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Frauengefängnis

  • 1976
  • BPjM Restricted
  • 1 Std. 18 Min.
IMDb-BEWERTUNG
4,4/10
1652
IHRE BEWERTUNG
Frauengefängnis (1976)
Conspiracy ThrillerCrimeDramaHorrorThriller

Füge eine Handlung in deiner Sprache hinzuWomen's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity a... Alles lesenWomen's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.Women's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.

  • Regie
    • Jesús Franco
  • Drehbuch
    • Connie Grau
    • Christine Lembach
    • Jesús Franco
  • Hauptbesetzung
    • Lina Romay
    • Paul Muller
    • Monica Swinn
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,4/10
    1652
    IHRE BEWERTUNG
    • Regie
      • Jesús Franco
    • Drehbuch
      • Connie Grau
      • Christine Lembach
      • Jesús Franco
    • Hauptbesetzung
      • Lina Romay
      • Paul Muller
      • Monica Swinn
    • 25Benutzerrezensionen
    • 23Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 0:56
    Trailer

    Fotos20

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    Topbesetzung17

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    Lina Romay
    Lina Romay
    • Maria
    Paul Muller
    Paul Muller
    • Dr. Moore
    • (as Paul Müller)
    • …
    Monica Swinn
    Monica Swinn
    • Prison Director
    • (as Monika Swinn)
    Roger Darton
    • Governor Milton
    Ronald Weiss
    • Warden
    Martine Stedil
    Martine Stedil
    • Bertha Contrini
    Eric Falk
    Eric Falk
    • Guard Nestor
    Peggy Markoff
    • Ingrid
    • (as Peggy Markhoff)
    • …
    Nathalie Mann
    Denis Torre
    Raymond Hardy
    • Guard José
    • (as Ray Hardy)
    Beni Cardoso
    Beni Cardoso
    • Rosaria Cortina
    Frieda Altstadt
      Madeleine Ammann
        Nathalie Chape
          Jesús Franco
          Jesús Franco
          • Maria's Father
          • (Nicht genannt)
          Lilliane Stollberger
            • Regie
              • Jesús Franco
            • Drehbuch
              • Connie Grau
              • Christine Lembach
              • Jesús Franco
            • Komplette Besetzung und alle Crew-Mitglieder
            • Produktion, Einspielergebnisse & mehr bei IMDbPro

            Benutzerrezensionen25

            4,41.6K
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            Empfohlene Bewertungen

            5frankenbenz

            Awfully Great

            www.eattheblinds.com

            There's a scene in Barbed Wire Dolls that is so perfectly horrible it should be cinematic legend. It's a young girl's flashback of her father (played by Franco himself) attempting to rape her. The entire scene is shot with Franco's patented wandering zoom, a lens slathered with vaseline and a slow motion effect you have to see to believe.

            Doing double-duty as "Cinematographer," Franco apparently didn't realize you could change the frame rate on the camera and decided slow motion is best acquired through slow motion acting. Yup, actors pretending to go through the motions in real time slow motion. Hilarious.

            For someone who hates his own movies and wishes he'd directed Citizen Kane, Franco's taste is not nearly as bad as the choices he consistently makes behind the camera. Within the realm of bad movies, if Ed Wood Jr. is Orson Welles, then Jess Franco is quite possibly John Ford. High praise, indeed. Barbed Wire Dolls is a B- movie with so many juicy tidbits of ineptness, tasteless raunch, camp and cliché you can't help but love this senseless mess. See the slow motion genius for yourself:
            5fredcdobbs5

            I am no longer a Franco virgin. Not sure if that's good or bad . . .

            Well, I'm finally forced to admit it--up to now I've never seen a Jess Franco film (well, not knowingly, anyway; the guy has used 189,000 different names, so I might have seen one among his incredibly prodigious output made under one of those names though I didn't know it at the time). Naturally I knew about him, and his reputation, but I finally got around to seeing my first of one of his films today. And it was this one. And I'm still recovering.

            All things considered, though, I've seen worse--not much worse, but worse. Then again, you can't judge a Jess Franco film by such arbitrary standards as "good" or "bad"; they just don't apply. Was it well made? No. Was it well acted? No. Was it well written? God, no. Was it enjoyable? Hell, yes. Its enjoyability factor was due in large part to the plethora of gratuitous nudity and just-this-side-of-porn sexual activities--sexual abuse, molestation, rape, incest, lesbianisn, voyeurism, and everything else that makes life worthwhile (at least in a Jess Franco film). It wasn't just the nudity and the sex that make this film so much fun, though. It was the joyously demented attitude of the thing. You got the feeling that Franco said to himself, "Well, I've managed to scrape together a couple of bucks; let's make a sleazoid women in prison picture and get Lina Romay naked as often as humanly possible"; for that philosophy alone he should have gotten a special Oscar.

            As for the "plot"--as if you care about such trivial matters--a lezbo warden and an effeminate phony doctor run a combination womens prison/torture chamber/home for retired and/or escaped and/or wannabe Nazi concentration camp guards in an unnamed South American country (although it was shot in the Central American country of Honduras, something I'm sure the Honduran government wasn't particularly jazzed about when it finally found out what Jess was up to while shooting in one of their prisons)

            As a movie, it's not really very good (actually, it stinks). As an example of the "Jess Franco experience", it's somewhat better. As a showpiece for Lina Romay's incredible sex appeal and terrific body, it's a masterpiece. If you go into it with the right attitude, it can be a lot of fun.

