IMDb-BEWERTUNG
8,2/10
6891
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA documentary of the successful career and assassination of San Francisco's first elected gay city supervisor.A documentary of the successful career and assassination of San Francisco's first elected gay city supervisor.A documentary of the successful career and assassination of San Francisco's first elected gay city supervisor.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 11 Gewinne & 2 Nominierungen insgesamt
Harvey Fierstein
- Narrator
- (Synchronisation)
Harvey Milk
- Self
- (Archivfilmmaterial)
John Briggs
- Self
- (Archivfilmmaterial)
Jerry Brown
- Self
- (Archivfilmmaterial)
Jimmy Carter
- Self
- (Archivfilmmaterial)
Dianne Feinstein
- Self
- (Archivfilmmaterial)
- (as Mayor Dianne Feinstein)
David Fowler
- Self - TV Interviewer of Dan White
- (Archivfilmmaterial)
Joseph Freitas
- Self
- (Archivfilmmaterial)
Terence Hallinan
- Self
- (Archivfilmmaterial)
George Moscone
- Self
- (Archivfilmmaterial)
Empfohlene Bewertungen
10jcb9
"The Times of Harvey Milk" is one of my two favorite documentaries of all time, along with "Roger & Me." Through interviews with his friends, acquaintances, and political allies, Harvey Milk is really brought to life and a wonderful and inspirational human being. It's an especially moving story for me, since I grew up in Berkeley, just across the Bay from San Francisco - but you can enjoy this movie regardless of where you're from. I've seen "The Times of Harvey Milk" about five times now, and I've cried every time. Just thinking of the opening shot of Diane Feinstein saying, "Mayor Moscone and Supervisor Harvey Milk have been shot - and killed" to a shocked crowd of reporters chokes me up.
The life and aftermath in death of wonderfully wry and droll Harvey Milk, San Francisco's first openly gay city official who, along with Mayor George Moscone, was killed on a November day in 1978 by disgruntled ex-colleague Dan White (who ultimately received an unusually light sentence after his trial). From Milk's sneaky campaigning tricks to the infamous 'Twinkie Defense', this documentary is solid and involving. It has a creepy ambiance that is difficult to shake after it's over, yet there's a darkly amusing undercurrent throughout (which Milk himself might've appreciated!). The film says to take these events seriously, but to take them AS events. See the humor in the chaos. This was a deserved Oscar winner for Best Documentary Feature; it is quite moving, funny, despairing--never clinical or cold. *** from ****
10PDWadler
This is a very important film, documenting the coming-of-age of LGBT involvement in the political process. Made just a few years after the Milk/ Moscone assassinations, it expertly captures the mood of a community, pre-AIDS, poised to assume political power.
The climax of the film is the peaceful, strangely silent, candle-lit march up Market Street from the Castro, the center of San Francisco's gay male community. The gay community's response to horrific violence is shock and love. When I show this film to young (mostly heterosexual) student audiences, there is always a collective gasp as they see the throngs of silent marchers.
The climax of the film is the peaceful, strangely silent, candle-lit march up Market Street from the Castro, the center of San Francisco's gay male community. The gay community's response to horrific violence is shock and love. When I show this film to young (mostly heterosexual) student audiences, there is always a collective gasp as they see the throngs of silent marchers.
10Ozdachs
I felt it was a powerful film as I saw it as a new arrival in SF in 1984. I didn't understand its power, though, until the documentary ended and the theather kept the lights very low. As I got up and started walking to the exit, I realized that most of the audience kept their seats. Very odd, since the credits and EVERYTHING had ended. The folks were just sitting and crying.
Art has historically been used to let people rethink and understand the events of their times. (Think Shakespeare.) This film is that type of "art".
Art has historically been used to let people rethink and understand the events of their times. (Think Shakespeare.) This film is that type of "art".
10bandw
The title of this excellent documentary is well chosen, since it is as much about a time and a place as it is about Harvey Milk. The time is the late 1970s and the place is San Francisco. After quickly covering some biographic details the movie concentrates on Milk's campaign to get elected to the San Francisco Board of Supervisors. After three unsuccessful attempts he wins, becoming the first openly gay man to be so elected. As much of a breakthrough as that was, it must be kept in mind that Milk was elected representing a heavily gay district.
Things have changed a lot in thirty years, since some U.S. congressmen are now openly gay. But the issue of acceptance of homosexuality is still contentious, as proved by the passage in 2008 of Proposition 8 that changed the California Constitution to ban gay marriage. This documentary is relevant since it shows where things started to change.
