IMDb-BEWERTUNG
6,7/10
23.861
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA movie special effects man is hired to fake a real-life mob killing for a witness protection plan, but finds his own life in danger.A movie special effects man is hired to fake a real-life mob killing for a witness protection plan, but finds his own life in danger.A movie special effects man is hired to fake a real-life mob killing for a witness protection plan, but finds his own life in danger.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Jossie DeGuzman
- Marisa Velez
- (as Jossie deGuzman)
M'el Dowd
- Miss Lehman (Joyce)
- (as M'eL Dowd)
Empfohlene Bewertungen
I missed this movie when it was originally issued, and after all I read and heard about "Cocktail" (in which Bryan Brown starred a couple of years later) I had no desire to seek it out. But upon just surfing to cable's AMC channel one weekend morning, and finding it having just begun - I watched for a couple of minutes and found myself absorbed in it. After looking at some of the previously-posted comments in this section of IMDb, during commercials, I was even more interested.
First, my regard for Brown is heightened. Anyone married to Rachel Ward, for 23 years, has to have a lot going for him - even beyond what you see on-screen. And actors with British/Australian accents all provide effective "men-on-the-run, harried, danger-beset" characterizations. The acting here is all good. The late Trey Wilson, as Denehy's unctuous NYPD colleague evokes memories of his small-but-key, scene-stealing roles in "Twins" and "Raising Arizona." Cliff De Young, as the even more unctuous pursuer/would-be killer of the endangered Brown, could (from this and prior roles) be Hollywood's solution to replace Dabney Coleman as the quintessential, smarmy, "horse's ass," now that Dabney is getting well-along in years. As with all his roles, Mason Adams gives a good performance - but I can never watch him without expecting that any moment he is going to take a Smucker's jar from his pocket and begin a spiel.
Brian Dennehy is always fun to watch, and his "gruff-but-still-likable" persona was never better-suited to a role than here - he's the only one (except for one assistant) who has a clue, literally and figuratively, of the shenanigans occurring and besetting poor Rollie (Brown). Give this film a solid "8." Enjoyed the final minutes and the ending. I'm looking forward to getting a copy of the sequel.
First, my regard for Brown is heightened. Anyone married to Rachel Ward, for 23 years, has to have a lot going for him - even beyond what you see on-screen. And actors with British/Australian accents all provide effective "men-on-the-run, harried, danger-beset" characterizations. The acting here is all good. The late Trey Wilson, as Denehy's unctuous NYPD colleague evokes memories of his small-but-key, scene-stealing roles in "Twins" and "Raising Arizona." Cliff De Young, as the even more unctuous pursuer/would-be killer of the endangered Brown, could (from this and prior roles) be Hollywood's solution to replace Dabney Coleman as the quintessential, smarmy, "horse's ass," now that Dabney is getting well-along in years. As with all his roles, Mason Adams gives a good performance - but I can never watch him without expecting that any moment he is going to take a Smucker's jar from his pocket and begin a spiel.
Brian Dennehy is always fun to watch, and his "gruff-but-still-likable" persona was never better-suited to a role than here - he's the only one (except for one assistant) who has a clue, literally and figuratively, of the shenanigans occurring and besetting poor Rollie (Brown). Give this film a solid "8." Enjoyed the final minutes and the ending. I'm looking forward to getting a copy of the sequel.
"F/X" beats most Hollywood action films. It stands out with a slick basic idea developed to a proper script that offers twists and surprises all the way to the end, but luckily not as much as "Mission: Impossible" did.
Bryan Brown is just the right man for the part of Rollie. He and Brian Dennehy make a great pair, although they don't appear together until the end of the film.
Refreshingly original and highly recommendable.
Bryan Brown is just the right man for the part of Rollie. He and Brian Dennehy make a great pair, although they don't appear together until the end of the film.
Refreshingly original and highly recommendable.
I had this movie on my Instant Queue for a long time and never watched it for some reason. Anyway I just got done watching it and loved it! It was way better than I expected. I saw it had a 6.5 before I watched it so I thought it would be good, but it was really good to my surprise. The idea was original and exciting. If you haven't seen it the story is a Special Effects guy is asked by the government to help fake a former Mob members death so the Mob stops going after him. It turns out that wasn't the whole story and Roland(The main character) is in for a wild ride. It keeps you thinking and it actually has a good bit of action.
If you have not seen it go watch it, I promise you will like it.
If you have not seen it go watch it, I promise you will like it.
