IMDb-BEWERTUNG
6,3/10
14.717
IHRE BEWERTUNG
Ein scheinbar normaler Junge entpuppt sich als streng geheimer, vom Militär geschaffener Roboter mit übermenschlichen Fähigkeiten.Ein scheinbar normaler Junge entpuppt sich als streng geheimer, vom Militär geschaffener Roboter mit übermenschlichen Fähigkeiten.Ein scheinbar normaler Junge entpuppt sich als streng geheimer, vom Militär geschaffener Roboter mit übermenschlichen Fähigkeiten.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Ed Grady
- Mr. Bergen
- (as Ed L. Grady)
Empfohlene Bewertungen
For me, there is simply nothing not to like about this film. It is well scripted, the parts fit together seamlessly and logically, and everything is justly proportioned--that is, everything's in good balance.
And the best part of it is that the acting is never overdone. The main characters are really human and believable, and Barret Oliver's acting is totally natural and spontaneous.
So even though one has to suspend disbelief in the science fiction impossibility of the story (a mere machine could never actually become a human brain), it's really worth doing so, just for the fun of it.
Just accept the basic premise of the plot for the sake of the story, and then relax and enjoy a heart-warming display of what are real human values in a world where these are sometimes sadly lacking, and a thought-provoking consideration of what it means to be 'a real person.'
And the best part of it is that the acting is never overdone. The main characters are really human and believable, and Barret Oliver's acting is totally natural and spontaneous.
So even though one has to suspend disbelief in the science fiction impossibility of the story (a mere machine could never actually become a human brain), it's really worth doing so, just for the fun of it.
Just accept the basic premise of the plot for the sake of the story, and then relax and enjoy a heart-warming display of what are real human values in a world where these are sometimes sadly lacking, and a thought-provoking consideration of what it means to be 'a real person.'
7sol-
Found wandering in the wilderness and suffering amnesia, a preteen boy comes to suspect that he is very different to other children his age in this intriguing thriller with a science fiction twist. While the title, promotional artwork and plot summaries (include on the DVD back cover!) spell out the fact that him feeling different is due to being a robot, the filmmakers keep this plot detail deliciously vague during the first half, which in turn becomes an involving tale of an abnormal young person trying to fit in. As others have pointed out, with his quick-learning abilities and lack of social skills, it is easy to see Daryl as metaphorical for someone on the Autism Spectrum and the overall movie has some positive messages as such in terms of acceptance for all. The second half of the film, which is more thrills than mystery-based, is not quite as strong as the first half, but lots of impressive (if improbable) stunts keep things chugging along. The ending certainly feels a little rushed and Marvin Hamlisch's sentimental music score does not always work. In general though, this is an engaging tale along the lines of 'Pinocchio' and 'A.I.' with the idea that all kids are kids even if their minds work differently.
'D.A.R.Y.L.' is an adorable little sci-fi children's film from the Eighties and will certainly conjure feelings of nostalgia in those who watched it as children. The film revolves around ten-year-old Daryl, who is found wandering alone in the wilderness and is fostered by childless couple Joyce and Andy Richardson. He quickly befriends their neighbours' son Turtle and goes from strength-to-strength in his new home. However, it soon becomes apparent that Daryl isn't quite normal. His intellect is vast, he has excellent sporting reflexes and acts in an oddly adult manner. Then, when two military scientists turn up at the Richardsons' home to retrieve him, it turns out Daryl is not a human child but a Data Analysing Robot Youth Lifeform, created in a science lab to serve the military. When the military orders that Daryl be destroyed, the fight to save him and return him to the family home where he was loved is on...
Barret Oliver plays the title character of Daryl, gives an effective performance and nicely depicts his character gradually changing from being odd and awkward to acting like a typical boy of ten. Mary Beth Hurt and Michael McKean, as Joyce and Andy, also give good depictions of foster parents desperate for a child, uncertain about the strange nature of Daryl yet coming to love him as if he were their own. Josef Sommer plays the scientist who begins to question the boundaries of what is considered human once he starts to know Daryl, the robot he created, properly. And Ron Frazier, as General Graycliffe who is intent on seeing Daryl destroyed, depicts his character in a suitably loathsome light!
