Ein himmlischer Lümmel

...it's not totally bad and it had a certain naughtiness to it before the "me too" movement. It seems that Christopher Atkins' body is the focus of criticism about this flick, but nobody seems to comment on Lesley Anne Warren's performance, which is credible, considering the weak screenplay provided by Joan Tewkesbury. The film could have been better if Rick wasn't the only one of Faye's students moonlighting as a stripper, particularly if another student was PASSING in her class! Still, "A Night in Heaven" isn't as bad a film as other attempt to make it appear. It's on a par with Carl Reiner's 1987 film "Summer School," starring Mark Harmon.

I seen this movie when it was in the theater and remember how bad it was but what i remember the most was the audience. During the sex scene with Warren and Atkins-Warren was going so over the top with her moaning and growning that the friend that was with me started laughing real loud in the theater which made me start cracking up. When I stopped laughing I realized that the whole audience was laughing too started by us. And we laughed even louder. I know it was not intended as a comedy but ended up being for all of us.

Great 80's memories!

Christopher Atkins! Lesley Ann Warren!! Eighties top-ten hits! For goodness sakes, the guy who played Tony HOSTED Dance Fever!! I remember that I had a crush on him.

This movie is so totally steeped in Eighties pop-culture. From the first scene where Whitney shuts down the computer (get a load of that thing?) to the hot pants worn by Atkins. The Eighties (especially the early Eighties) was a time when the lines blurred between being gay and straight. Ahh those heady pre-AIDS days...

At one point in the movie, Ricky (Atkins)responds to his sister complaining about his sleeping around, "I'm 21 years old, I'm right where I'm supposed to be..." And the fashions, man, the FASHIONS. The Peter Pan collars worn by Warren. The red dress complete with puffy sleeves when she goes to the strip club for the first time. The big hair! Pick ANY item worn by Tony... All Eighties, all the time!! And finally - the hottest sex scene that is STILL hot by today's standards!! The Big Easy comes close.... close, but not quite.

It's not a great movie. I don't think it's even a mediocre movie. But I DO think it's an IMPORTANT movie. One day our children will watch this movie and think... "what where they THINKING?!??!"

I rented this movie as a total goof with a friend about a year after it came out, expecting it to be as cheesy and pathetic as the trailer. This is not great cinema by any means. But some actual thought went into the making of this and it was a lot better than I ever anticipated. In fact, back in the day, Siskel and Ebert actually gave this two thumbs up, for the chemistry between Lesley Ann Warren and Christopher Atkins. It has been said that he was so into his character that after the filming it took him a long time to get over his costar. Lesley Ann Warren's shocked expressions are priceless. The great Bryan Adams songs are relevant; not just tacked on because they are cool and will sell soundtracks. This is not a movie you would ever want to admit aloud that you like. But you may be surprised to find that you're secretly admitting it to yourself.

Heavenly, this film is not, but I must admit that it is one of my guilty pleasures.

The story centers on a community college speech teacher (Warren) with a recently laid-off husband. Her wild sister drags her to a male strip club one night where she discovers that her lazy student (Atkins) is the star attraction. Wouldn't you know it, eventually the teacher is getting private lessons from the student. It's really about temptation and devotion and the fight between the two.

While the plot and styles are incredibly dated, thee are some things to recommend about this film. Warren gives a strong performance, doing as much with the material as she can. Her transition from constricted and conflicted wife to released vixen is convincing. Her frustrated husband, Logan, also does a fine job. Atkins is Atkins and does nothing more than offer lingering stares and lots of skin.

What makes this film a guilty pleasure is the good use of Bryan Adams' music and one of the more erotic love scenes ever filmed with someone of Warren's stature (this was around the time she blew audiences away with her Oscar-nominated performance in Victor/Victoria). If you never thought of Warren as a sexual dynamo, stick around. Some cuts of the love scene contain a shot of Atkin's manhood, which shocked me even back then.

There are some dramatic elements involving the husband and his frustrations, as well as Warren's inner conflicts, but the film is far too short to go into these too deeply.

It's not a good film by any means but I do think it tried to be something more than the trash it was. Perhaps some of the plot ended up on the dance-room floor.