Frauengefängnis
- 1976
- BPjM Restricted
- 1 Std. 18 Min.
Füge eine Handlung in deiner Sprache hinzuWomen's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity a... Alles lesenWomen's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.Women's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.
- Regie
- Drehbuch
- Hauptbesetzung
- Dr. Moore
- (as Paul Müller)
- …
- Prison Director
- (as Monika Swinn)
- Ingrid
- (as Peggy Markhoff)
- …
- Guard José
- (as Ray Hardy)
- Maria's Father
- (Nicht genannt)
Empfohlene Bewertungen
There's a scene in Barbed Wire Dolls that is so perfectly horrible it should be cinematic legend. It's a young girl's flashback of her father (played by Franco himself) attempting to rape her. The entire scene is shot with Franco's patented wandering zoom, a lens slathered with vaseline and a slow motion effect you have to see to believe.
Doing double-duty as "Cinematographer," Franco apparently didn't realize you could change the frame rate on the camera and decided slow motion is best acquired through slow motion acting. Yup, actors pretending to go through the motions in real time slow motion. Hilarious.
For someone who hates his own movies and wishes he'd directed Citizen Kane, Franco's taste is not nearly as bad as the choices he consistently makes behind the camera. Within the realm of bad movies, if Ed Wood Jr. is Orson Welles, then Jess Franco is quite possibly John Ford. High praise, indeed. Barbed Wire Dolls is a B- movie with so many juicy tidbits of ineptness, tasteless raunch, camp and cliché you can't help but love this senseless mess. See the slow motion genius for yourself:
All things considered, though, I've seen worse--not much worse, but worse. Then again, you can't judge a Jess Franco film by such arbitrary standards as "good" or "bad"; they just don't apply. Was it well made? No. Was it well acted? No. Was it well written? God, no. Was it enjoyable? Hell, yes. Its enjoyability factor was due in large part to the plethora of gratuitous nudity and just-this-side-of-porn sexual activities--sexual abuse, molestation, rape, incest, lesbianisn, voyeurism, and everything else that makes life worthwhile (at least in a Jess Franco film). It wasn't just the nudity and the sex that make this film so much fun, though. It was the joyously demented attitude of the thing. You got the feeling that Franco said to himself, "Well, I've managed to scrape together a couple of bucks; let's make a sleazoid women in prison picture and get Lina Romay naked as often as humanly possible"; for that philosophy alone he should have gotten a special Oscar.
As for the "plot"--as if you care about such trivial matters--a lezbo warden and an effeminate phony doctor run a combination womens prison/torture chamber/home for retired and/or escaped and/or wannabe Nazi concentration camp guards in an unnamed South American country (although it was shot in the Central American country of Honduras, something I'm sure the Honduran government wasn't particularly jazzed about when it finally found out what Jess was up to while shooting in one of their prisons)
As a movie, it's not really very good (actually, it stinks). As an example of the "Jess Franco experience", it's somewhat better. As a showpiece for Lina Romay's incredible sex appeal and terrific body, it's a masterpiece. If you go into it with the right attitude, it can be a lot of fun.
Come to think of it, even if you DON'T go into it with the right attitude it can be a lot of fun. Enjoy.
Wusstest du schon
- WissenswertesProducer Erwin C. Dietrich put his faith in director Jesús Franco and left him to make the film in peace, he did not see any footage until the film was finished. When Franco screened the completed film to him, he was horrified by the quality. The shots were too blurry and no movie lighting was used, it was rough and raw. Franco defended the film and explained it was the style he was going for. Still dissatisfied, Dietrich told Franco it was a terrible film and wasn't sure if he would be able to sell it to theaters. However, much to Dietrich's surprise, he managed to sell it to numerous European cinemas and the film was a decent success at the box office and received several good reviews at the time. Many years later, in an interview, Dietrich thought more highly of the film and said it was the first film to use the Dogme 95 style before Lars von Trier. Franco went on to make 16 more films for Dietrich over a three year period, and he told Dietrich they were the best years of his life.
- PatzerWhen Dr. Moore gives an injection to Bertha, He jabs the syringe into her buttock and quickly removes the needle without depressing the plunger.
- Zitate
[Maria finds a dead mouse under the food on her plate]
Maria da Guerra: Ah! A mouse!
Guard: What's wrong?
Maria da Guerra: I found a mouse here on my plate. Look at it!
Guard: So what? It adds protein to your diet.
[Guard pushes Maria's face onto the plate]
- Alternative VersionenThe film was rejected for cinema (as "Caged Women") by the BBFC in 1976 and then passed with heavy cuts under the same title the following year. The 2004 Anchor Bay DVD release (as "Barbed Wire Dolls") was cut by 41 secs to remove shots of explicit sexual penetration.
- VerbindungenEdited into Les gardiennes du pénitencier (1981)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El reformatorio de las perdidas
- Drehorte
- Castillo de San Fernando, Omoa, Honduras(Main exteriors location.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 18 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1