Die Straße des Bösen

Well meaning, but an unusual, gloomy and comedic dark horror drama with a wicked sense of humour and stinging view of the mistreatment of the elderly as time isn't on their side. While it doesn't always come together (with an ambiguous ending that doesn't know how to tie it up), it remains an interesting parable and compelling at that with it's uniquely original premise.

Six elderly tenants are handed eviction notices, as their apartment is to be torn down and turned into new skyscrapers. However they won't have anything off it and decide the only way they can stay put is to murder those who get in their way or have some sort of control over the development to only slow down the inevitable.

The movie tagline "A Murder a Day Keeps the Landlord Away!" sums it up perfectly.

"Homebodies" tries to mix social commentary with creepy chills and cartoon-like humour… while at times eerie and thoughtful in its context I didn't find it particularly humorous. The tone would get goofy in those moments aiming for a laugh, which didn't complement its sombre air. When the script was trying to be sly with its humour, it fitted better. The slow-burn plot really does strike up a moving chemistry between these convincingly quirky characters, as there's heart and personality given out by the performances. They stick together, kill together to keep their familiar lifestyles they hold so close. But then in a twist of events they start to turn on each other with no second thoughts. There's an odd chase sequence as well… where it crafts a dreamy sort of atmosphere around it and the death traps/or deaths are effectively moulded to get under your skin with the blank, cold expressions of their faces watching those die around them. The performances are solid, led by Paula Trueman's neurotic turn and with the likes of Ruth McDevitt, Ian Wolfe and Peter Brocco.

Director Larry Yust does a durable job and makes good use of the authentic location work to illustrate the urban plight. The camera sprightly frames the activities and the music playfully turn it up.

A worthwhile forgotten 70s offbeat low-budget black comedy shocker.

'Homebodies' is a truly unique example of mid-70s weird-beard horror madness, and as far as I'm aware 'Homebodies' still stands righteously tall to this very day as one of the very few octogenarian-powered revenge melodramas. This singularly themed horror film concerns the ignominious plight of rightfully disgruntled wrinkles as they earnestly confront their callous, money grubbing landlords with imaginatively murderous results! The darkly sardonic films glorious strap-line is a neat précis of all this Zimmer-framed lunacy, to whit:"A murder a day keeps the landlord away!" Iconoclastic director Yust manages to fashion a credible schlocker that achieves the impossible; that is, it manages to simultaneously tug at ones calloused heart strings while a doddering old bint hurls some skeevey schmoe estate agent into a cement-y grave! Hats off to thee, Larry Yust, they REALLY don't make 'em like this anymore!

The premise of "Homebodies" is certainly unique:a bunch of old people don't want to leave their apartment complex so they start murdering anyone who tries to force them to leave.This weird little shocker is one of the most underrated horror movies of early 70's.The main characters are well-played and very believable and the murders are quite shocking in its viciousness.The cast includes veteran character actors including Ian Wolfe and Ruth McDevitt from "The Night Stalker" and "The Birds".The killings include stabbing to death with a butcher knife and encasing one victim in cement.Construction workers are also mysteriously dying on a construction site.One of old ladies named Mrs. Loomis resolves to tell the police everything,but Mattie kills her by bashing an urn containing the ashes of Miss Emily deceased husband over her head.Very grim and darkly funny "Homebodies" is a must-see for fans of 70's American horror.

Genuinely unique and creepy, Homebodies tells the depressing story of what life is like after society has discarded you. A group of elderly people have had their apartment building, home for much of their lives, condemned, and they have been asked to move to a new residence. When they realize they don't want to move, they take business into their own hands. They stab, sabotage, drown a man in cement, and kill in numerous other ways to keep home, sweet home. While director Larry Yust doesn't have a huge budget at his disposal, it clearly is not needed given the subject matter and the tenements of Cinncinatti serving as a backdrop. This film has a seedy, dark, futile feel to it, and underlying its sick,twisted plot - the deaths are executed with little remorse or feeling. The elderly, who at first illicit pity, soon turn into cold killing machines - very much like what they attack - a huge conglomerate business and "progress." Homebodies is a bona fide horror film and a black comedy as well. The humour is subtle but definitely there. I particularly liked the ending and thought that was a very clever bit to end such a film with. Solid direction and a perverse yet fresh and interesting script aside, the acting for me is what carried this film. The elderly inhabitants are all equally played with polish and pathos by a crew of geriatric character talents - all unfortunately no longer with us - that bring their characters alive - foibles, fears, and all. Paula Trueman plays the biggest role as Mattie. She is sort of a Ruth Gordon type. She is also the personification of evil in the group. She shows us what the elderly are able to get away with because everyone discounts them and their worth. Trueman does an able job creating a woman who is selfish, willful, and downright bad. Ian Wolfe and Ruth McDevitt play the couple that ran the building for so long. Both do very good jobs and create possibly more than anyone else the compassionate side of being old and "left out." Peter Brocco does a wonderful job as an elderly blind man - who has powers that probably any realistic elderly blind man would not possess. Brocco does an incredible job. The last two members are played by William Hansen and Frances Fuller. Fuller plays a woman that has not left her room for twenty years and speaks to her dead father at the dinner table. Hansen plays a man consumed with writing his memoirs of his marriage of 55 years. All of these actors did a marvelous job with their characters. Homebodies is a good film. It is a scary picture, subtly humorous, and thought provoking. The scenes of these tenants being moved to a soul-less huge apartment complex where every room is the same and people just sit on benches waiting to die struck me as particularly horrific. Or the scene with an elderly blind man being shoved into a room - not having learned the dimensions of the room at all. Or maybe the scene of a man pleading with a socially progressive woman about how moving his things, which had taken him a lifetime to sort, would never be able to be put together in the same fashion. He said he literally did not have the time left. These images and many more in Homebodies frightened me more than anything else. Because the sad truth is we offer little time and reflection to those concerns unless we are directly affected as a society. That is the real horror in Homebodies! A wonderfully old-fashioned song begins and ends the film. It reminisces about the joys of a day gone by.

This one is truly original. A Cult film for the Geriatric crowd. It is good to see that I am not the only one who was impressed with this obscure film from when HBO was in its infancy (channel 6 anyone?) There are some very good actors associated with this project for anyone who was conscious in the 60's and 70's. From Ruth McDevitt to Ian Wolfe you have seen them before in many supporting roles, here you get to see them lead. The film almost has a strange aura similar to The Sentinel (1977) although without the supernatural aspects. Here we have a social satire which focuses on the geriatric crowd affirming their rights in the face of oppression. Coming out of the era of civil rights don't think this subject matter wasn't a projection of society in which many sub-cultures where finding ways to be empowered. This film takes that premise and twists it into some very humorous and macabre situations. The cement pouring scene is a memorable one which stands alongside any early giallo for inventiveness. Dated but still worth it if you can find it if cult is your thing.