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Der Abgrund der lebenden Toten

Originaltitel: La tumba de los muertos vivientes
  • 1982
  • 18
  • 1 Std. 26 Min.
IMDb-BEWERTUNG
2,7/10
2697
IHRE BEWERTUNG
Der Abgrund der lebenden Toten (1982)
B-HorrorZombie HorrorHorror

Füge eine Handlung in deiner Sprache hinzuAn expedition searching for treasure supposedly buried by the German army in the African desert during WWII comes up against an army of Nazi zombies guarding the fortune.An expedition searching for treasure supposedly buried by the German army in the African desert during WWII comes up against an army of Nazi zombies guarding the fortune.An expedition searching for treasure supposedly buried by the German army in the African desert during WWII comes up against an army of Nazi zombies guarding the fortune.

  • Regie
    • Jesús Franco
  • Drehbuch
    • Jesús Franco
    • Ramón Llidó
  • Hauptbesetzung
    • Manuel Gélin
    • Eduardo Fajardo
    • France Lomay
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    2,7/10
    2697
    IHRE BEWERTUNG
    • Regie
      • Jesús Franco
    • Drehbuch
      • Jesús Franco
      • Ramón Llidó
    • Hauptbesetzung
      • Manuel Gélin
      • Eduardo Fajardo
      • France Lomay
    • 92Benutzerrezensionen
    • 66Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos50

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    Topbesetzung17

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    Manuel Gélin
    • Robert Blabert
    Eduardo Fajardo
    Eduardo Fajardo
    • Colonel Kurt Meitzell
    France Lomay
    France Lomay
    • Erika
    • (as France Jordan)
    Jeff Montgomery
    • Ben
    Lina Romay
    Lina Romay
    • Kurt's Wife
    Myriam Landson
    • Kurt's Wife
    Antonio Mayans
    Antonio Mayans
    • Sheik Mohamed Al-Kafir
    Javier Maiza
    • Captain Blabert
    Eric Viellard
    Eric Viellard
    • Ronald
    • (as Eric Saint-Just)
    Caroline Audret
    • Sylvie
    Albino Graziani
    • Prof. Deniken
    Miguel Ángel Aristu
    • Ahmed
    • (as Miguel Aristu)
    Henri Lambert
    • Kurt
    • (as Henry Lambert)
    Doris Regina
    • Aisha
    Jesús Franco
    Jesús Franco
    • Zombie
    Daniel Katz
      Juan Soler
        • Regie
          • Jesús Franco
        • Drehbuch
          • Jesús Franco
          • Ramón Llidó
        • Komplette Besetzung und alle Crew-Mitglieder
        • Produktion, Einspielergebnisse & mehr bei IMDbPro

        Benutzerrezensionen92

        2,72.6K
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        Empfohlene Bewertungen

        sangue

        better than it gets credit for

        those expecting a gory blood bath will be disappointed, which is probably why everyone hates it, but i think it's pretty good. the zombies are really cool looking, and the attacks are directed with some style. Daniel White's music adds a certain flavor too. unfortunately, the slow pace will put some viewers to sleep, but i think it adds to the atmosphere. not a great film, but a good one.
        5Jonny_Numb

        Hey, it's better than "Resident Evil"!

        Okay, I'll just assume I'm entering a comment for the version of the movie I saw (though who really cares about accuracy with something like this?). "Oasis of the Zombies" has a sketchy, multiple-version history that is finely indicative of director Jess Franco's low-budget, schlockmeister style. I have never really cared much for this Spanish horror hack (though I do think "The Awful Dr. Orloff" is a well-done chiller), but what can I say..."Oasis" holds a weirdly special place in my genre heart. The reviews across the board are mostly condemning if not outright cursing this POS' existence, and I can see where they're coming from--make no mistake, this IS the bottom rung of the zombie ladder. Yet at the same time, this film engages me in some odd way--yes, it is two movies spliced together (sometimes quite badly), but I don't find it boring, or even all that bad. Granted, I've never seen a decent print of the film, the night scenes are either too muddy or too bright (yes, a few take place in broad daylight), the characterizations poor, and the zombie 'action' less than stunning. In the small subgenre of Nazi Zombie Films, "Oasis" falls between the Good ("Shock Waves") and the Ugly (Jean Rollin's "Zombie Lake"). 74 minutes into this 85-minute film, we get the signature image of zombies shambling up a dune against an orange sunset (or sunrise?), and it's the only moment of atmospheric artistry to be found. Still, for those who are inured to this kind of low-end Euro-dreck (myself included), "Oasis" is worth a look--in many ways, it is conceptually interesting enough to be a good remake candidate.
        4BA_Harrison

        What's the story? Not too gory.