Besides the nostalgia factor for those in their twenties and early thirties, this film will not only be enjoyable for children of today but, as we live in the computer age, brings up very relevant issues that they can consider such as what being a human means and why blood relations doesn't always matter when it comes to family. Daryl, for younger viewers, is the equivalent of Data from 'Star Trek: The Next Generation' so perhaps making this film a good choice for parents wishing to introduce their young kids to the sci-fi genre.
This is definitely an Eighties kids' classic but also one for all the family.
Barret Oliver plays the title character of Daryl, gives an effective performance and nicely depicts his character gradually changing from being odd and awkward to acting like a typical boy of ten. Mary Beth Hurt and Michael McKean, as Joyce and Andy, also give good depictions of foster parents desperate for a child, uncertain about the strange nature of Daryl yet coming to love him as if he were their own. Josef Sommer plays the scientist who begins to question the boundaries of what is considered human once he starts to know Daryl, the robot he created, properly. And Ron Frazier, as General Graycliffe who is intent on seeing Daryl destroyed, depicts his character in a suitably loathsome light!
Besides the nostalgia factor for those in their twenties and early thirties, this film will not only be enjoyable for children of today but, as we live in the computer age, brings up very relevant issues that they can consider such as what being a human means and why blood relations doesn't always matter when it comes to family. Daryl, for younger viewers, is the equivalent of Data from 'Star Trek: The Next Generation' so perhaps making this film a good choice for parents wishing to introduce their young kids to the sci-fi genre.
This is definitely an Eighties kids' classic but also one for all the family.
This is one of my favorites film ever.It's a very nostalgic film for me because I saw it a lot when I was small,even now that I'm 19,I have the video and I never get bored of it. Barret Oliver is just fantastic as Daryl,it's very sad that he stop acting because he was truly talented.Now that films are just about sex,Blood,and more sex it's good to turn to a feel good film like Daryl.I would also like to say that the title song of the film (Somewhere I belong)is very nice and the lyrics go very well with the film. My personal ratings would be 10/10
This is something as rare as a film that while mainly(and plainly) aimed at children, to a remarkable degree avoids insulting anyone not of that age. The plot isn't bad, and moves this along nicely. The pacing is reasonable. The acting varies, but Oliver... can someone please explain to me why he never got more of a career? I've yet to see him suck. McKean is both good and likable. The special effects, while some are outdated, are actually pretty good. The sci-fi elements do hold some interesting points, and are handled well, not too simplified. The sense of humor certainly has its moments. Direction can be great. Editing is usually positive, and it has some rather effective parts. Cinematography is fine. For a kid's movie, there is a bit of language. There is also some violence, and a handful of mature references. This does bear some marks of being for little ones, if not many. Music is OK. As has been pointed out, this is a solid choice for the whole family. I recommend this to young 'uns, their parents and their siblings... as long as they're all open to science fiction. 6/10
Wusstest du schon
- WissenswertesThe scenes with all of the computers at the military base were filmed in the backstage computer rooms at Walt Disney World's EPCOT Center.
- Patzer(at around 36 mins) When Joyce teaches D.A.R.Y.L. how to play the piano, D.A.R.Y.L. demonstrates his grasp of the piece's rhythm by saying, "Whole note, two half notes, and four quarters to a measure", a perfect description of 4/4 time. However, they play a piece in 6/8 time.
- Zitate
Dr. Ellen Lamb: General, a machine becomes human when you can't tell the difference anymore.
- VerbindungenFeatured in At the Movies: D.A.R.Y.L./Cocoon/Return to Oz (1985)
- SoundtracksSomewhere I Belong
Music by Marvin Hamlisch
Lyrics by Dean Pitchford
Performed by Teddy Pendergrass
Produced by Nile Rodgers
Available on Elektra/Asylum Records & Tapes
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- D.A.R.Y.L.
- Drehorte
- 716 Euclid Avenue, Orlando, Florida, USA(house: home of Andy and Joyce Richardson)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.840.873 $
- Eröffnungswochenende in den USA und in Kanada
- 2.649.832 $
- 16. Juni 1985
- Weltweiter Bruttoertrag
- 7.840.873 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was D.A.R.Y.L. - Der Außergewöhnliche (1985) officially released in India in Hindi?
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