IMDb-BEWERTUNG
5,2/10
1641
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Weslake ist darauf reduziert, sich um den Tresen eines verkrusteten Pfandleihhauses zu kümmern, und stürzt sich auf einen Plan einiger verärgerter, ungeeigneter Kunden, den Laden auszurauben... Alles lesenWeslake ist darauf reduziert, sich um den Tresen eines verkrusteten Pfandleihhauses zu kümmern, und stürzt sich auf einen Plan einiger verärgerter, ungeeigneter Kunden, den Laden auszurauben.Weslake ist darauf reduziert, sich um den Tresen eines verkrusteten Pfandleihhauses zu kümmern, und stürzt sich auf einen Plan einiger verärgerter, ungeeigneter Kunden, den Laden auszurauben.
- Auszeichnungen
- 2 Nominierungen insgesamt
Charlayne Woodard
- Jasmine
- (as Charlaine Woodard)
Ed Call
- Officer Darney
- (as Edward Call)
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"Crackers" falls into that category of films that have failed quite inexplicably - helmed by a great director, starring a cast of assured veterans (Sutherland, Warden) and talented newcomers (Penn, Baranksi) and written by the screenwriter of one of the best films of the eighties ("Cutter's Way"). Then why is it that no one talks about the film anymore? Firstly, the film has been made far more successfully on two other occasions in the guise of "Big Deal on Madonna Street" and then recently "Welcome To Collinwood". Secondly, Malle must have been going through an eighties dance music phase when he made the film because it is effectively ruined by an utterly dated and abysmal soundtrack - with a proper film score it would have been a far better film. Lastly, Sutherland gives what is probably his most broad and embarrassingly unfunny performance in the lead, subsequently hindering any sympathy for his character. There are other qualms (what exactly is the purpose of Baranski's character, lets throw in a slut for some wacky comedy?) but it is nevertheless still quite watchable. Shawn, who would collaborate with Malle on the acclaimed films "My Dinner With Andre" and "Vanya on 42nd Street", is very funny as the forever-eating Turtle and Penn is amusing in a dumb hood role he would practically resume for "We're No Angels", another film with a great director, writer and cast that would be a critical and commercial failure. No film made by Malle could be truly bad, and this isn't, but it is neither as quirky or funny as it wants to be.
Not all his work is equal, but at this point I've seen almost all the films Louis Malle directed, and I've loved almost every last one. The problem with this one, unfortunately, is evident from the start, and the impression never meaningfully changes. For all the flits of cleverness it boasts throughout a runtime of ninety minutes, it takes more than half an hour to come close to eliciting a laugh, and longer still to actually do so. Other opportunities arise, but one can count the number that bear fruit; by my estimation, that's a total of three. I don't dislike 'Crackers,' mind you, and in fact there is much about it to appreciate to one degree or another. Sadly, however, the one thing a comedy requires to succeed is to be funny, and this picture makes far too little of an impression to meaningfully earn one's favor. It's enjoyable, but only in a rather passive way, providing a lot of smiles but too little of the desired reaction.
A strong cast was assembled, and I really do like them all; beyond the most significant stars, Tasia Valenza, Larry Riley, and Trinidad Silva are all pretty swell, and everyone performs admirably. The characters Jeffrey Fiskin wrote for them all are minor delights, given plentiful personality and quirks to lay the foundation for a mess of humor as they all play a part in the tableau. Similarly, the scene writing is filled with wit, a host of fun gags and bits that are plainly primed for greater things. And the narrative is fine soup for all these facets to swim in as the characters come together, a burglary is planned, and things go wrong. Meanwhile, there's nothing wrong with the comedic timing, such as it is, and it seems to me that Malle maintains the appropriate tone (light and a little wry) that should allow all these qualities to flourish. Every shot and scene is orchestrated with just the right touch that ensures everything looks and sounds good.
So what happened? Why does 'Crackers' fall so very flat as it does? Why did I laugh so little? I can only surmise that despite all its strengths, advantages, and potential, the material just didn't possess enough vitality to really take off. It's more blithely amusing than anything else, a feeling that's reinforced as the last several minutes rather shift the tone. I don't think this is "bad" by any means, and it's quite well made, really. In addition to Malle's reliable keen eye, and an able cast, the stunts and effects came off well. The sets, costume design, and hair and makeup are all fetching. And still the feature just kind of limps along, as there just doesn't seem to be enough life in Fiskin's screenplay to make it count. Or maybe no one in particular can be held responsible, and this is simply a rare concatenation of circumstances where all the various pieces fail to align in the exact right way. Whatever the case may be, the end result falls well short.
I won't say that the movie doesn't offer a good time, but it's a very mild one at that - baseline satisfactory and passable, the type of fare one can "watch" without actively engaging. I won't say to avoid it, but unless one stumbles upon it, there is definitely no reason to go out of your way for it. I'm glad for those who get more out of 'Crackers' than I do, but I'm sorry to say that despite everyone's efforts, this might actually be the low point of Malle's oeuvre. Oh well.
A strong cast was assembled, and I really do like them all; beyond the most significant stars, Tasia Valenza, Larry Riley, and Trinidad Silva are all pretty swell, and everyone performs admirably. The characters Jeffrey Fiskin wrote for them all are minor delights, given plentiful personality and quirks to lay the foundation for a mess of humor as they all play a part in the tableau. Similarly, the scene writing is filled with wit, a host of fun gags and bits that are plainly primed for greater things. And the narrative is fine soup for all these facets to swim in as the characters come together, a burglary is planned, and things go wrong. Meanwhile, there's nothing wrong with the comedic timing, such as it is, and it seems to me that Malle maintains the appropriate tone (light and a little wry) that should allow all these qualities to flourish. Every shot and scene is orchestrated with just the right touch that ensures everything looks and sounds good.
