IMDb-BEWERTUNG
7,3/10
3677
IHRE BEWERTUNG
Drei polnische Maurer und ihr Vorarbeiter Novak kommen nach London, um unter dem Tisch zu arbeiten.Drei polnische Maurer und ihr Vorarbeiter Novak kommen nach London, um unter dem Tisch zu arbeiten.Drei polnische Maurer und ihr Vorarbeiter Novak kommen nach London, um unter dem Tisch zu arbeiten.
- Auszeichnungen
- 3 Gewinne & 3 Nominierungen insgesamt
Jiri Stanislav
- Wolski
- (as Jirí Stanislav)
Michael Sarne
- Builders' Merchant
- (as Mike Sarne)
‘Snow White’ Stars Test Their Wits
Handlung
WUSSTEST DU SCHON:
- WissenswertesSkolimowski's Kensington house in West London was in real life undergoing renovation at the time the film was made. (Moonligthing, 1982)
- PatzerWhen one of the workers paints the door frame on the outside of the building and clears away the electrical wire, part of the lintel is already painted white. Later, when Banaszak climbs up the ladder, the lintel has not yet been painted. Then, in the close-up in which he gets the electric shock, a good part of the lintel is painted white again, and in the next shot, when he falls off the ladder, only a tiny part is painted white again.
- VerbindungenFeatured in At the Movies: The Best Films of 1982 (1983)
Ausgewählte Rezension
This film is a mesmerizing and strangely addictive story about a man who buys a dilapidated condo in London and hires and transports several Polish builders to London to renovate it because they will work for a cheaper amount than the unionized English workers. Except for the foreman (in an early role by Jeremy Irons) none of them speak English and the foreman doesn't tell his employer or his co- workers when they overshoot the budget and run out of money.
Trying to figure out HOW he will get the job done and WHY he is going to such great lengths and pains becomes all consuming mental and emotional puzzles as you become sucked into this well written story and tour de force performance by Jeremy Irons. By the second half of the film, you can't bare to watch but can't stand to look away. (It's as if you meant to eat only a few peanuts to suddenly discover you've consumed the entire amount and didn't even notice) I think this film is best described as "Escapism" rather than "Enjoyment" but either way you won't be focused on anything else while you're watching it. In fact the "taste" of it lingered with me for days after I saw it. It's full of a quiet yet constantly building tension, with a capital 'T'. No car chases, big explosions, explicit sex, swearing or violence. Just a well constructed screen gem that seemed to have fallen through the cracks when it was released in the early 1980's.
Trying to figure out HOW he will get the job done and WHY he is going to such great lengths and pains becomes all consuming mental and emotional puzzles as you become sucked into this well written story and tour de force performance by Jeremy Irons. By the second half of the film, you can't bare to watch but can't stand to look away. (It's as if you meant to eat only a few peanuts to suddenly discover you've consumed the entire amount and didn't even notice) I think this film is best described as "Escapism" rather than "Enjoyment" but either way you won't be focused on anything else while you're watching it. In fact the "taste" of it lingered with me for days after I saw it. It's full of a quiet yet constantly building tension, with a capital 'T'. No car chases, big explosions, explicit sex, swearing or violence. Just a well constructed screen gem that seemed to have fallen through the cracks when it was released in the early 1980's.
- LauraLeeWasHere
- 15. Okt. 2015
- Permalink
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