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Ein mörderischer Sommer

Originaltitel: L'été meurtrier
  • 1983
  • 16
  • 2 Std. 13 Min.
IMDb-BEWERTUNG
7,2/10
5759
IHRE BEWERTUNG
Isabelle Adjani and Alain Souchon in Ein mörderischer Sommer (1983)
Suspense MysteryWhodunnitDramaMystery

Eine junge Frau, die vor Sinnlichkeit strotzt, kommt in eine Kleinstadt und heiratet den örtlichen Mechaniker. War es Liebe auf den ersten Blick? Was verbindet ihre rätselhafte Präsenz mit d... Alles lesenEine junge Frau, die vor Sinnlichkeit strotzt, kommt in eine Kleinstadt und heiratet den örtlichen Mechaniker. War es Liebe auf den ersten Blick? Was verbindet ihre rätselhafte Präsenz mit dem Klavier der Familie?Eine junge Frau, die vor Sinnlichkeit strotzt, kommt in eine Kleinstadt und heiratet den örtlichen Mechaniker. War es Liebe auf den ersten Blick? Was verbindet ihre rätselhafte Präsenz mit dem Klavier der Familie?

  • Regie
    • Jean Becker
  • Drehbuch
    • Sébastien Japrisot
  • Hauptbesetzung
    • Isabelle Adjani
    • Alain Souchon
    • Suzanne Flon
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    5759
    IHRE BEWERTUNG
    • Regie
      • Jean Becker
    • Drehbuch
      • Sébastien Japrisot
    • Hauptbesetzung
      • Isabelle Adjani
      • Alain Souchon
      • Suzanne Flon
    • 32Benutzerrezensionen
    • 39Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 6 Nominierungen insgesamt

    Fotos96

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    Topbesetzung31

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    Isabelle Adjani
    Isabelle Adjani
    • Eliane Wieck dite 'Elle'
    Alain Souchon
    Alain Souchon
    • Fiorimonto 'Florimond' Montecciari - dit 'Pin-Pon'
    Suzanne Flon
    Suzanne Flon
    • Nine dite 'Cognata'
    Jenny Clève
    Jenny Clève
    • Madame Montecciari - la mère de Pin Pon
    Maria Machado
    Maria Machado
    • Paula Wieck Devigne dite 'Eva Braun' - la mère d'Eliane
    Evelyne Didi
    Evelyne Didi
    • Mademoiselle Dieu, 'Calamité', la maîtresse d'école de 'Elle'
    Jean Gaven
    Jean Gaven
    • Leballech - le patron de la scierie
    François Cluzet
    François Cluzet
    • Mickey
    Manuel Gélin
    • Boubou
    Roger Carel
    Roger Carel
    • Henri dit 'Henri IV'
    Michel Galabru
    Michel Galabru
    • Gabriel Devigne - le père d'Eliane
    Marie-Pierre Casey
    • Mademoiselle Tussaud - la garde-malade
    Cécile Vassort
    Cécile Vassort
    • Josette
    Edith Scob
    Edith Scob
    • La doctoresse
    Virginie Vignon
    • Lou Lou Lou
    Martin Lamotte
    Martin Lamotte
    • Georges Massigne
    Yves Afonso
    Yves Afonso
    • Rostollan
    Raymond Meunier
    • Brochard
    • Regie
      • Jean Becker
    • Drehbuch
      • Sébastien Japrisot
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen32

    7,25.7K
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    Empfohlene Bewertungen

    7runamokprods

    Intelligent tale of revenge

    More an Intelligent drama, with some violent overtones more than the "thriller" it's packaged as. This has more in common with "Rashomon" than with the latest slick action movie out of Hollywood.

    Isabelle Adjani plays a young woman unhinged by the knowledge of her mother's brutal rape by 3 men years earlier, and she has built her life around seeking revenge. The film's most striking aspect is the use of multiple switching narrators, so we see the tale unfold from several points of view.

    Adjani, as always, has a tremendous emotional rawness, but for me the performance (and the writing) wears its heart a little too much on it's sleeve. I wish she wasn't so clearly crazy much of the time. Or that more people seemed to notice just how blatantly manipulative her behavior is.

    The pace is very slow, which worked a lot of the time, but I did find myself frustrated at moments.

    But all that said, this is an interesting experiment in telling a complex story, with strong performances all around. And if it occasionally falls into melodrama, it also is full of moments that are disturbing, moving and shocking.
    6dromasca

    Adjani at her best

    The source of this film is a book of Sebastien Japrisot - a thriller author and script-writer who also directed a a few films by himself. After having seen the film directed by Jean Becker in 1983 I start to wonder whether it would not have been better in this case if Japrisot brought to screen his own novel.

    The whole film turns around Isabelle Adjani, By the time she made L'ete meurtrier Adjani was already at her 20th film or such and Truffault's 'L'Histoire d'Adele H'., or Polanski's 'Le locataire' were already behind her. Yet, she has in this film the freshness of a debutante and a sex-appeal that equals few films I have seen (Tornatore's 'Malena' with Monica Belucci comes to my mind). Adjani plays here the role of the victim and of the avenger, her beauty, changes of mood, suffering and mistakes make and destroy everything in the story and in the film itself.

