IMDb-BEWERTUNG
6,3/10
43.247
IHRE BEWERTUNG
Ein kleiner Junge und ein Haufen unpassender Freunde machen sich auf die Suche nach einem dunklen magischen Element der ultimativen Macht, bevor ein teuflischer Tyrann es kann.Ein kleiner Junge und ein Haufen unpassender Freunde machen sich auf die Suche nach einem dunklen magischen Element der ultimativen Macht, bevor ein teuflischer Tyrann es kann.Ein kleiner Junge und ein Haufen unpassender Freunde machen sich auf die Suche nach einem dunklen magischen Element der ultimativen Macht, bevor ein teuflischer Tyrann es kann.
Grant Bardsley
- Taran
- (Synchronisation)
Freddie Jones
- Dallben
- (Synchronisation)
Susan Sheridan
- Eilonwy
- (Synchronisation)
Nigel Hawthorne
- Fflewddur
- (Synchronisation)
Arthur Malet
- King Eidilleg
- (Synchronisation)
John Byner
- Gurgi
- (Synchronisation)
- …
Lindsay Rich
- Fairfolk
- (Synchronisation)
Brandon Call
- Fairfolk
- (Synchronisation)
Gregory Levinson
- Fairfolk
- (Synchronisation)
Eda Reiss Merin
- Orddu
- (Synchronisation)
Adele Malis-Morey
- Orwen
- (Synchronisation)
Billie Hayes
- Orgoch
- (Synchronisation)
Phil Fondacaro
- Creeper
- (Synchronisation)
- …
Peter Renaday
- Henchman
- (Synchronisation)
James Almanzar
- Henchman
- (Synchronisation)
Wayne Allwine
- Henchman
- (Synchronisation)
Steve Hale
- Henchman
- (Synchronisation)
Phil Nibbelink
- Henchman
- (Synchronisation)
Empfohlene Bewertungen
I first saw this movie when I was a kid (probably 7 or 8) and I loved it. After that I didn't know what happened to it. Then last year (or so) it appeared on video. Naturally I snapped it up.
Well? Had the years been kind? Somewhat. Of course the build-up I had given it could never have been lived up to, but I enjoyed it. Watching it again, without the preconceptions, I thought it was wonderful. Maybe not as good as I thought as a kid, but still great.
Sure, some of the animation isn't as polished and crisp as the likes of 'The Little Mermaid' or 'Beauty and the Beast' (2 of my favorites) but it still looks great (especially the cauldron scenes near the end). And the team didn't feel the need to squeeze songs in where they would have been unwelcome. There are NO songs in this movie.
Overall, I can see why some people don't like it, but that's surely true of any movie. This is an atypical Disney release, but a classic. One of my favorites.
Well? Had the years been kind? Somewhat. Of course the build-up I had given it could never have been lived up to, but I enjoyed it. Watching it again, without the preconceptions, I thought it was wonderful. Maybe not as good as I thought as a kid, but still great.
Sure, some of the animation isn't as polished and crisp as the likes of 'The Little Mermaid' or 'Beauty and the Beast' (2 of my favorites) but it still looks great (especially the cauldron scenes near the end). And the team didn't feel the need to squeeze songs in where they would have been unwelcome. There are NO songs in this movie.
Overall, I can see why some people don't like it, but that's surely true of any movie. This is an atypical Disney release, but a classic. One of my favorites.
I must say first that my opinion on this film is slightly biased. I was one of the handful of people to have seen this film on its initial theatrical run. I was also 11 and a boy (a target audience of this film). I owned the Gurgi and Hen Wen plushes, got excited by the preview on the "Pinocchio" video, etc.,etc.
After seeing the movie, I remember being entertained (maybe not enthralled) by the film and was saddened by Gurgi's sacrifice at the end.
Years passed. And passed. And passed. And people seemed to have forgotten "Black Cauldron" in the wake of "Little Mermaid" and her successors.
I must admit that I became somewhat obsessed with finding out why Disney thought of the film so poorly and why everyone gave me "blank stares" when I mentioned it. To say the least, I longed for a video release of the film.
A year or two ago, I got my wish, and now that I'm older and "wiser" I'm able to make a better judgement of the film. Is it Disney's worst film ever? Absolutely not. "Black Cauldron" is probably the finest animated film of the 1980's ("Little Mermaid" not withstanding). It IS a scary film for young kids (hence the PG rating) but I think audiences today are able to deal with that more than they were back in 1985 (just look at "Dinosaur," "Road to El Dorado," and the upcoming "Titan AE" which are all rated PG). The story may not be up to Disney standards, but for a film of its genre (i.e fantasy) it has a very compelling and understandable story. The animation has its highs and lows. But this film was made by a large number of people over a long period of time, so it is inevitable that there should be some fluctuation in quality.
Lastly, I too have read Lloyd Alexander's books, and I too adore them. No, Disney's film does not even begin to compare to the books, but what movie does?