        1943: Allied officer Captain Blabert (Javier Maiza) and his men intercept a German convoy transporting a fortune in Nazi gold; only Blabert survives the battle, and is later found wandering the desert by nomads. Nursed back to health by Sheik Mohamed Al-Kafir (Antonio Mayans), Blabert falls for the sheikh's sexy daughter Aisha (Doris Regina), knocking her up before heading back to war. Years later, Blabert reveals the location of the lost Nazi gold to a rascal named Kurt, who promptly kills the captain and hotfoots it to the oasis. Meanwhile, Robert Blabert (Manuel Gélin), having heard of his father's death, reads some of his old man's notes and also learns about the gold; together with a handful of his college pals, he goes to meet Sheikh Mohamed, who points him in the right direction. The only problem is that the horde ($6m of it) is guarded by the undead German soldiers, who rise from the sand at night to kill!

        To say that Oasis of the Zombies is Jess Franco's worst film is quite the bold statement - there are, after all, quite a few serious contenders for the title - but it definitely isn't one of his better films. While the zombie scenes themselves are reasonably fun, with quite a few craptabulous examples of the walking dead to delight fans of trashy Euro-horror, almost everything in between is pretty dire. The flimsy plot is fairly diabolical, and Franco resorts to padding out his film with a prolonged battle flashback, some local colour (including a visit to a souk for Robert and pals), and a spot of skinny-dipping and sex for Robert's pal Ronald (Eric Viellard) and documentary film-maker's assistant Erika (France Lomay, who provides the obligatory nudity). Franco also seems obsessed with a spider in a web that has zero bearing on the story, giving us lots of out-of-focus shots of the arachnid for no apparent reason.

        The amazingly bad script includes these unintentional howlers: "Let's get some bottles and make molotov cocktails - like in school." and this cringe-worthy closing exchange of dialogue "Did you find what you were looking for?" "I mainly found myself." Wow, that's deep!

        In terms of splatter, the film is rather disappointing, the only gory scene being the removal of one victim's innards by the hungry zombies (the zombie extras enthusiastically yanking out animal offal).

        As bad as Oasis of the Zombies undeniably is, the worm-eaten zombies - some with bug-eyes, some with pin-hole eyes, and some without eyes - and the occasional spot of nudity (sadly, not from cutie Caroline Audret as Robert's friend Sylvie) stop this from being totally worthless.

        3.5/10, rounded up to 4 for IMDb.
        sebpopcorn

        Barely even a film

        I love zombie movies, they are my absolute favourite kind of horror film and Nazi zombies..what could be better? The problem is that there is no plot at all, the scenes are just randomly slapped together and feature about 5 minutes of zombies in total. Those five minutes include at least two minutes of repeated footage.

        There's no context to it either, people see dead bodies then decide to camp outside as if it didn't happen. Nobody reacts to anything.

        The actual camera work is awful, the film is grainy and the whole thing is one awful mess. They look like they had fun making it but you probably won't have any fun watching it unless you like watching something that looks like it was put together in half an hour on a mobile phone camera with people randomly gathered from a bus stop. This is one awful movie.
        hendrixy6

        Meditate- Regurgitate

        When someone says, "I like bad movies." you can see how sincere they are by subjecting them to anything Jesus Franco has ever made. Franco films are my meditation. They seem to numb my mind more than a crate of wine and a week of network television. This movie is classically Franco. It has a plodding pace, horrible voice overs, hot women, terrible lighting, deliriously bad camera work, a script written by a chimp, varying and disconnected ambient noise... Christ, Jess Franco is terrible and shamelessly I adore his films. They have the feel of a twelve year old with his first camera. His childishness is abound in this and really, all of his movies. He is a testament to tenacity (and hot women).

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        Handlung

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        • Wissenswertes
          There is a French language version and a Spanish language version. The only difference is that the nazi doctor and his wife are played by different actors.
        • Zitate

          Girl victim 1: Look at the size of them. Do you suppose they're Redwoods?

          Girl victim 2: They're date trees. Come on.