            Come to think of it, even if you DON'T go into it with the right attitude it can be a lot of fun. Enjoy.
            6The_Void

            More sleaze from the master!

            Well, I didn't go into this film expecting anything over and above the usual sleaze from prolific director Jess Franco, and while I've certainly seen worse films from the director; this isn't exactly a highlight for him either. Barbed Wire Dolls is another one of those sleazy 'women in prison' in films, and aside from the obvious implications of this sort of film; Franco has seen fit to make things even sleazier by way of things such as a lesbian warden and a whole host of sadistic torture sequences. There's basically no plot in this film, although there is a little slither involving a young woman and her father, whom she is believed to have murdered. This plot never takes centre focus, however, and Franco seems keener to continually show filth, which is no bad thing if you ask me. However, there's only really so far a film like this can go with no plot to speak of, and the fact that Franco didn't care at all about telling a story is shown best at the end, when it just 'ends' without any resolution. Still, sleaze fans are likely to get a lot out of this film as there's naked chicks, violence, lesbians, sadism etc, and while I don't rate this too highly; I can at least say I enjoyed watching it. What?
            3a_chinn

            Lurid Jesús Franco women in prison flick

            Lurid does not begin to describe this Jesús Franco women-in-prison film. Lina Romay is sent to prison for murdering her father. The prison is run by a jackboot-wearing female warden and a serial killer prison doctor who killed the real prison doctor and is now posting as said doctor. There was a whole cycle of women in prison films in the 70s and 80s, and this one probably had more nudity and torture than any I've seen before, though I have to admit I have not yet seen SS HELL CAMP, which is supported to be the most extreme of this cycle. I watched a beautifully restored Blu-ray of this film from Full Moon Features, but this film is utter crap. However, it is definitely a film that's so bad it's good, the most hilarious moment being a flashback to when Romay kills her father. To save money, instead of shooting the scene in slow motion, director Franco has the actors fighting with one another as if they were moving in slow motion. The scene is so badly done I could not believe what I was seeing! Making matters even more bizarre, Franco was dating Romay at the time and played the abusive father. It's a scene that has to be seen to be believed. There are so many other bizarre scenes, such as one of the prisoners masturbating while holding a lit cigarette, with ashes falling on her genitalia or the reoccurring electric shock treatment scenes. There's really just no describing this film, but I feel like I should give this terrible movie an extra half a star for the entertainment value I got out of the terrible bit of filmmaking.
            10PeteStud

            A Real Sicko's Sickfest...

            This is one for the real deranged sex maniacs out there. There's virtually no plot just one flimsy excuse or another to show helpless women being sexually tortured and degraded. There are plenty of laughs to be had if that sort of thing rocks your boat, though. One outrageous scene has Jess Franco playing in-mate Lina Romay's father who attempts to rape her in slow motion...only trouble is they actually act (very badly) in slow motion live rather than slow down the actual film!!! incredible! Franco's worst? Hardly, It's actually one of his filthy sadistic best as there is no time to get bored for a change (a rarity with his movies!). Fans of that ol' Spanish zoom lens we've come to know and love will not be disappointed. Wild and crazed as only Franco could do..he out viles the ILSA series with ease here.Perfectly putrid!(and I loved every moment!)

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            Handlung

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            • Wissenswertes
              Producer Erwin C. Dietrich put his faith in director Jesús Franco and left him to make the film in peace, he did not see any footage until the film was finished. When Franco screened the completed film to him, he was horrified by the quality. The shots were too blurry and no movie lighting was used, it was rough and raw. Franco defended the film and explained it was the style he was going for. Still dissatisfied, Dietrich told Franco it was a terrible film and wasn't sure if he would be able to sell it to theaters. However, much to Dietrich's surprise, he managed to sell it to numerous European cinemas and the film was a decent success at the box office and received several good reviews at the time. Many years later, in an interview, Dietrich thought more highly of the film and said it was the first film to use the Dogme 95 style before Lars von Trier. Franco went on to make 16 more films for Dietrich over a three year period, and he told Dietrich they were the best years of his life.
            • Patzer
              When Dr. Moore gives an injection to Bertha, He jabs the syringe into her buttock and quickly removes the needle without depressing the plunger.
            • Zitate

              [Maria finds a dead mouse under the food on her plate]

              Maria da Guerra: Ah! A mouse!

              Guard: What's wrong?

              Maria da Guerra: I found a mouse here on my plate. Look at it!

              Guard: So what? It adds protein to your diet.

              [Guard pushes Maria's face onto the plate]

            • Alternative Versionen
              The film was rejected for cinema (as "Caged Women") by the BBFC in 1976 and then passed with heavy cuts under the same title the following year. The 2004 Anchor Bay DVD release (as "Barbed Wire Dolls") was cut by 41 secs to remove shots of explicit sexual penetration.
            • Verbindungen
              Edited into Les gardiennes du pénitencier (1981)

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            FAQ13

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            Details

            Ändern
            • Erscheinungsdatum
              • 23. April 1976 (Westdeutschland)
            • Herkunftsland
              • Schweiz
            • Sprache
              • Französisch
            • Auch bekannt als
              • El reformatorio de las perdidas
            • Drehorte
              • Castillo de San Fernando, Omoa, Honduras(Main exteriors location.)
            • Produktionsfirma
              • Elite Film
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            Technische Daten

            Ändern
            • Laufzeit
              1 Stunde 18 Minuten
            • Sound-Mix
              • Mono
            • Seitenverhältnis
              • 1.85 : 1

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