Die Fälle eines leichtlebigen Ex-Sträflings wurden zum Privatdetektiv.Die Fälle eines leichtlebigen Ex-Sträflings wurden zum Privatdetektiv.Die Fälle eines leichtlebigen Ex-Sträflings wurden zum Privatdetektiv.
- 5 Primetime Emmys gewonnen
- 9 Gewinne & 27 Nominierungen insgesamt
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What the hell kind of a detective is this? The guy's not strong jawed, self-righteous and brave, and he seldom even carries a gun, much less shoots anyone. Since he consistently gets stiffed by his clients, he has to live hand to mouth in a cheesy trailer in a parking lot. (The trailer, incidently, is only crummy on the outside. Inside, it's comfortable, well furnished and clean, much like Rockford's character.)
Even the cops in this excellent series are presented as human, not as cardboard heroes. They've got the same pecking order problems at work that most of us have. In fact, ALL of the characters in this series seem to have some depth.
One of the most amazing things about the show's plots is that they hardly ever had to be resolved by gunfire because the writers were too lazy to come up with anything else.
Jim Garner's charm was a big part of the show's success, but it was the superb writing that made "The Rockford Files" so consistently entertaining. Many of the stories would have made first rate movies, particularly some of the two parters.
I'll never forget Angel begging Rockford for help after getting himself thoroughly enmeshed with the mob through his own stupidity and greed. Rockford chews him out, explains exactly why he ought to let him go right down the drain, and challenges him to come up with one good reason he should help him.
"Because you're my friend," Angel says, leaving Rockford without a comeback.
A friend like that, I could use.
Even the cops in this excellent series are presented as human, not as cardboard heroes. They've got the same pecking order problems at work that most of us have. In fact, ALL of the characters in this series seem to have some depth.
One of the most amazing things about the show's plots is that they hardly ever had to be resolved by gunfire because the writers were too lazy to come up with anything else.
Jim Garner's charm was a big part of the show's success, but it was the superb writing that made "The Rockford Files" so consistently entertaining. Many of the stories would have made first rate movies, particularly some of the two parters.
I'll never forget Angel begging Rockford for help after getting himself thoroughly enmeshed with the mob through his own stupidity and greed. Rockford chews him out, explains exactly why he ought to let him go right down the drain, and challenges him to come up with one good reason he should help him.
"Because you're my friend," Angel says, leaving Rockford without a comeback.
A friend like that, I could use.
This was probably the greatest part James Garner ever played. He was essentially playing himself, an easy going guy caught in oddball situations mainly brought on by loony clients or by his former ex-con friends. The character of Jim Rockford was not unlike his other defining role of Bret Maverick. Also, the supporting cast was great as well. Noah Beery Jr. was perfect as Rocky, Jim's father, who was always trying to get his "Sonny" to give up the detective business and join him in the trucking business. Joe Santos was great as Dennis, Jim's main contact on the LAPD who reluctantly helped Jim by giving him information on various cases. Gretchen Corbett was great in her role as his girlfriend/lawyer Beth Davenport who would always be there to get him out of a jam. But, perhaps the most memorable character was Angel, played by Stuart Margolin. Angel was, and still is, the biggest weasel in television history. He would often be responsible for getting Jim into the odd predicaments he would get into.
Also of note, this was the first hit from the mind of Stephen J. Cannell after years of writing for Adam-12. Cannell is probably one of the greatest writers in television history and this is where it all began.
Also of note, this was the first hit from the mind of Stephen J. Cannell after years of writing for Adam-12. Cannell is probably one of the greatest writers in television history and this is where it all began.
The Rockford Files is pure 70s Californian nostalgia. I love it! It's a show I grew up with, and I never tire of giving it a revisit especially in these pandemic times. I still wonder about the actual locations where filming took place, and how much they've changed since the 70s. Sure, James Garner got famous in the Polaroid commercials, but he'll always be Jim Rockford.
I recall seeing one of the first episodes when it aired in October '74, and not being that impressed. In the end, I was hooked on this gentle but deceptively captivating series. It sums up what is best about episodic television when a good cast, writers and production crew gets together. Garner is perfect for the role doing his "everyman" schtick. His comedic ability is also put to very good use (the later episodes with "Lance White" - Tom Selleck - are just soo funny, as Garner is always left eating dust!). The supporting roles are also extremely well filled. Simply extremely good television that everyone involved can feel proud of.
