Die Hexe - The Witch

A 17th century executed witch kills anybody who enters a house that was built on the site of her execution. Supernatural horror that plays out like a slasher movie with many inventive deaths every 10 minutes or so. This is well paced and there is plenty of good gore, including an exploding head in a microwave, death by an escaped circular saw, spike through forehead, and so on. This was made during the Golden Age of the slasher movie and certainly gives good value for money. Give me 1980's effects and vibe any day over 21st century CGI and remakes! Original title in 1982 was Superstition. It did appear on the seizure list during the Video Nasties farce but was given a rerelease as The Witch in 1985. Sadly this film appears to be something of a forgotten one, I can't even reference in it in my collection of horror movie books. It really does deserve a DVD/BR release so that a new audience can see it.

This movie has all of the elements that you expect from a horror film--and I mean that in the best way! All right, it's admittedly low budget, but the frequent deaths, presented with almost metronomic spacing, are inventive and entertaining. Plus, it is a delight to see a film that really does have a supernatural grounding, instead of the so-tired slasher bit.

You should definitely watch this movie when you are alone at night--watching it with friends or in the daytime gives you too much chance to let the low budget distract you from the flow...

After watching the opening 10 minutes of this film I was happy to see the director wasn't afraid to "show it all" in the area of gore. Stylistically, I would really be surprised if the director and/or cinematographer wasn't influenced by Dario Argento. Some of the music reminded me of a slight take on what Goblin did for Argento films- but no where near as well of course. The good thing about mimicking a maestro such as Argento is that you have good taste in film making. The bad thing is...not many can "do Argento" like Argento. So many will walk away thinking it is a cheap ripoff.

For those not familiar with Argento's work, you should find this to be a refreshing take on the horror genre in the 80s time period. If you are like me, I enjoy "grade Z" movies more then big budget films if they entertain me. It is about entertainment. This film entertained me. There were even a few times that I actually felt a little creepy tension- something that doesn't usually happen with lower budget flicks.

If you are looking for big budget romps, then keep on renting movies on the "new rental wall" at Blockbuster. Otherwise, you may have some fun with this one.

Brought to us by producer Ed Carlin and co-producers Mario Kassar and Andrew G. Vajna, who gave us haunted house horrors The Evil and The Changeling, Superstition is yet another supernatural offering set in and around a creepy old property. This time around, the spooky shenanigans are accompanied by a whole handful of creative, bloody deaths, and lots of jump scares (probably in an attempt to draw in the slasher crowd)—a good job since the plot is an often illogical mish-mash of hoary old horror clichés.

In 1692, a witch is executed—drowned in a pond, and trapped there with a crucifix. For almost three hundred years, the evil woman's spirit is the cause of violent deaths in and around the nearby church-owned property. When Reverand George Leahy (Larry Pennell) and his family move into the old house, the witch soon starts to cause trouble, now even more powerful thanks to the removal of the crucifix during the dredging of the pond. Reverand David Thompson (James Houghton) discovers the truth behind the killings and tries to put an end to the witch once and for all.

The film opens in terrific style with a juicy double death scene: having played a prank on a courting couple (thereby providing the film with the first of many jump scares), a pair of pranksters meet their fate in the creepy property, one being decapitated, his severed head exploding inside a microwave oven, the other getting chopped in two by a sash window. Several other macabre set-pieces follow in quick succession, including the hanging of an electrician in an elevator shaft and the death of a priest, a circular saw blade spinning into his chest and exiting through his back.

Also adding to the fun: Sheryl and Ann (Maylo McCaslin and Heidi Bohay), sexy teenage daughters of Reverand Leahy, going down to the pond for a spot of fun in the sun (wearing bikinis, naturally), only for one of them to be grabbed around the ankle by a severed hand; a flashback to the trial of the witch that allows for some silly Exorcist style guttural utterings, a few cool facial bladder effects, and the sight of a priest being crushed in a wine press; some memorable visuals with impressive lighting effects (somewhat reminiscent of Argento); Reverand Thompson's surprised expression every time he uses the crucifix to open (or blow up) a locked door; George having his face lacerated by flying shards of glass from an exploding mirror; Sheryl getting nailed through the head with a big spike; and blonde daughter Ann (Heidi Bohay) running around in skimpy silk night-gear.

I found this to be a very enjoyable film, and quite unique.

The supernatural /slasher/gore mix works really well, and the pacing of the film is excellent, not a minute is wasted, there's no padding, so it doesn't outstay its welcome.

Obviously not the biggest budget, but the sequence set in 1692 looks great and really adds to the atmosphere.

I definitely recommend a viewing. I watched the Scream Factory blu ray, and when the film is well lit, it looks great, in the darker scenes, not so much. There are also a lot of speckles/flecks evident in the darker scenes, but overall the picture is good.