A good part of the film is devoted to consideration of California's Proposition 6 that was put before the public in 1978. Proposition 6 would have banned gays and lesbians from working in public schools. Of course Milk was heavily involved in opposition to the Proposition and it was a peak moment for him and the gay community when the proposition failed. The filming of the celebration of this in the gay community is a high point of the film.
It was only shortly after the defeat of Proposition 6 that Milk and San Francisco Mayor George Moscone were assassinated by Dan White, a fellow supervisor who had recently resigned, but was seeking reinstatement. The spontaneous candlelight vigil on the evening of the assassination that comprised some 40,000 people marching from the Castro neighborhood to City Hall was captured on film from the roof of a nearby building and is an exceedingly moving emotional highlight of the film.
This film is clearly tilted to present Milk in a favorable light and indeed that is not difficult, since Milk's charisma comes across strongly. However, it is mentioned that Milk was subject to fits of anger and could be difficult to work with. Also, Dan White's anguished testimony at his trial is played and he seemed genuine in his expression of regret, but hardly enough to exonerate him in the minds of most people. When White got what was considered a light seven year sentence, the ugly rioting and vandalism that resulted were not whitewashed. White was released from prison after serving five and a half years and committed suicide less than two years later. So, in the end he paid the price for his crimes.
The interviews with some of Milk's associates almost ten years after his assassination are very effective. They are all articulate and insightful about themselves and the history of the times of Harvey Milk.
The use of documentary footage from the time is effective and either a gay or a straight can appreciate this documentary as history.
Things have changed a lot in thirty years, since some U.S. congressmen are now openly gay. But the issue of acceptance of homosexuality is still contentious, as proved by the passage in 2008 of Proposition 8 that changed the California Constitution to ban gay marriage. This documentary is relevant since it shows where things started to change.
A good part of the film is devoted to consideration of California's Proposition 6 that was put before the public in 1978. Proposition 6 would have banned gays and lesbians from working in public schools. Of course Milk was heavily involved in opposition to the Proposition and it was a peak moment for him and the gay community when the proposition failed. The filming of the celebration of this in the gay community is a high point of the film.
It was only shortly after the defeat of Proposition 6 that Milk and San Francisco Mayor George Moscone were assassinated by Dan White, a fellow supervisor who had recently resigned, but was seeking reinstatement. The spontaneous candlelight vigil on the evening of the assassination that comprised some 40,000 people marching from the Castro neighborhood to City Hall was captured on film from the roof of a nearby building and is an exceedingly moving emotional highlight of the film.
This film is clearly tilted to present Milk in a favorable light and indeed that is not difficult, since Milk's charisma comes across strongly. However, it is mentioned that Milk was subject to fits of anger and could be difficult to work with. Also, Dan White's anguished testimony at his trial is played and he seemed genuine in his expression of regret, but hardly enough to exonerate him in the minds of most people. When White got what was considered a light seven year sentence, the ugly rioting and vandalism that resulted were not whitewashed. White was released from prison after serving five and a half years and committed suicide less than two years later. So, in the end he paid the price for his crimes.
The interviews with some of Milk's associates almost ten years after his assassination are very effective. They are all articulate and insightful about themselves and the history of the times of Harvey Milk.
The use of documentary footage from the time is effective and either a gay or a straight can appreciate this documentary as history.
Wusstest du schon
- WissenswertesSelected for preservation by the National Film Registry in 2012.
- PatzerWhen describing Harvey Milk's murder, the narrator states that Dan White killed Milk in Milk's own office. In reality, White asked Milk to come into White's former office, closed the door, blocked it with his body, and shot Milk.
- Zitate
[last lines]
Harvey Milk: I know that you cannot live on hope alone, but without it, life is not worth living. And You... And You... And You... Gotta give em hope. Thank You very much.
- SoundtracksYou Make Me Feel (Mighty Real)
Performed by Sylvester
Written by Sylvester & James Wirrick (as Tip Wirrick)
Tim McKenna (Borozi Music Artists)
Fantasy Records
(c) 1978 Rights Donated
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- The Times of Harvey Milk
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Box Office
- Bruttoertrag in den USA und Kanada
- 13.801 $
- Eröffnungswochenende in den USA und in Kanada
- 2.213 $
- 17. Sept. 2000
- Weltweiter Bruttoertrag
- 46.573 $
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By what name was Wer war Harvey Milk? (1984) officially released in India in English?
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