So what happened? Why does 'Crackers' fall so very flat as it does? Why did I laugh so little? I can only surmise that despite all its strengths, advantages, and potential, the material just didn't possess enough vitality to really take off. It's more blithely amusing than anything else, a feeling that's reinforced as the last several minutes rather shift the tone. I don't think this is "bad" by any means, and it's quite well made, really. In addition to Malle's reliable keen eye, and an able cast, the stunts and effects came off well. The sets, costume design, and hair and makeup are all fetching. And still the feature just kind of limps along, as there just doesn't seem to be enough life in Fiskin's screenplay to make it count. Or maybe no one in particular can be held responsible, and this is simply a rare concatenation of circumstances where all the various pieces fail to align in the exact right way. Whatever the case may be, the end result falls well short.
I won't say that the movie doesn't offer a good time, but it's a very mild one at that - baseline satisfactory and passable, the type of fare one can "watch" without actively engaging. I won't say to avoid it, but unless one stumbles upon it, there is definitely no reason to go out of your way for it. I'm glad for those who get more out of 'Crackers' than I do, but I'm sorry to say that despite everyone's efforts, this might actually be the low point of Malle's oeuvre. Oh well.
Louis Malle is best known as one of the doyens of the French New Wave. After directing a number of movies in his native country, he came to the US and gave us "Atlantic City" and "My Dinner with Andre". One of his lesser known movies is 1984's "Crackers", about a group of down-and-out people plotting a heist. This is not at all the sort of movie that I'd expect from Malle, especially having seen "Au revour, les enfants" (set in Nazi-occupied France).
Anyway, it's an okay comedy; only a handful of scenes are laugh-out-loud funny. Donald Sutherland, Sean Penn, Wallace Shawn,* Jack Warden, Trinidad Silva, and Christine Baranski put on fine performances (not that I'd expect otherwise). That cast turns it into a link between the Hunger Games franchise, "Dead Man Walking", the Toy Story Franchise, a number of Woody Allen movies, "UHF" and "The Good Fight". Co-star Larry Riley died of AIDS resulting from promiscuity, while co-star Charmaine Woodard played Samuel L. Jackson's character's mom in "Glass".
*My parents met Wallace Shawn and Andre Gregory when "My Dinner with Andre" got released. The four of them met in a restaurant and had a philosophical conversation about the movie.
Anyway, it's an okay comedy; only a handful of scenes are laugh-out-loud funny. Donald Sutherland, Sean Penn, Wallace Shawn,* Jack Warden, Trinidad Silva, and Christine Baranski put on fine performances (not that I'd expect otherwise). That cast turns it into a link between the Hunger Games franchise, "Dead Man Walking", the Toy Story Franchise, a number of Woody Allen movies, "UHF" and "The Good Fight". Co-star Larry Riley died of AIDS resulting from promiscuity, while co-star Charmaine Woodard played Samuel L. Jackson's character's mom in "Glass".
*My parents met Wallace Shawn and Andre Gregory when "My Dinner with Andre" got released. The four of them met in a restaurant and had a philosophical conversation about the movie.
I was amused watching the stellar cast waltz through this film. Any movie with supporting characters including a traffic cop prostitute and a pimp who carries a baby, will catch my attention.
Although released in 1984, this film has a 70s feel to it that I enjoyed.
Although released in 1984, this film has a 70s feel to it that I enjoyed.
Louis Malle lived in the USA during the last part of his life. If there was anyone with enough talent to bring "Crackers" to the screen, it was him. Unfortunately, sometimes, even with the best intentions, no doubt, a great man produces a film that is well beneath himself. Of course, anyone is entitled to a mistake, but if there was anything wrong with this project it seems to be the Jeffrey Alan Fiskin's screen treatment of the classic Mario Monicelli film "Big Deal at Madonna Street".
The cast Mr. Malle assembled for the film is a first rate one, just by looking at the names in it. Donald Sutherland, Jack Warden, Sean Penn, Christine Baranski and the rest have enough experience to show much better than what comes out on the screen.
Let's just remember Mr. Malle for his greatness, and not by this misguided effort.
The cast Mr. Malle assembled for the film is a first rate one, just by looking at the names in it. Donald Sutherland, Jack Warden, Sean Penn, Christine Baranski and the rest have enough experience to show much better than what comes out on the screen.
Let's just remember Mr. Malle for his greatness, and not by this misguided effort.
Wusstest du schon
- WissenswertesThis movie was the first remake of Mario Monicelli's "Big Deal on Madonna Street" (Diebe haben's schwer (1958)). The second would be Safecrackers oder Diebe haben's schwer (2002). Both American movies, that remake was set in Cleveland, Ohio, whereas this remake was set in San Francisco, California. The two remakes were made around eighteen years apart.
- VerbindungenEdited into The Green Fog (2017)
- SoundtracksWe Got More Than We Need
Words and Music by Michael McDonald and Ed Sanford
Performed by Michael McDonald (uncredited)
Courtesy of Warner Bros. Records, Inc.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Crackers
- Drehorte
- 2934 24th Street, San Francisco, Kalifornien, USA(Produce market)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 129.268 $
- Eröffnungswochenende in den USA und in Kanada
- 58.689 $
- 20. Feb. 1984
- Weltweiter Bruttoertrag
- 129.268 $
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