Die goldene Festung

A brilliant adaptation of Ray's own novel. An Indian road trip movie from 70's. The story is solid. Background music is awesome and the locations are fantastic. This film is 💯% perfect in every category. The acting performances are mind blowing, specially the iconic actor 'Soumitra Chatterjee' and the child actor 'Kushal Chakraborty'. This film proves how much versatility Satyajit Ray had. The legend director and the legend actor, together they made this film an 'Evergreen Movie'.

Among all the movies of the "thriller" genre, I would alsways rate this movie as amongst the top in India. Having watched it many dozens of times, I have observed that the movie and Ray's treatment of his story is unique in many ways. Firstly, given the exotic locales in the story, any director would lap up the opportunity of using stunning angles for shots around the various forts (of Jaipur, Jodhpur, Bikaner and Jaisalmer in this case), let the camera hover around the desert horizon with the sun setting or the static ripples of sand on a dune. Never for a moment had Ray let the camera linger on any stunning backdrop outside the context of the film. Even in the sunset scene at Ramdeorah railway station, the camera does not lose the subject, that was 'jatayu' loosening up after an arduous camel ride. Even more interesting is Ray's ability to stay focused to the story line again given that the climax inside the Jaisalmer fort, a classic fort with a town inside. It would be easy for any one to yield to the temptation of extending the final moments of the film in the fort in its numerous small streets that wind around the beautiful houses of the town within the fort. However, Ray stuck to telling the story as it was in the book (with some changes of course) where the "Golden Fortress" itself occupies a few minutes of the 120 minute film. The result has been a crisp story where the suspense ramps up from the first scene and never ebbs in the entire course of the film.

A masterpiece for any Feluda fan out there like me. The legend Satyajit Ray's generosity is evident in each and every scene packed in each nutshell of directory. The characters are portrayed beautifully. Soumitra Chatterjee is superb as 'Feluda'. One of my favorites is Kamu Mukherji as Mandar Bose. The range of emotions shown and the comic touch in his actions and dialogue are excellent. The change in his facial expression when he is trying to match Mukul's face with his photograph in the train is amazing.

Of course, everyone's darling Santosh Dutta as "Jatayu" is very good too. He portrays the average Bengali babu's role to perfection. "Topshe's" role as a eager and jovial teenager is well suited too.

He has a strong knowledge of the rest of India, it's history and geography, which is how he's aware of the deserts of Rajasthan. He solves problems in an intelligent way as if it were a mathematical problem. The joy of arriving at a solution is just the same. Ray's strength was his brilliant craftsmanship. He made films, drew storyboards, scored music and most importantly, wrote stories. Proper stories, not autobiographical reminiscences. He also had remarkable interest in varied fields just like a quiz buff would have. It means that if anyone is open to this vast source of knowledge, some of his lesser-known films become joyous experiences.

"Sonar Kella" (Golden Fortress ) , these words evoke a lot of sentiment in not only me , in any average Bengali . Lot of us grew up reading this story and knew the story by heart. So Satyajit Ray must have a tough time adapting this story for his film. But it had been done perfectly, the way only the genius like him could do. Soumitra Chatterjee , the brilliant actor he was , portrayed " Feluda" with implacable perfection . Santosh Datta made the role "Jatayu" (Lalmohan Ganguly) of his own. He was so good in his role that Satyajit Ray started to sketch "Jatayu" resembling him in his Feluda stories. Kamu Mukherjee as Mandar Bose also acted brilliantly in his evil character. But I don't know why nobody talked about Siddhartha Chatterjee in his role of Topshe. After Sonar Kella and Joi Baba Felunath, number of Feluda films , TV series were made , but no one could compete him as "Topshe". For me, he had born for that role. The film is set on the backdrop of Rajasthan . It is present in the film in its full glory. The local music is also used by the Satyajit Ray . Rajasthan's sand, music, camels , forts and people helped this film reach a level which Bengali audience rarely got to see in films. The primary target audience of this film was kids. But Satyajit Ray , knowingly or unknowingly, somehow managed to remove the invisible boundary between Adult and Kid worlds and created a magical form of art which is acceptable to all.

I have watched this movie after 2 decades I guess. When I was a kid for obvious reasons I liked it. Didn't know that I will enjoy watching this even today when I'm all grown up and surrounded by picturesque movies and series.

There was nothing to complain about such as this composition. Truly timeless.