Streetwise - Strassenkinder

Do the subjects of this film know that most everyone who viewed it still thinks about them and wonders what happened to them? Does Martin Bell know this? How the world would eat up a sequel...a follow-up on the people who can be located...

I have followed (or tried to follow) Tiny through the years, she is up to 9 children now and is moving to North Carolina with her husband. He is the father of her last 4 kids. Her oldest son Daylon lives alone and is 19, her 2 oldest daughters live with a relative. Here is the link to http://seattletimes.nwsource.com

type in Mary Ellen Mark, the article is called: Focused on a life: Photographer uses camera as force for change

I heard that Rat is living on a farm or ranch, , some people say he died, does anyone have any current info?

Does anyone have a picture of Roberta, the victim of the Green River killer? I cannot remember her face.

If any one watched the movie & actually understood it they might understand the absurdity of that statement. When these weird people showed up & started following us around most just wanted to jump them & take their cameras & other stuff but none of us knew anyone who would buy something like that. We were on the streets for a reason & most of us had not had very good luck with adults so it was not really in our best interest to deal with them, but these folks were smart, somehow they got in good with Lulu one day Lulu told us hands off the old people, don't mess with them. So that was the way it was, after them being around for a while some of us kind of talked to them, most of us just wanted them to go away, they were strange, they didn't want sex, they weren't trying to hit or hurt us & most of us just got used to them. A lot of the others that were in the movie were trying to stay alive in some small way, the green river killer was working the crowd & that movie might be the only proof we were ever even here. Some of the kids were just trying to prove that they were making it & doing fine without their parents. D's dad was a dipstick & that is always how he talked to him. Somewhere it says that Lulu's last words were to tell these people that she was dead, that is BS, she was NOT attacked by other streetkids for no reason, she was defending her girlfriend from a drunk insane man, that is the way it was, that is the way she was. None of us got paid for this, as a matter of fact I don't even think any of us could con those folks into buying us a burger & fries at the Unique. For all of the armchair critics here who didn't have to live like this, or wasn't there, you might want to get out more. For any of those reading who may be still alive from there this is Breezy RIP Patti, Lulu, Dewaynne, John, & Bert...

This documentary hits very close to home. I grew up with "Rat" after 1984, and our lives are still involved in some ways. I saw this movie as a teenager and it really makes you think about how things could be. Most kids can't wait to get out "on their own" and when you look at the way some roads can take you, you don't ever want to leave. When I look back at how "Rat" grew up and the lives of these other kids, I think to myself how easy it could have been me or kids that I know now. When you watch this movie, you will always remember that LIFE is such a short period of time and so many things can bring you down along the journey. But you have to keep in mind that the negative is always a learning experience, the question is...would you take the same journey again?

'STREETWISE' the documentary film

Director & Cameraman: Martin Bell

Sound Recordist: Luther Keith Desmond

The rest of the credits are on the 'Streetwise' web site.

Recently, someone mentioned '…Didn't you have summat to do with Streetwise?….' This prompted me to look through the Streetwise website for the first time. I was more than a trifle surprised to find, there's a whole raft of you out there believe this remarkable film was 'scripted.' As the only soundman on the streets of Seattle during the filming of Streetwise, had there been a script, it would have been necessary for me to have a copy. There was no script - period.

The relationship between Dewayne and his father was later developed into a story by Peter Silverman. Martin Bell, Mary Ellen Mark and Peter Silverman wrote a screenplay, which became the 1992 movie 'American Heart' directed by Martin Bell.

Cheryl McCall, who is down as the writer on the website, is most certainly a writer, and also the credited producer of Streetwise. The entire film was inspired by an article in Life magazine (1983) entitled 'Streets of the Lost'- text by Cheryl McCall, photographs by Mary Ellen Mark. All of the action on the street and all of the dialogue in the film is that of the kids. How do I know? Well I recorded the stuff. No-one could write dialogue that good.

Some have thought 'Streetwise' was too beautifully filmed to be a documentary. For the UK television audience, the quality of the images in Streetwise was standard documentary TV in the early 80's. I only mention this, as the crew shooting 'Streetwise' were Limey's. Martin and I had worked together for fifteen years - cutting our teeth on documentaries shot for UK television.

The Limey factor proved to be a stumbling block at the outset. The kids on Pike Street were confused by the accents of two bearded characters, unable to speak American properly, and it took us two to three weeks to convince them we were not the CIA. In two and a half months we shot close on 50 hours of film. This is normal for obtaining enough content to give the editor a chance of constructing a truthful account.

Some of you on the web indicate disbelief as to how some sequences were gathered, indicating a possibility of manipulating the contributors.

The only manipulation of any contributor was administered by myself, in placing radio microphones on the characters involved. It could also be argued that it was manipulation to put a radio microphone on Tiny in her prison cell, prior to filming the visit by Rat. Likewise, with Dewayne's father, also in jail. If this was manipulation, I stand guilty as charged. This was the only way I could gather dialogue from contributors.

Many have expressed dismay or doubt, about the Coke can on the coffin of Dewayne. This was not orchestrated by the crew, simply a forgetful gesture by a father, out of jail for the day for the funeral, distraught at his failure towards his son. What you do not see in this scene is Dewayne's father giving his son a drink of coke from that can.

Some of you may be unaware of the dedication and involvement of the film editor and the editing crew. The skill, sensitivity and integrity of editor Nancy Baker and her sharp shooter assistant, Jonathan Oppenheim is overwhelming. These people make my stuff 'sound' good, and they gave us a memorable film.

I cannot offer you hopeful news on most of the street kids in Seattle, I only wish I could.

The last I heard was that Tiny (Erin) had now given birth to eight children – and is about to give birth to her ninth.

Lulu was killed by street kids, without provocation. Over 300 attended her funeral.

Shadow is now working in construction in Seattle.

Munchkin is a chef in a Seattle restaurant.

Patti died of AIDS.

Kim married a Navy Seal and has a child.

Rat, could be almost anywhere.

The rest, Dawn, Shellie, Lillie, I know nothing of.

Someone asked, who sang 'Teddy Bears picnic?' – this was not Tom Waits, but a street musician in Seattle known as 'Baby Gramps' – wasn't he good?

Luther Keith Desmond Sound Recordist London. U.K. November 2004