On its own terms, "Black Cauldron" stands as a remarkable achievement in animation, and a film for those people who don't just think cartoons are "babysitters for kids."
After seeing the movie, I remember being entertained (maybe not enthralled) by the film and was saddened by Gurgi's sacrifice at the end.
Years passed. And passed. And passed. And people seemed to have forgotten "Black Cauldron" in the wake of "Little Mermaid" and her successors.
I must admit that I became somewhat obsessed with finding out why Disney thought of the film so poorly and why everyone gave me "blank stares" when I mentioned it. To say the least, I longed for a video release of the film.
A year or two ago, I got my wish, and now that I'm older and "wiser" I'm able to make a better judgement of the film. Is it Disney's worst film ever? Absolutely not. "Black Cauldron" is probably the finest animated film of the 1980's ("Little Mermaid" not withstanding). It IS a scary film for young kids (hence the PG rating) but I think audiences today are able to deal with that more than they were back in 1985 (just look at "Dinosaur," "Road to El Dorado," and the upcoming "Titan AE" which are all rated PG). The story may not be up to Disney standards, but for a film of its genre (i.e fantasy) it has a very compelling and understandable story. The animation has its highs and lows. But this film was made by a large number of people over a long period of time, so it is inevitable that there should be some fluctuation in quality.
Lastly, I too have read Lloyd Alexander's books, and I too adore them. No, Disney's film does not even begin to compare to the books, but what movie does?
On its own terms, "Black Cauldron" stands as a remarkable achievement in animation, and a film for those people who don't just think cartoons are "babysitters for kids."
I get tired of hearing people say that this is one of the worst Disney films ever. This film is energetic and action packed.
Simply because the movie is on the bleak side it has gotten unjust criticism. Sure Disney was not at a high point during this time but this movie was better than many others made during the 80's. Oliver and Company is good and I like it more than this but that's because I have more memories from it than BC. The Great Mouse Detective was alright but not anywhere as remotely good as these two films.
I haven't seen The Black Cauldron many times but it is a good Disney film. People who have a problem with the darkness of the film let me put it this way, "Don't watch it and don't show it to your young children!" If you think they can handle it later on than go ahead but don't knock the movie just because it's not what you think Disney should be.
The Black Cauldron is geared more towards a male audience but I am sure some girls may enjoy it as well.
If you haven't seen The Black Cauldron and your a big Disney fan at least give it a shot.
Simply because the movie is on the bleak side it has gotten unjust criticism. Sure Disney was not at a high point during this time but this movie was better than many others made during the 80's. Oliver and Company is good and I like it more than this but that's because I have more memories from it than BC. The Great Mouse Detective was alright but not anywhere as remotely good as these two films.
I haven't seen The Black Cauldron many times but it is a good Disney film. People who have a problem with the darkness of the film let me put it this way, "Don't watch it and don't show it to your young children!" If you think they can handle it later on than go ahead but don't knock the movie just because it's not what you think Disney should be.
The Black Cauldron is geared more towards a male audience but I am sure some girls may enjoy it as well.
If you haven't seen The Black Cauldron and your a big Disney fan at least give it a shot.
This is not your average Disney movie, which is full of happy characters and a long line of happy-go-lucky songs. For many years, Disney disowned this movie because it wasn't a box-office hit and was released on VHS/DVD only twice.
One of few PG-rated Disney movies, this one contains no music, and truly scary characters (age-depending, of course). Although characters like the Horned King and his undead army, may frighten younger viewers, the movie's dark side may be appreciated by some children (we forget that they too may appreciate the darker sides of things).The story is slow-moving for a Disney movie, but involving nonetheless. Although it is not the best movie, it is different from their usual gooey-mess of a film, while still having a fantasy-theme and does not seem like a Disney movie whatsoever (in a good way!).
One of few PG-rated Disney movies, this one contains no music, and truly scary characters (age-depending, of course). Although characters like the Horned King and his undead army, may frighten younger viewers, the movie's dark side may be appreciated by some children (we forget that they too may appreciate the darker sides of things).The story is slow-moving for a Disney movie, but involving nonetheless. Although it is not the best movie, it is different from their usual gooey-mess of a film, while still having a fantasy-theme and does not seem like a Disney movie whatsoever (in a good way!).
"The Black Cauldron" provides us with "Exhibit A" of the disorganized nature of the Disney organization from the mid-1970s through the mid-80s. The company's feature films were attracting smaller and smaller audiences, and no real creative force had emerged since Walt Disney's death in 1966. By the mid- to late-70s, it was clear that new ideas needed to be tried. The phenomenal success of "Star Wars" appeared to offer a sure-fire way to box-office success: sci-fi/fantasy movies. At the same time, Disney Studio's full-length animated features continued their descent from the heights scaled in 1959's "Sleeping Beauty", at first downscaling the subject matter, then progressing to less and less impressive animation, and finally combining the first two trends with boring storytelling (see "The Fox and the Hound" - 1981).
