Kesse Mary - Irrer Larry

I saw this movie as a young boy and didn't see it again until this Christmas when I ordered the DVD. It was one of my favorite movies from my childhood. I remembered many of the scenes but had forgotten many and enjoyed watching it again. I really enjoyed the interviews and the "extras" on the DVD. I grew up in the muscle car era of the '70's but was too young to drive at the time. This movie along with the Smokey and the Bandit part one were big hits back then. It was definitely worth the money. I will enjoy watching it again sometime soon. I always wondered why I never did see it advertised to be shown on any cable channels. It probably did play down through the years but I never did see it. It does take me back to the days of driving fast with the windows rolled down and listening to the CB radio. They don't make the good old high speed car movies like this anymore.

Ostensibly a mindless, flashy car-chase-&-crash B-flick has all the usual drive-in elements, but there's more going on here than at first appears. Two NASCAR enthusiasts, needing to buy a new entry vehicle, concoct an elaborate plan to rob a grocery store; Larry is the talent behind the wheel, Deke is the contemplative brains of the outfit. Soon they're saddled with good-time girl Mary, stubborn and sassy, who proves her mettle on a wild ride getting out of town. From Richard Unekis' book "The Chase", with a plot that is exactly that, yet the script by Leigh Chapman and Antonio Santean is surprisingly funny and literate and John Hough's direction is exceptionally tight with very little nonsense. Peter Fonda is appropriately manic, loose and shaggy, and Susan George has fun playing low-class (she has a tough time camouflaging her British accent, but it passes); every time Mary uses her brains, it provides more shading and substance in the character. Adam Roarke is a revelation as accomplice Deke, a sensitive, complicated man with heart and soul; he's not above larceny--he even masterminds it--but he's a thinker, and a realist. This film should have broken Roarke as a star in Hollywood, he is incredibly good. Vic Morrow has the standard role of the lawman on the trio's trail (he plays cat-and-mouse with them, and vice-versa, which is routine) and it's nice to see Roddy McDowall in a non-hysterical role as the supermarket manager. The chases are terrifically charged with adrenaline and excitement, and while the character animosities are trivial, the movie is stylish and wire-drawn. Apparently a big hit with Quentin Tarantino, who used a film-clip in his "Jackie Brown" (and adopted this picture's violent, jokey tone as well). Good show: *** from ****

I saw this when it came out in 74, I was 19, an appropriate age to best appreciate car chase movies. Also believe I saw it at a drive-in, best place for these flicks. It was a bit strange seeing Peter Fonda, going from the ultimate counter-culture drug hippie in "Easy Rider" to playing a NASCAR driver gone a bit bad, more of a working class hero. Fonda is likeable in the role, Adam Rourke is sympathetic as his mechanic and Susan George plays an obnoxious tramp pretty well. Plus nobody could play a rotten and evil cop as well as Vic Morrow did in this and few other movies. It's fun to catch every few years. And a good lesson at the end-always pay attention to railroad crossings!

with a little senseless fun? I love movies like this, where you don't have to think too hard and try and figure out what's going on, just sit back and enjoy!

i'd say this kicks Smokey & the Bandit's tail!

I too watched DMCL again last month after a period of many years, and I have to say that I love it, even though it's truly crap. The dialogue's hackneyed, the plot's over-simplistic and filled with randomly-inserted chunks of juvenile self-indulgence and Susan George's performance tends to make me claw at my ears like a mangy dog but if, like me, you hate what the computer age has done to the car chase, you can't help but enjoy it.

The fact is, you've got a bright yellow '69 Charger at full pelt, outrunning a bunch of genuine Mopar pursuit cars and being rammed by a helicopter - filmed on a road, with a camera. What more do you want? In terms of real action, with no digital effects, speeded-up film or dodgy miniatures, it's up there with The Gumball Rally. And yes, the scene with Vic Morrow standing at that crossroads as the helicopter swoops down to meet him does have a certain resonance.

This film is pretty poor, make no mistake, but as an example of how cars were crashed in the good old days I reckon it should be in a museum...