Der Mann, der die Blumen liebte

The film is remarkable in that it delves into the issue of sexual inversion - and how childhood events and parent relationships mark us for life. In the case of Charles, we see that his mother alternately enveloped him in her embrace and rejected him, and his father, a remote, humorless person, punished him for being a curious child. End result: he loves beauty deeply, but cannot consummate a relationship. The use of music, both the operatic excerpts and Charles's own playing of the church organ, was pointed and poignant. All actors turned in splendid performances. Norman Kaye was very believable in the title role, and Alyson Best as the young beauty who sees Charles for the decent, loving person he is does sound work. The rest of the ensemble is also to be commended for this picture of life and art's relationship to it.

A terrifically watchable film, so different from Hollywood style movies that stick to a set pattern. Funny, riveting and erotic in parts, this is a true classic that deserves wider recognition. Alyson Best's strip must be the best opening scene in any film!

I've seen many films by Paul Cox but only one or two continue to impress me after all these years - Man of Flowers (1983) is one of them. Taking on familiar Cox themes such as loneliness and sexual repression, Man of Flowers adds an eloquent European feel to its Australian setting. Although the story is not a conventional linear narrative, Cox combines distinctive visual tones (super-8 flashbacks/ conventional framing such as the striptease at the beginning)) to capture different aspects of the protagonist's reclusive life (played by Norman Kaye). What is unique about this film is its refusal to subscribe to any cinematic norm. Thus we get a philosophical postman who adds a touch of off-centered eccentricity to an already edgy patchwork of lesbianism, blackmail and oedipal longing. The only sad aspect of the film is its low-budget which has seriously impaired its standing as a classic. The sound is not the best on VHS although the operatic score (Donizetti's "Lucia di Lammermoor) more than compensates for this flaw. I presume the original budget of $250,000 was not spent enhancing the sound quality.

A wonderful slow, gentle film, full of strange characters. I loved the eccentricities of all the characters; the mad painter, the crazy psychiatrist, the main character, Charles, who is obsessed by flowers. Even the postman who delivers the letters Charles sends to himself every day is delightful. The characters are surrounded by wonderful images and the background music is absolutely divine. The rather freudian storyline follows the relationships between Charles, a rich eccentric artist, a young woman he pays to strip for him and her violent boyfriend. I liked the strength of Charles's character despite his gentleness, which leads to a good twist at the end. I loved it.

Charles Bremer, an elderly man, is a little eccentric. His love for flowers is only equaled by his love for watching a pretty woman undress. He lives on his own, plays the organ in church and tends to stick to himself. Things don't go really fast for him, until the drug addicted boyfriend of the girl he pays to strip for him turns violent.

Nudity, classical music, long slow scenes with a lot of colors, emotional darkness. That'd be the general description of the film in a few words. It'd be a great injustice to this little film though. The story is played out amazingly well, with a very acceptable explanation of the Man of Flowers, and why he is who he is and all.

The choice of musical overdub in this film, sometimes blotting out everything that is happening completely, reminded me a bit of A Clockwork Orange, although that film is almost entirely unlike this one. It works out very well though, pushing the accentuation in just the right direction when that is needed. Clearly a well done case of film-making.

8 out of 10 flowers in the air