        • Alternative Versionen
          The film exist in two versions. The more common French version, which is the one released in the USA by Wizard Video on VHS, Image Entertainment on DVD, and Redemption on Blu-ray. And a more rare Spanish version. In total, there's about 20 minutes of exclusive footage in the Spanish version of the film, which features a partially different cast from the French version. For example, Lina Romay appears in the Spanish cut of the film; she doesn't appear in the French/English version. The gore scenes are also much more effective in the Spanish version of the film. A list of differences follows: General notes about "French version" vs. original "Spanish version" (this movie was made in two completely different versions simultaneously, featuring a French and Spanish cast, respectively): -"Spanish version" is approx. 2:32 min longer. The soundtrack on the Spanish version (credited to Pablo Villa) is completely different and much more effective. It is louder, and uses eerie organ music and "moans" instead of the bland electronic score on the "French version". -There are 4 sequences which have been "re-filmed" for the "Spanish version", basically using the same story outline, but different actors (Lina Romay, Eduardo Fajardo, etc.). They are all longer (and better) than their English/French counterparts - totaling 21m 50s compared to 16m 08s (an additional 5m 42s overall). 1) The first is immediately after the opening credits and shows Lina Romay waiting outside the house in a jeep whilst Eduardo Fajardo tries to extract information about the location of the oasis from Robert's father before killing him. (Spanish = 6m 38s, English = 4m 04s). 2) The second is after about 30m and shows the arrival of the search party at the oasis. They set up camp and attacked at night by the zombies. Lina Romay is graphically killed and her intestines removed. Eduardo Fajardo escapes although he is bitten. The English/French version is nowhere near as graphic (a few brief shots of the zombies are the same in bother versions). (Spanish = 12m 07s, English = 9m 28s). 3) The third is after about 45m and is just a brief sequence in which Eduardo Fajardo wakes up in the jeep and walks off. In the English/French version the man wakes up in bed before getting up. (Spanish = 23s, English = 16s). 4) The fourth is shortly after the above sequence and shows Eduardo Fajardo laughing maniacally as he starts to turn into a zombie from the bite on his neck. He eventually falls conveniently onto a bed of straw before being burnt. There are several cut-away shots of the students watching this from the English/French version. (Spanish = 2m 42s, English = 2m 20s). -After just over 60m there is a 3m 17s sequence of a couple of the students making love in their tent in the oasis (Inga and friend). This has been edited out of the Spanish print entirely. There are 2 further brief sequences not in the Spanish version: 10s after 75m - the girl student (Inga) carrying a petrol can being grabbed by the ankles by a zombie emerging from the sand, and 7s after 76m in which the zombies surround her and bite her leg. -One sequence lasting 46s of a series of shots of the zombies approaching, close-ups of worms on their faces, and shots of the oasis, is in a different place in the Spanish version (after 79m instead of 74m). -Finally after 81m there is one extra shot lasting 12s in the Spanish version showing the zombies disappearing into thin air in front of the oasis. -Of course the opening credits are completely different on both versions, although they last the same time - 1m 10s. The Spanish ones are in red lettering and play over a close-up of a zombie's face, whilst the English/French ones are in white lettering over a shot of the town. The Spanish print ends with 15s of additional credits after "Fin" which credit Jesus Franco as "montage" and Lina Romay as "ayte. de montage". -There is also more narrative voice-over during the war flashback sequence in the Spanish version. -To summarize then, the Spanish version has 22m 02s of footage not in the English/French version, but is missing 3m 34s of original footage and 16m 08s of alternate footage, giving a total difference of 2m 20s + 15s at end - 3s minor jumps = 2m 32s.
        • Verbindungen
          Edited from Himmelfahrtskommando in die Hölle (1971)

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        FAQ14

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        Details

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        • Erscheinungsdatum
          • 21. April 1982 (Frankreich)
        • Herkunftsländer
          • Frankreich
          • Spanien
        • Sprachen
          • Französisch
          • Spanisch
        • Auch bekannt als
          • Oase der Zombies
        • Drehorte
          • Canary Islands, Spanien
        • Produktionsfirmen
          • Eurociné
          • Marte Films Internacional
          • Diasa P.C.
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        Technische Daten

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        • Laufzeit
          1 Stunde 26 Minuten
        • Farbe
          • Color
        • Sound-Mix
          • Mono
        • Seitenverhältnis
          • 1.66 : 1

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