Die Tragödie der Belladonna

Wow. Sometimes something comes along that really genuinely blows me away and the viewing of this movie is one such very rare occasion. It's a film that was released in 1973 in an era when the adult cartoon was a new concept, typified by the likes of Fritz the Cat (1972), but Belladonna of Sadness by contrast attracted mainly negative criticism and it then seemed to more or less fall off the radar for many, many years. Having just seen it I can only say that this is a criminal state of affairs and that it is pretty seriously unfortunate, to say the least, that something so overwhelmingly artistically beautiful was disregarded and cast aside. The amount of artistic imagination and creativity on display here is pretty monumental.

Its regarded as a very early example of Japanese anime but it's like no other anime I have ever seen. While it definitely does have some material that would go on to be associated with the manga branch of Japanese anime, it is executed in a somewhat experimental manner. This is quite honestly more of an art film than an actual story. Many folks seem to have taken all manner of things away from this one in terms of its content, such as a feminist message and such. And while I agree that this is there, the sheer beauty of the artistry is so overwhelming that the contents of the story were completely overshadowed by the visceral sensory experience of watching this one. Despite its Japanese origins this one is set in the Middle Ages in Europe and it begins with a wedding of a young couple. The groom cannot pay the marriage tax so the baron exercises his 'rights' and rapes the bride. This trauma deeply affects the young couple and the woman turns to witchcraft.

Some may be taken aback by certain aspects of this one. Firstly, despite being an animated work, much of the story is told by still paintings and drawings. There are many elaborately detailed tableaux which the camera pans across and in so doing expands upon the narrative. There are many still pieces of art of varying styles, such as landscape watercolours, comic-book style figures and surrealism. These visual ideas are interwoven with early 70's styles such as psychedelia and transgressive underground comics. There are animated sections too, which make even more impact because they only appear every so often. There seems to be a general split where the narrative is depicted using stills and the inner working of the protagonists mind are animated. Consequently, this leads to the extended animated sequences being more dreamlike and surreal in nature. Accentuating all of this is an excellent soundtrack which works fantastically well with the imagery on screen. It's quite an eclectic score which features what could best be described as Japanese folk-pop and some out-and-out prog-rock.

As I said before, this isn't a film for everybody. Aside from its experimental approach, some may find the sexual content difficult. There are many examples of sexual imagery, although I wouldn't say it's exactly in erotic territory on account of its highly stylised presentation but also due to the disturbing nature of much of it. But despite the dark undercurrents to the material this is a film of enormous visual and aural beauty. In my personal opinion this has to go down as a stonewall classic and a great example of what the animated movie format is capable of.

Impressive work of art. The back cover of the Blu-ray states that this is the last film in the Animerama trilogy. In doing a little research I found that Animerama is defined as "...a series of thematically- related adult anime feature films originally conceived and initiated by Osamu Tezuka..." This third film was co-written and directed by Eiichi Yamamoto inspired by the book SATANISM AND WITCHCRAFT by Jules Michelet.

The animation is fairly basic. It's largely comprised of long paintings, done in watercolor. The effect reminds me of certain Japanese scrolls where, as they unwind, the story is told. In the case of this film, however, the camera slowly moves right to left along the painting, occasionally zooming in. There is also other limited use of cell animation where the camera is shooting each of the different cells and they are presented in sequence on film to show progression/movement...at a lower slower frame rate than, say, the average Disney cell animation. As mentioned, it's all fairly basic and yet still works well in combination with the other elements. Which are:

Narration, requiring reading of subtitles for those not fluent in Japanese.

And a great sound/music score that I wouldn't mind having on CD. It ranges from trippy to hauntingly beautiful with a few actual songs that are quite nice. And other chaotic or horrific or beautiful sounds and music. All complementing the imagery in a way that is very important to this type of animated film.

Who would I recommend this to. It deals with some pretty strong subject matter, not the least of which is rape. Horror fans may appreciate some of the darker aspects of the film. But beyond that: Do you appreciate art? Do you appreciate Japanese culture/history? Are you open to alternative forms of storytelling? If you answer yes to all then you will probably like this film. I thought it was one of those rare treats that I likely will revisit. I'm also now curious about the other two films in the Animerama trilogy.

In medieval France, young couple Jean and Jeanne marry, but on the wedding night, an attempt to pay the required tribute to their lord results in a group sexual assault on Jeanne. Shattered by this, Jeanne is visited by Satan in the form of a very small penis man, who offers her the power to strike back against her abusers in exchange for her soul. Jeanne initially resists, but succumbs in stages, each resulting in penis Satan becoming a bit larger and Jeanne gaining some power over the lord, but ultimately facing greater setbacks. When she is at her lowest, she gives in completely and soon must be dealt with by the lord.

The first thing to note about this film is that it is exquisitely animated. Anime pioneer Eiichi Yamamoto, who had a hand in "Astroboy" and "Kimba the White Lion", forgoes any semblance of contemporary anime style and forges a psychedelic and deeply transgressive style based in modernist European watercolors. A lot of the animation is just still watercolor paintings that the camera pans across, but there's also a fair amount of animation. It's an absolutely gorgeous film.

This provides even more power to the film's very sexual, hallucinatory and transgressive images. It's very easy to label a film this explicit as "pornography", but none of the imagery in this film is used with any intention to arouse the viewer. It's very much apiece with the story that quite deliberately does not equate the embrace of "Satan" ... in this story, the embrace of personal, anti-authoritarian power partly via sexuality ... with evil. It's a deeply disturbing film with some of the most bizarre sexual imagery I have ever seen, but I also think it's a quiet masterpiece.

Yeah.. There were a lot of extremely disturbing scenes which involved rape, 99.9% of nudity, sexism, betrayal, murder, corruption, you blooming name it!

I really appreciated the art like for a 1970's anime, it did a decent job in making your brain go all over the place. The storyline was quite on point to make you go "omg" or "WTF" the whole time.

Yeah this anime is pretty underrated and probably not to everyone's taste due to it being heavily disturbing so take note before watching!

I had first heard of this when Cinefamily of Los Angeles started screening a new restored version of it around 2015/2016 and even involved themselves in a new Blu-Ray release of it. I finally watched the Blu-Ray of it last week and it not only lived up to the hopes I had for it after seeing the trailer, but surpassed my expectations through it's fully singular themes, animation style, innovative structure, and commitment to surrealism.

Simply put, this is one of the most psychedelic, out-there, impressive animated films I have ever seen. Due to the themes and the content it is extremely heavy & dark, so it's not for everyone, but it takes things that are fully depraved and atrocious and portrays them with beauty through visual surrealism. If you can understand the point of portraying evil in a gorgeous way, then you will likely find this film completely magical. At some point, the movie takes a much more familiar theme which has been covered in many, many films and digs into the psychological aspect of it in a way that I have never seen done before - it really kind of hit me hard when I realized what I was witnessing. This film is not for the weak hearted or overly moral.

Do not let the the first 20-30 minutes turn you off. The animation holds a very slow-burning, disciplined style for the first act, which asks for your patience. But once you finish the first act, you will cannoned into a kaleidoscope of unpredictability and stimulation to the fullest order. There is nothing like this wonder - see it.