood
    Bob Hornery
    Bob Hornery
    • Waterseller
    Andrew Oh
    Andrew Oh
    • Ton Ton Tattoo
    Ollie Hall
    • Aunty's Guard
    Lee Rice
    • Aunty's Guard
    Max Worrall
    • Aunty's Guard
    Susan Leonard
    • Aunty's Guard
    Robert Simper
    Robert Simper
    • Aunty's Guard
    • Regie
      • George Miller
      • George Ogilvie
    • Drehbuch
      • Terry Hayes
      • George Miller
      • Byron Kennedy
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen316

    6,2158.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    7ma-cortes

    Third episode of the magnificent trilogy by George Miller and Mel Gibson

    This stirring movie in comic-strip style is packed with unbelievable car stunts , thrills, chills and noisy action . Violent movie about a futuristic road-warrior cop with high-velocity action and kinetic energy . This classic is set a few years from now , a dangerous, desolate post-industrial future world where rules the strongest law . It concerns about the exploits and feats of an ex-police named Max (Mel Gibson) on the apocalyptic future world . Being stolen of his possessions by Jeddeiah (Bruce Spence) and his son while walking through the Australian outback , Max heads toward a remote city called Bartertown , a post-nuclear location full of kind of criminals and governed by Aunt Entity (Tina Turner). Bartertown runs on methane gas, which is produced from pig feces by prisoner-slaves. All methane comes from an underground cavern, Underworld . Max is forced to fight against Master Blaster on behalf of Aunt Entity in order that she gains whole control of the town . Max survives a battle-to-the-death in Roman style Thunderdome arena . But when the combat is over he is thrown back out into the solitary desert . Exiled Mad Max meets a group of orphans, the only survivors of a plane crash during the nuclear war . The group of children and teens is living as a strange commune ( similarly to ¨William Golding's Lord of flies¨) and take to Max as their Messiah named the 'Captain Walker' . Max says them that he's not Captain Walker and that civilization is gone , wiped out by the nuclear apocalypse . Later on , Mad Max along with them returns Bartertown to confront cutthroats and the revenge takes place . Max and the group wreak havoc on the city and escape from fortress but vengeance will be terrible and bands of depraved crazies thirsty for blood pursue them . They are besieged by motorized warlords and they'll have to fight against the cutthroats , a band of depraved crazies thirsty for blood and survive some battles to-the-death with lots of blood and gore, including throating-slit , beheading , impaling and blow up.

    This exciting picture packs kinetic action , thrills, chills , tension and abundant violence . Spectacular stunt-work plenty of fights , motorcycle races , cars with bounds and leaps and explosions . The picture is divided in three parts : the first happens on the boisterous city of Bartertown , the second on the sunny desert with metaphysical moments and Max surrounded by children and third , the conclusion , again on Bartertown and the subsequent getaway in ¨Mad Max 2¨ style . Top-notch Mel Gibson as road warrior at one of his first main roles , he embarks a spectacular adventure against vicious murderous and with some philosophical moments . Weird roles and fantastic atmosphere combine with stunning action scenes in this remarkable action film that completes perfectly the excellent trilogy . Rumbling score fitting to action by Maurice Jarre and emotive music including chores when are developed the scenes of the children . Special and weird futuristic atmosphere created by cameraman Dean Semler who reflects splendidly the barren outdoors . The motion picture is stunningly directed by George Miller ( and George Ogilvi) , author of the excellent post-apocalypse ¨Mad Max¨ trilogy along with the writer and producer Byron Kennedy . It's followed by numerous imitations as the recent ¨Doomsday¨(2008, Neal Marshall), rip offs, and exploitations ,especially Italians products . Rating : Good, better than average , the Mad Max trilogy result to be the most successful Aussie movies of all time . This remarkable action film will appeal to Science Fiction buffs. Rating : 7 , Above average. Well worth watching.
    chaos-rampant

    Pox-eclipsed 'membering

    This will be silly and disjointed for those who found the second mean and rampaging. Spielberg had intervened in popular imagination, so there's a kid friendly dash of Indiana Jones along with some Lone Ranger. But from Mad Max I come away with two things, the narrative edges of world we discover and the cinematic action of the chase.

