Füge eine Handlung in deiner Sprache hinzuA young American woman is kidnapped by an Arabian sheik who holds her captive in his harem. At first, she frantically tries to escape, but as they slowly get to know and appreciate each othe... Alles lesenA young American woman is kidnapped by an Arabian sheik who holds her captive in his harem. At first, she frantically tries to escape, but as they slowly get to know and appreciate each other, the difference between captor and captive dissolves.A young American woman is kidnapped by an Arabian sheik who holds her captive in his harem. At first, she frantically tries to escape, but as they slowly get to know and appreciate each other, the difference between captor and captive dissolves.
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Zohra Sehgal
- Affaf
- (as Zohra Segal)
Juliette Simpson
- Zelide
- (as Julette Simpson)
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An American woman, Nastassja Kinski, is kidnapped off the streets of New York and ends up in a harem. This movie is not to be confused with Rudolph Valentino's "The Sheik" essentially because "Harem" is dead once the scenery moves into an unknown Arabian desert where the shifting sands seem to have caused time to nearly stop. Poor Ben Kingsley plays a lifeless role that is in marked contrast to the more meaty role that Nastassja has been given. Without Nastassja, there is no movie and even she cannot save this very slow, dull, when-is-it-going-to-end movie. Except for Nastassja, the picture lacks life. The script is DOA and one wonders how these sorts of movies ever see the light of day. At least it is comforting to know that no amount of money in the world will buy off Nastassja's character - American women can be feisty and independent even if they have to rely upon their feminine wiles. "Harem" is a movie that is so bad that one cannot forget it.
We the poor public have to watch the contents of someone's sexual fantasies up there on the silver screen.
An American girl, who - by design or otherwise - looks strangely like Michael from The Bangles - is given a drugged hot drink on a cold day and wakes up in the heat of the Arabian desert minus her pantyhose. She discovers she has been captured not by a Valentino-type, but by a middle-aged man with a bald head and a moustache. The rest of the film is a seduction and a motor tour through the desert, punctuated by this poor girl being painted with henna.
Unless you are looking for a cure for insomnia, you would do well to give this film a miss and watch Valentino in The Sheik instead.
An American girl, who - by design or otherwise - looks strangely like Michael from The Bangles - is given a drugged hot drink on a cold day and wakes up in the heat of the Arabian desert minus her pantyhose. She discovers she has been captured not by a Valentino-type, but by a middle-aged man with a bald head and a moustache. The rest of the film is a seduction and a motor tour through the desert, punctuated by this poor girl being painted with henna.
Unless you are looking for a cure for insomnia, you would do well to give this film a miss and watch Valentino in The Sheik instead.
Back in the eighties I was a floor trader on the NYFE where the opening trading scenes were filmed. We filmed in the late afternoon\early evening after the exchange had closed. Remember facing forward toward the camera in the center of the trading ring as the fellow traders had their backs to the lens, and upwards at the camera when the director said action. I can distinctly recall how beautiful and large Ms.Kinski's eyes were, as we mock traded with her in the futures pit. The movie was somewhat dry (maybe the second location in the Arabian desert had something to do with it) otherwise only the personal memories would make me have the slightest interest in it.
This film about a relationships, old versus new ways of life, culture, sex and traditions should have been better. However what we get is strange art-house film that borders to exploitation.
The director Arthur Joffé is really trying to say something deep here but according to me,he fails. While trying to do a dark, meaningful film along the same lines as Jalsaghar (1958), Da hong deng long gao gao gua/ Raise the Red Lantern(1991) etc this film almost never reaches that level and becomes more like Paradise (1982).
More like a softporn drama film in a exotic setting, then an romantic drama with very dark undertones. It is shame, because Nastassja Kinski is very good here, gives of probably one of her best performances, and with Ben Kingsley holds this film on their shoulders.
The directors choice to use the stockholm syndrome as romantic plot device doesn't really sit well with this reviewer and also reminds me of some Pinku eiga films I've seen.
But people who are still curious about this unusual and hard to come by film, see it for Nastassja Kinski & Ben Kingsleys sake, nothing else.
Also viewers sensitive about nudity or sex should avoid this film.
The director Arthur Joffé is really trying to say something deep here but according to me,he fails. While trying to do a dark, meaningful film along the same lines as Jalsaghar (1958), Da hong deng long gao gao gua/ Raise the Red Lantern(1991) etc this film almost never reaches that level and becomes more like Paradise (1982).
More like a softporn drama film in a exotic setting, then an romantic drama with very dark undertones. It is shame, because Nastassja Kinski is very good here, gives of probably one of her best performances, and with Ben Kingsley holds this film on their shoulders.
The directors choice to use the stockholm syndrome as romantic plot device doesn't really sit well with this reviewer and also reminds me of some Pinku eiga films I've seen.
But people who are still curious about this unusual and hard to come by film, see it for Nastassja Kinski & Ben Kingsleys sake, nothing else.
Also viewers sensitive about nudity or sex should avoid this film.
This film is very beautiful, and Sir Ben Kingsly acts outstandingly. The film is huge in France, and with good reason. It is an intriguing, unique, and magical film. The film is on French TV I hear like every other week, still to this day! PS Don't be thrown off by the title, the film is, in fact, a sincere love story. I think it deserves a re-release in theaters in America. The only critique I have is the orchestrated music, which is a bit melodramatic. But other than that, the cinematography is beautiful, the acting is subtle and brilliant, and the direction is excellent. I suggest to rent it! Voila! I think that it is a breath-taking film.
Wusstest du schon
- WissenswertesDebut theatrical feature film directed by French director Arthur Joffé.
- VerbindungenFeatured in Le feu sacré (2015)
- SoundtracksThe Fifth Concerto - Emperor
Composed by Ludwig van Beethoven (as Beethoven)
Piano solo by Radu Lupu
Performed by the Symphonic Orchestra Radio Bucarest
Conducted by Iosif Conta (as Josif Conta)
(Forlane)
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
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