Killing Fields - Schreiendes Land

The Killing Fields is one of the most influential films of the 20th century. Its provocative and dangerous subject matter stresses the importance of communication and the freedom to communicate. Based on the Khmer Rouge occupation and genocide of Cambodia in the 1970's, the film tells the story of two men, catapulted into chaos and peril.

The movie is first and foremost, a historical account. The events are based off the true story of Dith Pran and Sydney Schanberg. Given that I had not known much about the Cambodian genocide of the 1970's prior to seeing this film, I must herald the piece as a successful feat of cinematography that served as both informational as well as inspirational. The film is believable, realistic, and heart wrenching. I immediately felt for the two main characters as they quickly exchanged trust and fell victim to the powers of political violence. While it is slightly romanticized, The Killing Fields still manages to produce a message with real life implications.

I saw this film a while back and just saw it again on TV. If you are interested in seeing a great, tense drama this is a good start. Honest and unapologetic directing from Roland Joffe and fine performances from Sam Waterston & John Malkovich (plus nicely played small parts by Craig T. Nelson & Spalding Gray.) Above all of them, however, is Haing S. Ngor as Dith Pran, the Cambodian journalist assisting the New York Times reporter played by Waterston during the conflicts in Cambodia around the time of the Vietnam war. This was Ngor's first film and had no previous acting experience. Quite a performance from Ngor, earning a well deserved Academy Award. Interesting note, Ngor himself led a very similar life to his character. Wonderfully touching film, you should see it.

I watched this movie with my father shortly after it came out on video, so I would have been only 9 or 10 at the time. I did not see it again until this year, but I could still remember the scene of a lone man stumbling across a field strewn with the skeletons of his countrymen. Watching it again was both a moving and a worthwhile experience.

There are so many scenes which will, as the movie case says, haunt the viewer long after watching. The scene already mentioned, Waterston and Ngor wandering through the remains of the homes of Cambodian civilians destroyed by American bombs, a little girl, her hands over her ears, crying and screaming, surrounded by explosions and gunfire.

The acting performances are top notch all round, particularly, of course, by Dr. Ngor. The team of Joffe and Menges is superb, as they also are in The Mission. Both films are in my video library.

As an aside, whatever happened to Joffe? Super Mario Brothers? The Scarlet Letter? The Mission and The Killing Fields are such rich, well-crafted films. It's a shame that actors and directors are pulled towards Hollywood. Artistic integrity is priceless. Perhaps that's why it's given away by so many.

I've read only 20 comments so far, and it was surprising to learn that some viewers (namely 'gregory.messine' and 'RBarse', both of US of A ) think it's set in Vietnam. Come on lads, I've heard that education in America is not great but I didn't expect it to be so bad. Have you ever opened an atlas. Maybe the sound in your theater didn't work or sth. THIS FILM IS ABOUT A WAR IN CAMBODIA. Cambodia is a neighbour of Vietnam. It's set in 1973-79, just after the Vietnam War!!!!!

Anyway, back to movie. It's brilliant, not too sentimental, not too cold. The acting is simply marvellous (to be honest I didn't know any of the actors except for Malkovich), cinematography is a touch of genius. Some people complained about the score. Well I can agree, that the lyrics of "Imagine" in the context sound like a Khmer Rouge anthem, but the rest is beautiful (Oldfield did a good job).The scene when Schanberg watches some TV programme about the Cambodian War while listening to Puccini's opera is so moving, just like the sight of thousands of Cambodians being "evacuated" by the Khmer out of Phnom Pehn.

9/10

Rating: **** Out of ****

Hard to say, but I believe when it comes to the war genre, The Killing Fields manages to edge out even Saving Private Ryan, and without a doubt, there's no better war film out there that's done a better job of capturing the realistic details and emotional loss of the time period (that being, the 70's in Cambodia/Vietnam).

Thus, I've always considered it a little odd that no one I know has even heard of this film. When lists of the greatest war films are decided, I don't believe I've ever seen this film crack any list. And the reason is simple: The Killing Fields is often ignored because it doesn't come from a soldier's point of view, and neither does it feature any adrenaline-pumping battle sequences. The fact that a strong portion of the film (about 2/5's) comes entirely from a Cambodian man's viewpoint might throw off a few viewers here and there. And yet, the film does just as fine a job as any anti-war film in creating a frightenining, chaotic world.

The performances all around superb without exception. Haing S. Ngor, who was tragically killed a few years ago, delivers a riveting, emotionally wrenching turn as the guide who is trapped in Cambodia and forced to fight for his life. He deservingly won the Oscar, though it's a shame he was snubbed for the best actor award. Inarguably, he's the film's central character and he also has more screen time than top-billed Sam Waterston. Despite my complaint on that matter, Waterston is also excellent as the journalist with a guilty conscience.

The Killing Fields is a suspenseful and exhilarating experience, a journey through an apocalyptic landscape that features one shocking image after another. Watch, and you'll see why the film is so acclaimed.