    I don't take to the Bartertown portion of the film, it may be closer to Road Warrior in spirit but all I see here is rushed spectacle intended for a boorish audience, contraptions. We do see a bit more of the Max world around this place but not in any way I care for. It feels like this part was bolted on when they decided to turn a separate script into a Mad Max movie.

    No, I find myself oddly captivated by the Lord of the Flies portion. There are glimmers of magic for me in the way the narrative of something that crashed from the skies one day has been preserved in the minds of kids. The way it's revealed through a screen that frames remnants of half- remembered story, the chorus of awestruck kids for whom all of this has profound meaning.

    It does open up a window to a whole swathe of Max world but this time with deep feeling, as myth the kids have vowed to keep in memory and bide their time for. Sure, we are in Goonies territory and again in the end with the city, but there's hushed yearning here, an almost Biblical kind.

    The rest is in the big chase, a train this time, briefer than usual and over before it really exhilarates, as if more by obligation than real affinity for it. They would eventually build a whole other film around it, extending it to an entire circus around the rig, but that would have to wait for 30 years.
    5Captain_Couth

    "Mad" Max + P.G.-13 = Tame and lame movie.

    Mad Max Beyond Thunderdome (1985) was a travesty. Even though it takes place in an even bleaker future, the filmmakers decided to line their pockets even further by making this one "family friendly (i.e. P.G.-13). What made the other films gritty and nihilistic is missing from this film. Only a few spots but other than that it's just other one of those sequels that morphed into a more mainstream movie (i.e Robocop 3). Needless to say I was very disappointed because when I was much younger I was a huge Mad Max mark.

    The story takes place years after the events that transpired in part two. Max is content with his life out in the wastelands. But one day, the fates would appear. Someone has robbed him of his caravan and his old souped up vehicle (sadly no longer in running condition). When he recovers he finds that all roads lead to one of the last vestiges of civilization, an arm pit called "Bartertown". Whilst in "Bartertown" Max finds the person who cold cocked him but his unable to do anything about it. So, after a brief scuffle with the local authorities Max is taken to meet the "mayor" of "Bartertown" Aunt Enity (Tina Turner). After a brief display of his talents, Enity and Max strike a deal....

    Like the other films, the world of Pro Wrestling has taken several themes and characters from this movie (i.e. The Thunderdome and The Master Blasters, etc..). Many knock-offs and wannabes have spawn off of this one as well. It even started up a sub-genre, children living in a post-apocalyptic society films. Not a bad film but die-hards of the first two will be disappointed.

    C+
    7view_and_review

    We Don't Need Another Hero

    Mad Max Beyond Thunderdome was a bigger production than its predecessor: Road Warrior. I still think I like Road Warrior better. The nemesis was more nemesisee and Mad Max himself was in more peril.

    Beyond Thunderdome was lighter as far as mood (which the presence of children may have caused). This time the nemesis was the incomparable Tina Turner as Aunty Enmity, but I couldn't bring myself to hate her. The character wasn't a real hatemonger and... it's Tina Turner. She was the Beyonce before Beyonce.

    One thing I'll give Beyond Thunderdome over Road Warrior is the theme song. It's top ten in my book. In 2002, for Spider-Man, Nickelback sang: "they say that a hero can save us, I'm not going to stand here and wait." Well, Tina Turner laid the groundwork for that in '85 when she said: "We don't need another hero." And she knocked that song out of the park.
    6damianphelps

    Who Is Thinking Of The Children?

    Why why why did someone think it was a good idea to fill Max Max 3 with a bunch of annoying kids? Its like half way through the movie the crew was switched and they thought they were making Oliver!

    Such a horrible way to end a most amazing trilogy.

