Zum Teufel mit den Kohlen

The film is a comedy of how Brewster finds creative ways of spending the 30 million dollars and not always getting it right. He is unable to tell anyone of his real intentions of inheriting 300 million by successfully blowing 30 million dollars in 30 days. As soon as he receives news he goes on a wild spending spree and recruits lawyers, security guards, decorators etc. all at very inflated salaries. Eventually the word goes around and soon everyone is jostling to benefit from his generosity. Some of the people close to him are unnerved by his spending prowess and tries to help him acquire more money through investments which is exactly the opposite of what he wants. This all adds up to a series of very comical events which is most enjoyable to watch. Look out for the upcoming remake of this movie.

You can imagine that any movie that stars Richard Pryor and John Candy must be a funny one, and this definitely qualifies.

The plot is disarmingly (and misleadingly) simple. Montgomery Brewster (Pryor) stands to inherit a $300 million fortune from a long lost uncle (played by Hume Cronyn), whose will is videotaped. The catch? To get the money, Brewster must first spend $30 million in 30 days. An additional catch? After spending the $30 million in 30 days, Monty still isn't allowed to own anything. At first I still didn't think there would be that great a challenge, but in fact, as Monty discovers, it's hard to spend $30 million without actually purchasing anything of lasting value.

The movie progresses through Monty's spending spree on hotel rooms, parties, employees, the minor league baseball team he played for and finally his campaign to NOT be elected mayor. Other candidates spend millions to get elected; why not spend millions to convince people not to elect you? It's also interesting to see the reactions of his friends (especially Candy) to his squanderings, because another condition to the will is that he can't tell anyone what's going on.

It's really quite a lot of fun, and Pryor and Candy together make it worth watching.

7/10

While Brewster's Millions is not a perfect movie by all means, but it is a bright and breezy film that does have its heart in the right place. Also, as far as comedies go it is not one of the most defining films of the genre, but to be a good movie Brewster's Millions didn't need to be that.

As I have said already, Brewster's Millions is not a perfect film. The plot is on the predictable and simple side and I can understand why one might find it bizarre too with its concept and all though I did find it refreshing in a sense on the other side of the argument. The ending feels rather abrupt and could have been rounded off better, and also while others may be divided on whether to perceive this as a flaw, Brewster's Millions does have a theme that is firmly rooted in the 80s which may date it slightly.

However, it is nicely filmed, with striking locations and nice cinematography and editing, while the soundtrack is nicely 80s without dating the film. The film does work in its humour, the script is funny without the need to be too sophisticated and smart, while the odd situation also made me chuckle. The direction is good enough, the film is paced well and it is a good length. And although the story is quite simple, there is enough material to engage throughout, and a lot of it is to do with the fun chemistry between Richard Pryor and John Candy. Pryor I can find loud and unfunny at times, and other times where he is a lot of fun, his performance here is the latter and it does help that his character and most of the characters here are likable, while Candy really does shine. There is also a hilarious cameo from Rick Moranis and Jerry Orbach is always good value.

All in all, Brewster's Millions is a fun film with heart even if there are parts/aspects that could have done with more work. 7/10 Bethany Cox

When people think of the long legacy of Richard Pryor as a comedian, this film may not be at the top of the list. He has achieved greater heights personally and professionally elsewhere. Many Pryor fans may have skipped over this one altogether with a catalog of films to choose from that include luminaries from "Car Wash" to "Stir Crazy" to "Harlem Nights." That's unfortunate really, because as comedic performances go, Pryor strikes pure gold in this unheralded film. His manic energy, his sheer frustration with the impossibility of his dilemma (spend 30 million dollars until you are dead broke and not have a single penny or asset left at the end, in order to inherit three HUNDRED million) and the fact that he channels so much believability into what would otherwise be absurd are highly laudable. With an excellent supporting cast that included the likes of John Candy and Jerry Orbach, it's hard to imagine anyone too jaded to enjoy this film. It's ridiculous and over the top, to be sure, but it's also supremely funny in a way much more pretentious comedies can't touch. Pryor breathes life into the film and the film glows as a result. Whether it's on your personal "best comedy" list or not, it's not a film you can easily excuse not watching whether a Pryor fan or not. From third rate baseball playing bum, to toast of the town millionaire, back to a bum again before a highly rewarding ending comedically and emotionally, "Brewster's Millions" pulls off the best trick of all - it makes the viewer feel like a million bucks for having watched it.

Believe it or not, "Brewster's Millions", in which Richard Pryor plays a guy who has to spend $30 million in 30 days so that he can inherit $300 million from his late uncle (Hume Cronyn) but can't tell anyone the second part, is based on a 1902 novel. And a funny adaptation it is! Pryor plays a baseball player who prefers partying with his buddy (John Candy). Once it's time for him to start spending, he goes all out. I will say that this isn't the best work for either of them, but Walter Hill's movie definitely elicits its share of laughs. The best part is Brewster's mayoral campaign: he's the most truthful candidate of all time (or at least the most realistic).

The executives who formally give Brewster the money reminded me very much of the Dukes in "Trading Places". As it is, one of them is played by a man who seems to have spent much of his career playing bombastic executives: David White, aka Larry Tate on "Bewitched". He went from playing an executive in "The Apartment", to playing the boss of a man married to a witch, to playing an executive who gives $30 million to a rule-trashing cool dude. What a country indeed!

Anyway, the movie is at once a parable about profligacy and also just a plain old fun comedy. Brewster is a guy who, quite simply, knows how to party. Like I said, it's not the funniest movie ever, but you definitely get some laughs out of it.