    Seen through the perspective of almost three decades the story of the young girl seeking revenge for the rape of her mother may seem conventional and melodramatic. It is however very much into the style and approach not only of the classic French cinema but also of the literature - the characters seem to descend to us from the world of an Emile Zola, with their predestination of giving up to passion and with the tendency of making fatal, destinies breaking mistakes for the seek of love.

    If there is anything or anybody to blame for this film not really aging well despite Adjani's fabulous performance (seconded by Alan Souchon, an actor who seems to have all but disappeared after having made this film, and I have a hard time understanding why) I think it's the direction and the director. Similar material has created masterpieces if I am to think about films like 'La mariee etait en noir' - Jean Becker seems to have lacked the daring of taking a 'classical' story and using lesser conventional cinematographic means in order to make the story more credible. And yet, the film is worth seeing, even just for the pleasure of seeing Isabelle Adjani at her best.
    8brunoabp

    Milo Manara's legacy in Adjanis character

    It seems incredible, but I only got to see this picture 26 years after its release. A surprising plot that, at first, seems just like any other we would have already seen on screen. Allthou later it reveals itself to be full of surprises. Isabelle Adjani is at her peak of beauty and talent.

    One thing was always on my mind while watching her figure and style. It seems as if the director Jean Becker had based her image on one of Milo Manara's characters. Adjani's body lines and her face were a form of inspiration for one of these two artists.

    An absolute "must see".
    DrLenera

    Shatteringly powerful drama with an incredible Adjani performance

    One Deadly Summer is an astonishing French drama whose best quality is quite simple- you don't know what will happen next. As soon as the plot appears to be sorting itself out, something else happens which changes what we are expecting .Also, the film itself changes several times.Initially it seems to be a love story with some strange elements.Then the film appears to be becoming one of those rape/revenge thrillers, such as Angel Of Vengeance, I Spit On Your Grave, than suddenly things change and it becomes more of a very dark family drama, culminating in an emotionally exhausting dialogue scene between the female protagonist and her father. Despite all this the film does not seem disjointed or muddled.

    At the film's core is an amazing performance by the brilliant Isabel Adjani, who like Monica Belucci manages something beyond the grasp of most American actresses, that of being incredibly sexy and being a superb actress. Her performance is truly heartfelt, sometimes extremely subtle, and sometimes truly barnstorming, but appropriately so. Director Jean Becker is not afraid to be innovative ,such as having different characters narrate bits of the film, and does a superb job of sequences like a flashback rape scene, which leaves the majority of that happens to the imagination yet still somehow gives some idea of the horror.

    There is the odd unexplained aspect ,and the film does seem to be building to action which does not really occur, although the cynical, downbeat ending is really entirely appropriate. Despite all this, there is quite a bit of humour in the film which does not detract at all from it's power. A Hollywood remake would cut out most of the first hour- yes, the pace is slow but the gradual building of tension and detail is nothing short of masterful- and add a happier or at least more 'resolved' ending.In that case,maybe it's a good thing this shattering film is not better known.
    8FilmCriticLalitRao

    This is about Isabelle Adjani and Luis Bunuel connection.

    L'Ete Meurtrier is a compelling tale of vengeance which will surely appeal to all aficionados of thriller genre.Jean Becker embarked on a cinematic path wholly different in content as well as structure from the one taken by his legendary father Jacques Becker.There is a prevalent aspect of revenge running throughout all his films.L'Ete Meurtrier varies its tone and narrative style at regular intervals.It starts as an erotic drama and transforms itself into an agreeable account of retribution.Eliane takes cruel revenge when she learns that her birth was the fruit of her mother's brutal rape.Isabelle Adjani regretted having refused to do certain nude scenes in Luis Bunuel's renowned "Cet obscur objet du desir".This film gave her a chance to display all her erotic charms.She strips over and over again which boosted the film's Box Office success.L'Ete Meurtrier which won 4 Cesars in 1983 was fully dominated by Isabelle Adjani whose presence eclipsed all expectations.

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    Handlung

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    • Wissenswertes
      Isabelle Adjani originally turned down the part of Elle which Jean Becker then offered to Valérie Kaprisky, who accepted. Later, after reading the book by Sébastien Japrisot (on which the film is based), Adjani changed her mind and took on the role.
    • Crazy Credits
      Pre credits title card: (in French translation) "I'll be judge, I'll be jury / Said cunning old Fury / I'll try the whole cause and condemn you to death." - Lewis Carroll
    • Verbindungen
      Featured in Fan des années 80: 1984 #3 (2012)
    • Soundtracks
      Trois Petites Notes de Musique
      Music by Georges Delerue

      Lyrics by Henri Colpi

      Performed by Yves Montand

    Top-Auswahl

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    FAQ16

    • How long is One Deadly Summer?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 13. April 1984 (Westdeutschland)
    • Herkunftsland
      • Frankreich
    • Sprache
      • Französisch
    • Auch bekannt als
      • One Deadly Summer
    • Drehorte
      • Mas Bérard, Gordes, Vaucluse, Frankreich(Pin-Pon's farm)
    • Produktionsfirmen
      • Société Nouvelle de Cinématographie (SNC)
      • C.A.P.A.C.
      • TF1 Films Production
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    Technische Daten

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    • Laufzeit
      2 Stunden 13 Minuten
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.66 : 1

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    Isabelle Adjani and Alain Souchon in Ein mörderischer Sommer (1983)
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