This series brought to full maturity the development of James Garner in television characters. First there was Garner's Maverick days when he was one of a group of tin horned gamblers who were living by their wits & conning people. It is a classic Western series which introduced Garner to fame.
Garner then started getting movies roles like The Great Escape where he is a con man again, & romantic comedies with Doris Day. While some of his movie roles were good, he never quite became a major movie star. One of his lesser known roles, The Wheeler Dealers is an interesting film to see as he is the star role in it & the premise is a stock broker.
Jim then came back to TV with Nichols (also know as The James Garner Show). This is the first show with Cherokee Productions where Jim was well cast as a turn of the century western cowboy who didn't like violence. Sadly, this series failed in spite of introducing Margot Kidder to Americans, folks just weren't ready for Garner with little action & a bad NBC time slot.
Then, came Rockford, which went deeper into all the characters Garner had developed & became a smash. This shows main carry over from Nichols is Angel (Stuart Margolin) who was a main stay in both shows. Rockford added Noah Berry & a lot of good actors. It had sharp unpredictable scripts. It also introduced special effects wizard Steven J Cannell & established production company Glen A Larsen to putting it together.
The marriage was made in heaven. The combination of these skyrocketed into a great series in which the main character seems to be stuck getting nowhere, but we love them so much we feel for them. In the end, Rockford still has the tin horn of Maverick, the con man from his other roles, the romance from his leading man movie days, & his spirit from Nichols, all developed into the essential formula.
Some of the scripts do show some small holes, but with a wink & a grin, Jim Garner pulls it off smoothly. The character make up & entertainment are so good, you don't care. Just call & leave the message, Jim will get back with you.
Garner then started getting movies roles like The Great Escape where he is a con man again, & romantic comedies with Doris Day. While some of his movie roles were good, he never quite became a major movie star. One of his lesser known roles, The Wheeler Dealers is an interesting film to see as he is the star role in it & the premise is a stock broker.
Jim then came back to TV with Nichols (also know as The James Garner Show). This is the first show with Cherokee Productions where Jim was well cast as a turn of the century western cowboy who didn't like violence. Sadly, this series failed in spite of introducing Margot Kidder to Americans, folks just weren't ready for Garner with little action & a bad NBC time slot.
Then, came Rockford, which went deeper into all the characters Garner had developed & became a smash. This shows main carry over from Nichols is Angel (Stuart Margolin) who was a main stay in both shows. Rockford added Noah Berry & a lot of good actors. It had sharp unpredictable scripts. It also introduced special effects wizard Steven J Cannell & established production company Glen A Larsen to putting it together.
The marriage was made in heaven. The combination of these skyrocketed into a great series in which the main character seems to be stuck getting nowhere, but we love them so much we feel for them. In the end, Rockford still has the tin horn of Maverick, the con man from his other roles, the romance from his leading man movie days, & his spirit from Nichols, all developed into the essential formula.
Some of the scripts do show some small holes, but with a wink & a grin, Jim Garner pulls it off smoothly. The character make up & entertainment are so good, you don't care. Just call & leave the message, Jim will get back with you.
Wusstest du schon
- WissenswertesCo-writer/co-producer David Chase would go on afterwards to create another famous series, Die Sopranos (1999). As a little tribute to this series, a scene in a first season episode of The Sopranos is set in a retirement home where the residents are watching television. Though the picture can't be seen, the theme music for Detektiv Rockford - Anruf genügt (1974) can be heard.
- PatzerThroughout the series Rockford's trailer, parked in a parking lot, has electricity and running water, yet there is no evidence of a power line or plumbing attached to the unit. Also, it often changed position: sometimes it was parked parallel to the beach, and sometimes perpendicular to it.
- Zitate
Jim Rockford: What's wrong?
Joseph 'Rocky' Rockford: I am THROUGH talking to you! Look at you, an inch or two to the right and you'd be missing that eye!
Jim Rockford: Yeah, but look at it this way, an inch or two to the left and he'd have missed me completely.
- Crazy CreditsThe message left on the answering machine at the opening credits changes from episode to episode, usually as some kind of gag. Occasionally it dealt with some part of the forthcoming story. Frequently the voice was of supporting actors on the show, either as themselves or as a completely unrelated character.
- VerbindungenFeatured in The 28th Annual Primetime Emmy Awards (1976)
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