Die Bestie

Like many impressionable adolescents within late-night or Saturday-afternoon viewing range of WOR (Channel 9) or WPIX (Channel 11) in the mid to late seventies, I developed an early affection for this, the perfect adolescent horror clunker. Yes, the papercutter. Yes, the acid vat. Yes, the cleats. And hell yes... Mister Mumps. Whatever Pat Cardi's shortcomings as an actor, he made a convincing tortured high-school Jeckyll & Hyde. I never found it particularly terrifying except perhaps for that hideous ballad in the background as Vernon rides his bike to school, but it's far more compelling in a (relatively) innocently creepy way than the slicker and more cynically formulaic eighties slasher flicks that followed. Like 'Plan 9' and 'Silent Night, Bloody Night' (both big in the 9/11 universe, and endlessly repeated since the broadcast rights must have been cheap... thank Jah I came of age before the infomercial era), it rightly belongs to the Cinema of Obsession, all the more convincingly when you're 16 and watching it for the fifth time at 2:45am.

There's something to be said for a teen revenge flick that could have plausibly been written and directed by a pimply adolescent.

Reading some of the other comments reminded me that this was also one of the films that made me realize that my early tastes in cult film weren't nearly so obscure as I thought. I remember being flabbergasted as a junior in high school circa 1979 to meet a fairly cute, well-adjusted girl from another school who had seen it three or four times

Interesting coincidence between myself and many of the reviewers who were scared by this movie; we were all 11 or younger when we saw it, and it was always on late night t.v.! There are two reasons for this; irresponsible parents letting us watch t.v. alone that late, and irresponsible t.v. stations showing violence this graphic, even late at night. The movie, shot on dark 16 mm, depicts scenes of fingers graphically sliced off by paper cutters, teenage students savagely beaten by psychotic janitors, a janitor who gets dissolved by acid, graphic shots of a sadistic coach being shredded by the lead character wearing cleats, and much, much more. There is a curious reality to these scenes, lent to it by the matter-of-fact grittiness and low-budget camerawork; they are shot with a definite leaning toward sadism, and it is curious this was allowed on network t.v. even late at night in the mid-seventies. Everyone in this movie, save for a few characters, is sadistic. The lead character suffers a particularly brutal death, as his angelic girlfriend watches, helpless to save him. The end. Not a view of the world you want your ten year-old kid watching. (Though today's ten year-olds are completing their collection of serial-killer trading cards.)

I saw this again years later, and rather than being scared, was simply depressed by the mean-spiritedness of the film and actually annoyed at the picked-on "sympathetic" lead character; had this kid ever heard of changing schools? Of course this is the kind of setting where there is only one high school in a hundred miles.

The acting is unbelievably bad, save for the title actor, and Austin Stoker, who acts as if he's in a better movie than he is as the police detective. One gets the feeling that he had some control over which scenes he appeared in (his character follows up after the sickening scenes of violence, but does not appear in them), and that he must have known at some point that this movie wasn't going to propel his career upwards. It's interesting how many actors (excluding Stoker) in this film never made another one, including the lead. One wonders why? Three out of ten stars.

Like many of the other reviewers, I remembered bits and pieces of this film from my adolescent years(ok maybe 11-13). I finally tracked down a copy and the film came back to me as I watched it. The guinea pig killed with broken glass and squealing, the English teacher with the paper cutter, the merciless jocks, and so on rushed to my brain and brought back that late evening in the 70s when I saw this film for the first time. The film is by no means great or even good, yet something in it makes it so memorable to those of us writing here. I am not sure what that quality is - maybe we see ourselves in this protagonist in small pieces. I don't want to get too psychological here, but it must be something about the film. The film is about a young man picked on by all who loves biology and the experiments he has been working on all summer. Everyone at this school..and I mean everyone except a young girl that admires the young man for his intellect...is cruel, sadistic, and totally uncharacteristic of what you would find in teachers and the like. He experiences one shocking mistreatment after another, until forced to drink a serum he has been working on, becomes a Hyde-like character that avenges himself for all the wrongs redressed towards him by all his enemies. The film is very cheaply made...very dark in most places, and it is very gory for its time, which also might explain why it is memorable. I liked the film, defects notwithstanding.

Considering the budget, I have to say this movie really succeeded. It had some great seat-jumper moments far above what I hoped to see in a film of this caliber. The chemistry test scene was utterly delicious. The acting was really very good -- you could tell everyone was serious about making this movie even though they really had no business doing that. The pace was good, the story was sound, the makeups and costumes were good (especially with what had to be a buck-ninety-eight effects bankroll), most of the camera work and stuff was pretty good. And so it actually worked! Unexpected in a movie that dares to take "Dr. Jekyll and Mr. Hyde" into the recess yard.

Scrawny, but good-natured Vernon(PAT CARDI, in a memorable performance) is a science-minded high school nerd, and an unassuming human target for cruelty who's belittled and abused by nearly everyone he knows(moronic jock schoolmates, choleric teachers, the psycho janitor, etc.). He concocts and ingests a substance which renders him a Jeckyll/Hyde type beast, the more powerful and assertive(and certainly more dangerous)persona emerging sporadically to become the "normal" Vernon's savage avenger. A sharp and suspicious investigator has his eye on Vernon, as does the school beauty queen(because the prettiest girl in school is always in love with the skinny, picked-on science geek. She knows he's gonna be rich some day...)

This bouncy little Crown International Pictures wonder was a perennial staple on late-night creature feature shows during the 70s and 80s, and those of a certain bracket remember it fondly. Folks today should get a kick out of its funky retro panache, and they may be surprised by the potent violence in some scenes(nicely punctuated by jarring heavy-reverb guitar thrums).

An all time great...of sorts. 7/10.