F/X is a movie I had been hearing about for years, so I finally buckled down and rented it, and I was pretty surprised. It's a good, suspenseful movie with nice effects, a decent story, and some good performances (except for the girl who plays the effects assistant, though she's not on-screen a lot). Bryan Brown plays Roland Tyler, a freelance special effects artist who seeks revenge after some shady Justice Department guys set him up to be the fall guy in a staged execution they had hired him to pull off. Brian Dennehy doesn't enter the film until nearly forty minutes into the picture, but once he does, he's as good as always, even if his character just sort of moves from place to place and effortlessly picks up clues along the way. I would have liked to seen the two stars have more scenes together, but they never even meet up until the final scene of the movie. Cliff DeYoung does his usual weasel villain, though he mysteriously vanishes from the film without explanation, and Jerry Orbach is good in a supporting role as the mobster whose execution is staged. The effects used by Tyler aren't as spectacular as I had thought they would be (disguises to avoid police, smoke bombs, fake blood, etc.), but they're used effectively. F/X is an entertaining little movie with a fair amount of suspense and some good action. Oh, and what I wouldn't give to have that home security system Tyler has inside his front door. The sequel's not bad either.
A movie special effects man is running for his life in "F/X," a 1986 film starring Bryan Brown, Brian Dennehy, Jerry Orbach, and Mason Adams. Strangely enough, the movie also features two actresses from my alma mater, Diana Venora and Josie de Guzman.
Rollie Tyler (Brown) takes on a rush job for the government - they want it to look as if their primo informant (Orbach) has been murdered to take the danger out of getting him to the courtroom and protecting him afterward. But like Rollie's work, things aren't what they seem, and Rollie finds himself on the run.
Despite its name, F/X isn't a big movie, and the special effects are things you can see on any television show. What makes it unique is the way Rollie uses his wits and skill to elude those after him. One of the most exciting scenes occurs as Rollie, in his F/X van, careens through the streets of New York, using every trick he knows to get away from the police. Not your average car chase.
Australian actor Bryan Brown, who achieved fame and a beautiful wife from the miniseries "The Thorn Birds" is terrific as the desperate Rollie. Brian Dennehy plays a rogue cop - he's funny and effective, and the late Jerry Orbach, whose career spanned stage, films, and television, is the perfect mob informant.
F/X inspired a television show of the same name starring Cameron Daddo and also a sequel. For a little movie, it did quite well, managing to entertain with drama, humor, and thrills. It's a lot of fun.
Rollie Tyler (Brown) takes on a rush job for the government - they want it to look as if their primo informant (Orbach) has been murdered to take the danger out of getting him to the courtroom and protecting him afterward. But like Rollie's work, things aren't what they seem, and Rollie finds himself on the run.
Despite its name, F/X isn't a big movie, and the special effects are things you can see on any television show. What makes it unique is the way Rollie uses his wits and skill to elude those after him. One of the most exciting scenes occurs as Rollie, in his F/X van, careens through the streets of New York, using every trick he knows to get away from the police. Not your average car chase.
Australian actor Bryan Brown, who achieved fame and a beautiful wife from the miniseries "The Thorn Birds" is terrific as the desperate Rollie. Brian Dennehy plays a rogue cop - he's funny and effective, and the late Jerry Orbach, whose career spanned stage, films, and television, is the perfect mob informant.
F/X inspired a television show of the same name starring Cameron Daddo and also a sequel. For a little movie, it did quite well, managing to entertain with drama, humor, and thrills. It's a lot of fun.
Wusstest du schon
- WissenswertesSpecial effects man John Stears claimed that he had been offered money by government agencies to simulate various things as depicted in the film.
- PatzerThe uniforms worn by the New York State Police at Mason's mansion and the morgue are their dress blouses and are only worn for special ceremonies such as funerals, parades and awards and are never worn on patrol.
- Zitate
Rollie Tyler: [Mason grabs the Uzi Rollie has just set down] In this hand is the ammo for the gun. And this is Krazy Glue. A thousand and one uses. Now, a thousand and two.
[shoves him out the front door]
- Crazy CreditsJust at the start of the end credits, the camera flashes briefly through out-take type shots of the eight principal players (Bryan Brown, Brian Dennehy, Diane Venora, Cliff De Young, Mason Adams, Jerry Orbach, Martha Gehman, and Joe Grifasi). Each actor smiles out-of-character at the camera as though in appreciation to the audience of their performances.
- Alternative VersionenThe Australian VHS and television version open with a different title logo. Instead of the domestic gray title card, it has the words F/X, in red on a black background. The letters then glow bright and fade out.
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.603.715 $
- Eröffnungswochenende in den USA und in Kanada
- 3.240.695 $
- 9. Feb. 1986
- Weltweiter Bruttoertrag
- 20.603.715 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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