Gewalt und Leidenschaft

Conversation Piece is a drama film by director Late Luchino Visconti. The film stars Late Burt Lancaster, Helmut Berger, Late Silvana Mangano, Stefano Patrizi and Claudia Marsani.

A Professor very reluctantly lends his home for a rent to a countess, her lover and her family.

One of the greatest film made by Late Luchino Visconti and the film is not for everyone, the film can be called as a perfect illustration of degrading family values and shown beautifully from the eyes of an aging professor.

The film is masterfully backed by superb acting, great screenplay and good climax, very little but very effective background music is been used for the film .

A Must Watch.

You discover entire his universe in this film who seems be an elegy. a film about solitude. and about family. politics. and love. dark. bitter. cruel. and precise definition of Visconti filmography themes. a film who works in admirable manner against the small not inspired details. more than other films, it represents a confession. honest. and terrible. about a world, about the others, about abdication, about force of challenges. about the way to define yourself.

This is Luchino Visconti's first feature film after his almost fatal heart attack. He was in a wheel chair and his left side was completely paralyzed. Enrico Medioli's original story about a man who's facing the end of his life, whether consciously or unconsciously seemed very close to the knuckle. I've read a lot of material and talked to people connected to the production before actually seeing the movie. Nothing had prepared me for what the film presents to the audience and I wondered if the film that ended up on the screen was the film that Visconti intended. Starting from the cast: the first rumors that Visconti was ready to go back to work, announced the film with Laurence Olivier and Audrey Hepburn in the roles that went to Burt Lancaster and Silvana Mangano. Anne Marie Philipe and Martin Donovan (the director) in the roles that went to Claudia Marsani and Stefano Patrizi. For what I gather, Olivier was sick at the time and couldn't accept. Audrey Hepburn turned it down, Donovan and Philipe found themselves outside the co-production regulations where two Italian nationals were required for those roles. Helmut Berger was the one who survived all the changes and I'm tempted to say: unfortunately! His character is the one who doesn't ring true. Clearly, Lancaster's character would have seen through Berger's. There is nothing in his character that made me believe Lancaster would feel attracted and fall for. Berger is a prissy, emotionally flabby, pretty boy. He is also unbelievable as Silvana Mangano's lover. The film as a whole takes place in Lancaster's dark and elegant apartment. Against his better judgment he rents the upper floor to this new, rich, beautiful and vulgar family. His world is going to start to collapse under the weight of the young invaders without soul. Solemmn, sad and a bit static the film however has a masterful center that makes it compelling viewing. Two brief cameos by Dominique Sanda as the mother and Claudia Cardinale as the dead wife bring some unexpected oomph to the grim proceedings. Even if I sound a bit down on the film I'm actually recommending it.

From disrespect without size, from total inelegance, apart from the unreasonable aggression of the gigolo, drug addict and leftist, and the jet set fell on the floor, that renovation in a (centenary) property that was extremely unpleasant... However, what follows is exquisite, a beautiful ménage à trois, poetic even, in the final rites a debate that is valid for every film, social criticism, social inequalities, and politics, questioning Franco's tyranny, a melancholic and exquisite outcome, adorable... "The character of the teacher played by Burt Lancaster is openly inspired by the figure of Mario Praz." "The role of Marquise Bianca Brumonti was initially proposed by the director to Audrey Hepburn, who refused to declare that she did not want to link her name to a murky and immoral role like that." "People get married to form a family, and divorce to get rid of it. - And get married again. - No! To be free."

Professor Lancaster leads a reclusive life in his art deco apartment, surrounded by classical paintings, books and memories. Along come new loud tenants who rent his upstairs apartment and force themselves onto the Professor who then questions his existence as a mixture of the old and new culture clash in intellectual wars and morals. Another interesting piece from Visconti's preoccupied topics of fallen aristocrats and the morality of life.