It was in this context that pre-production began on "The Black Cauldron" in the late 1970s. From an artistic standpoint, its goals were two-fold. First, the film was to recapture the lead in animation quality that Disney had traditionally held, while the second goal was to incorporate the advances in animation and subject matter made in the 1970s (i.e., playing "catch up"). Some early decisions were good: the source material was top-notch. Lloyd Alexander's "Chronicles of Prydain" are fantastic works of fantasy for the young adult - I loved them as a middle-schooler in the mid-80s, and the choice to film the story in 70mm widescreen harkened back to the glory days of "Sleeping Beauty." Unfortunately, not much else worked. The studio's writers did a terrible job of condensing the first two books of Alexander's series, and we end up caring little for the characters that emerge, or for the plot as it unfolds. Also, the movie's tone is uneven. Overall, the work is very dark and un-Disney, which would've been fine had it been executed better. Further, the grimness of the plot doesn't mesh with occasionally clumsy and earthy attempts at humor, and the character animation fluctuates between sober naturalism and exaggerated, cartoonish mannerisms (stretching ears, gaping mouths, etc.) Still, some of the shots are stunning and rank among the best in the history of hand-drawn animation (e.g., multiplaned exterior shot of the Horned King's castle, beautiful backgrounds within the same, Hen-Wen's capture by the Horned King's creatures). The result of this mish-mash was a box-office flop ($25 million to make, $5 million in ticket sales upon its 1985 release).
In short, see this film for its often-impressive animation and intermittent charm. Be sure to get the newly-available widescreen version on DVD. Bemoan the end of the era of stunning hand-drawn animation (Disney has closed up its shop; "Home on the Range" was its penultimate hand-drawn feature). Don't expect a classic, but appreciate the vision of its artistry - even if the final product didn't quite mesh satisfactorily. "The Black Cauldron" is a noble failure.
It was in this context that pre-production began on "The Black Cauldron" in the late 1970s. From an artistic standpoint, its goals were two-fold. First, the film was to recapture the lead in animation quality that Disney had traditionally held, while the second goal was to incorporate the advances in animation and subject matter made in the 1970s (i.e., playing "catch up"). Some early decisions were good: the source material was top-notch. Lloyd Alexander's "Chronicles of Prydain" are fantastic works of fantasy for the young adult - I loved them as a middle-schooler in the mid-80s, and the choice to film the story in 70mm widescreen harkened back to the glory days of "Sleeping Beauty." Unfortunately, not much else worked. The studio's writers did a terrible job of condensing the first two books of Alexander's series, and we end up caring little for the characters that emerge, or for the plot as it unfolds. Also, the movie's tone is uneven. Overall, the work is very dark and un-Disney, which would've been fine had it been executed better. Further, the grimness of the plot doesn't mesh with occasionally clumsy and earthy attempts at humor, and the character animation fluctuates between sober naturalism and exaggerated, cartoonish mannerisms (stretching ears, gaping mouths, etc.) Still, some of the shots are stunning and rank among the best in the history of hand-drawn animation (e.g., multiplaned exterior shot of the Horned King's castle, beautiful backgrounds within the same, Hen-Wen's capture by the Horned King's creatures). The result of this mish-mash was a box-office flop ($25 million to make, $5 million in ticket sales upon its 1985 release).
In short, see this film for its often-impressive animation and intermittent charm. Be sure to get the newly-available widescreen version on DVD. Bemoan the end of the era of stunning hand-drawn animation (Disney has closed up its shop; "Home on the Range" was its penultimate hand-drawn feature). Don't expect a classic, but appreciate the vision of its artistry - even if the final product didn't quite mesh satisfactorily. "The Black Cauldron" is a noble failure.
Wusstest du schon
- WissenswertesThe first Disney animated film that's not a musical, does not contain any songs neither performed by characters, nor in the background.
- PatzerTaran unchains the gate barring their escape from the castle. In subsequent shots, the lock and chains reappear and then, finally disappear.
- Crazy CreditsThere are no opening or cast and crew credits.
- Alternative VersionenThe version of the film released to theaters omits numerous fully animated scenes that include shots of graphic violence as Taran fights his way out of the castle and shots of Eilonwy sporting ripped garments as she's hanging for her life with Taran and Fflewddur. The most well-known deleted scene, due to a clumsy jump that it left in the film's soundtrack and a cel of the infamous scene appearing online, is that of a man being mauled by one of the Cauldron-born.
- VerbindungenEdited from Fantasia (1940)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Der schwarze Kessel
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 44.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.288.692 $
- Eröffnungswochenende in den USA und in Kanada
- 4.180.110 $
- 28. Juli 1985
- Weltweiter Bruttoertrag
- 21.289.084 $
- Laufzeit1 Stunde 20 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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Oberste Lücke
What is the Japanese language plot outline for Taran und der Zauberkessel (1985)?
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