    Max goes from road warrior to babysitter.

    Still any Max is better than no Max.

    Mehr wie diese

    Mad Max: Der Vollstrecker
    7,6
    Mad Max: Der Vollstrecker
    Mad Max
    6,8
    Mad Max
    Mad Max: Fury Road
    8,1
    Mad Max: Fury Road
    Furiosa: A Mad Max Saga
    7,5
    Furiosa: A Mad Max Saga
    Untitled Mad Max Project
    Untitled Mad Max Project
    Lethal Weapon 3: Die Profis sind zurück
    6,7
    Lethal Weapon 3: Die Profis sind zurück
    Mad Max Motion Comic
    4,9
    Mad Max Motion Comic
    Lethal Weapon 2 - Brennpunkt L.A.
    7,3
    Lethal Weapon 2 - Brennpunkt L.A.
    Zwei stahlharte Profis
    7,6
    Zwei stahlharte Profis
    Lethal Weapon 4 - Zwei Profis räumen auf
    6,6
    Lethal Weapon 4 - Zwei Profis räumen auf
    Die Klapperschlange
    7,1
    Die Klapperschlange
    The Making of 'Mad Max Beyond Thunderdome'
    6,8
    The Making of 'Mad Max Beyond Thunderdome'

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Tina Turner had to shave her head for her wig to fit properly. She reportedly had no problem with that.
    • Patzer
      When Max walks in the desert, we see him holding the monkey at his chest. However, when he abruptly falls, there is no sign of the monkey jumping from him, but we then see it alive and safe at the children's cave.
    • Zitate

      Aunty Entity: Do you know who I was? Nobody. Except on the day after, I was still alive. This nobody had a chance to be somebody.

    • Crazy Credits
      Mel Gibson, who plays Mad Max, is listed again among the Stunt Crew in the End Credits.
    • Alternative Versionen
      Scenes filmed but cut from the final film: Max comforting the dying Ghekko while facing Bartertown from the desert dunes and telling him it's Tomorrowmorrow land (this scene can be glimpsed in the Tina Turner video for We Don't Need Another Hero.) Max waking in Crack in Earth in the middle of the night and remembering his wife Jessie and crying, realising he is no better than the people he has hunted for so long.
    • Verbindungen
      Featured in At the Movies: Special Show: The Jack of All Films (1985)
    • Soundtracks
      We Don't Need Another Hero (Thunderdome)
      Written by Terry Britten and Graham Lyle

      Performed by Tina Turner

      Produced by Terry Britten

      Copyright © 1985 Good Single Music Ltd. & My Axe Music Ltd.

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ24

    • How long is Mad Max Beyond Thunderdome?Powered by Alexa
    • Dr. Dealgood says Thunderdome has no rules. But, isn't fighting to the death a rule?
    • What is Mad Max Beyond Thunderdome about?
    • Is There A Real Life Thunderdome?

    Details

    Ändern
    • Erscheinungsdatum
      • 26. September 1985 (Westdeutschland)
    • Herkunftsland
      • Australien
    • Offizielle Standorte
      • Warner Bros. (United Kingdom)
      • Warner Bros. (United States)
    • Sprache
      • Englisch
    • Auch bekannt als
      • Mad Max: Más allá de la cúpula del trueno
    • Drehorte
      • Mermaid's Cave, Blackheath, Blue Mountains, New South Wales, Australien(Tribal Childrens' Home - crack in the earth)
    • Produktionsfirma
      • Kennedy Miller Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 10.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 36.230.219 $
    • Eröffnungswochenende in den USA und in Kanada
      • 7.283.714 $
      • 14. Juli 1985
    • Weltweiter Bruttoertrag
      • 36.231.434 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 47 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.39 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Mel Gibson and Tina Turner in Mad Max - Jenseits der Donnerkuppel (1985)
    Oberste Lücke
    What is the streaming release date of Mad Max - Jenseits der Donnerkuppel (1985) in Canada?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.