Der Dichter/Dozent Charles Serking erwacht lange genug aus seinem Alkoholrausch, um mit dem Bus zurück nach L. A. zu fahren und sich in eine Orgie aus Alkohol und sexueller Verderbtheit zu s... Alles lesenDer Dichter/Dozent Charles Serking erwacht lange genug aus seinem Alkoholrausch, um mit dem Bus zurück nach L. A. zu fahren und sich in eine Orgie aus Alkohol und sexueller Verderbtheit zu stürzen.Der Dichter/Dozent Charles Serking erwacht lange genug aus seinem Alkoholrausch, um mit dem Bus zurück nach L. A. zu fahren und sich in eine Orgie aus Alkohol und sexueller Verderbtheit zu stürzen.
- Auszeichnungen
- 9 Gewinne & 3 Nominierungen insgesamt
- Girl on Beach
- (as Katia Berger)
Empfohlene Bewertungen
Ornella Muti, as Serking's sexual muse, is Venus incarnate and turns in a powerhouse performance as Cass, an emotionally damaged whore with a penchant for pain. The scenes of Gazzara swaggering in and out of LA's fleapit bars, apartments and hotel rooms convey a filthy, delirious ambiance that is vividly captured by Tonino Delli Colli's superb cinematography and Dante Ferretti's exquisitely oily production design. This is such an amazing looking film with a thick, steamy, anything-goes atmosphere of lust-ridden anarchy.
Much grittier than the accomplished "Barfly" and more watchable than "Love Is A Dog From Hell", the entire affair has an emotional, raw resonance that slavishly captures the Bukowski sensibility and remains consistently perverse in its singular vision of a man enslaved by alcoholic and sexual gluttony.
Phillipe Sarde's score is moody and rich, as is Gazzara's breathy voice-over.
A masterpiece.
This film presents a completely downtrodden view of the world and director Marco Ferreri completely succeeds in creating a dirty and sleazy atmosphere for everything to take place in. There's plenty of full frontal nudity and sex in the film and it's all portrayed as being very dirty and thus is not erotic at all. The style of the film is excellently matched by a stunning performance from Ben Gazzara in the lead role. The actor fits into this role amazingly well and always convinces as the central character. The film doesn't hold back when it comes to showing things such as nudity either, although it's all done in such a 'matter of fact' way that sometimes the film is not even shocking. The female lead is taken by the stunning Ornella Muti, who is a real beauty and convinces alongside Gazzara. The film feels too smart to not have a point, and while the substance comes from the central character and his plight; there's not really a defining point to the film. Overall, Tales of Ordinary Madness is a film that is well worth seeking for the cult fanatic and I can recommend it.
Marco Ferreri is one of the weirdest directors that I know, and this "Storie di Ordinaria Follia" gives a perfect theme for him to make a good movie about of two self-destructive souls. I do not know the work of the underground poet Charles Bukowski, and actually I just know a little about his biography based on the movie "Factotum" that I hated. But in "Storie di Ordinaria Follia", Ornella Muti is on the top of her awesome beauty and her performance in the role of a tormented character is impressive. Ben Gazzara has also a stunning performance in the role of Charles Serking, a man near to madness that survives drinking booze and having dirty sex. However, this movie is only recommended for very specific audiences. My vote is seven.
Title (Brazil): "Crônicas de um Amor Louco" ("Chronicles of a Crazy Love")
Wusstest du schon
- WissenswertesIn one of several of Charles Bukowski's book of letters, he noted that, before production began, Ben Gazarra had great eyes. After the movie came out, however, he didn't have much good to say about it.
- Zitate
Charles Serking: [First lines. Off-camera from a theater lecture stage] Well, here I am.
[Jeers are heard from the unseen audience and an unseen voice yells out, "Fuck you, turkey"]
Charles Serking: Ayyyyy... watch it. I've been working out with weights.
[More jeers and another unseen voice yells out, "Are you drunk?"]
Charles Serking: Ill just drink my wine and leave. Right...
[More jeering]
Charles Serking: Okay, let's begin. Forget the bullshit and get into the so-called art... Style...
[Audience is restless and an unseen voice yells out, "We love you, Charlie!" as he guzzles wine from a brown bag]
Charles Serking: Style is the answer to everything... a fresh way to approach a dull or dangerous thing. To do a dull thing with style is preferable to doing a dangerous thing without style. To do a dangerous thing with style is what I call art. Bullfighting can be an art. Boxing can be an art. Loving can be an art. Opening a can of sardines can be an art.
[the audience bcimes restless again and an unseen voice cries, "Come on!"]
Charles Serking: Not many have style. Not many can keep style. I have seen dogs with more style than men - though not many dogs have style. Cats have it in abundance.
[He guzzles more wine from his brown bag]
- Crazy Credits'Copyright' is spelt as 'copyrigth'.
- VerbindungenFeatured in Marco Ferreri 1928 - 1997 (2008)
- SoundtracksSmile Away The Rain
Written by R. & M. Berardi
(r) Mureo Music Pub
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Ganz normal verrückt
- Drehorte
- Atlanta, Georgia, USA(Closing beach scenes.)
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- Laufzeit1 Stunde 41 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1