IMDb-BEWERTUNG
7,6/10
1148
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singe... Alles lesenDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Deborah Manning Thomas
- Self
- (as Debra Manning)
Sonny Warner
- Self
- (as Little Sonny Warner)
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This rarely seen gem has Richard Pryor running on all twelve cylinders, stashed in a Watts bar, rapping with his buddies, the high point of a fascinating unvarnished view of ghetto life that slid down a black hole. This is one of a kind.
Not only was I at the colliseum to witness this incredible event from the beginning to the end, but my wife my nephew and I appear briefly on camera. To say that I enjoyed the beautiful expressions that I observed that day is to put it mildly. To see such a large crowd of beautiful, proud and peaceful African Americans celebrating our musical heritage was an event that I will cherish to my grave. I can only give thanks to everyone who participated in making this such a seminal event in my life. I was fortunate enough to be able to tape the movie when it came on cable TV but of course I am anxiously waiting for it to come out on DVD. You know the thing that really impresses me is that this came about as the aftermath of a very violent occurrence and there were, at least to my knowledge, no acts of violence during this event. What a great testament to us. Be proud black folks, be very, very proud.
Back when being black , meant being proud .Melvin"Sweet Sweetback's Baaaadass song"Van Peebles came along with Wattstax. This was the Woodstock for soulbrothers and soulsisters held in 1972 at the L.A. Coliseum.This was the kind of show that made you wnat to jump out your skin and dance up a storm. Rance Allen's "Lying on the Truth" makes a man wanna go to church. Unfortunatly this movie hasn't made its way out on DVD or even VHS as of yet.The only way we can hear the legendary performances is to get the Wattstax soundtrack on cd.There is actually more than one soundtrack out, Wattstax and Wattstax 2. The first one made the leap to cd..while its latter partner in crime is stuck in vinyldom. I can say I have Wattstax 2 and it makes me thank Gd for a turntable...soulfully decadent.
This is an absolute gem and a richly textured time capsule in so many ways. Growing up making Hip-Hop in the 80's and 90's I used to wish I was a teenager in the late 60's and early 70's just to be around all of that great music. Seeing this movie now has solidified that dream. I should mention the scene when Rufus Thomas comes on and the crowd literally 'bum-rushes' the field in what today would be considered a riot but as the swarm of people descend from the stands to the sound of Rufus's opening number 'Funky Chicken', the riot is a dancing, feel good frenzy! I don't think anywhere in the world in today's society could so many people swarm into a small space like that and there not be any violence. They were just itching to dance and boy did they ever!!! Then, after Rufus wrapped it up he playfully instructed them to kindly move back to the stands and like angels, every single one of them did as requested in unison! OK one drunk guy stayed but Rufus joked with him and then told the crowd to 'go get him' and on cue some of them rushed the field to 'playfully' scurry him back to the stands.
You've really got to see this movie! Very addictive; I watched it three times within a week of first seeing it. Far out and solid!
You've really got to see this movie! Very addictive; I watched it three times within a week of first seeing it. Far out and solid!
I only heard of this movie recently, bought it yesterday, and watched it this evening. Wow! I'm old enough to remember 1972, but I was very removed from the feel of this film at the time.
The musical performances are magnificent, and the attempt to capture the feel of the people in the audience is admirable, but I wonder if "Isaac the Bartender" from "The Love Boat" was actually a Watts resident or if he was an actor hired to evoke a mood (same deal for "Woodrow" from "Sanford and Son").
I suppose it's good that we would consider the Reverend Jesse Jackson enticing 100,000 black people to shout "I am somebody!" not so significant today, but in 1972 it was probably considered radical.
Rufus Thomas is an absolute gem. It's amazing to see how smoothly he works crowd control, completely eliminating the need for police intervention, by appealing directly to the masses. And of course it's always a treat to see the Staple Singers perform.
I recommend this movie first for the fabulous musical performances, and second for its capturing of the feel of the time and place. I give it an 8 instead of a 10 simply because I wish I could have seen ALL of the performances in their entirety.
The musical performances are magnificent, and the attempt to capture the feel of the people in the audience is admirable, but I wonder if "Isaac the Bartender" from "The Love Boat" was actually a Watts resident or if he was an actor hired to evoke a mood (same deal for "Woodrow" from "Sanford and Son").
I suppose it's good that we would consider the Reverend Jesse Jackson enticing 100,000 black people to shout "I am somebody!" not so significant today, but in 1972 it was probably considered radical.
Rufus Thomas is an absolute gem. It's amazing to see how smoothly he works crowd control, completely eliminating the need for police intervention, by appealing directly to the masses. And of course it's always a treat to see the Staple Singers perform.
I recommend this movie first for the fabulous musical performances, and second for its capturing of the feel of the time and place. I give it an 8 instead of a 10 simply because I wish I could have seen ALL of the performances in their entirety.
Wusstest du schon
- WissenswertesOriginally The Bar-Kays were going to enter the L.A. Coliseum riding in horse-drawn chariots. However, when the executives of Stax Records heard what the group had planned they ordered them not to do it. It turned out that the reason they didn't want the group to do it was so that they wouldn't upstage the concert's headliner, Isaac Hayes.
- Alternative VersionenThe 2003 restoration includes the original ending; Isaac Hayes performing the songs "Theme From Shaft" and "Soulsville", which were removed from the film following the 1973 Los Angeles premiere due to the threat of a lawsuit from Metro-Goldwyn-Mayer (MGM) over the use of those songs in a motion picture. The replacement ending, Isaac Hayes performing "Rolling Down A Mountainside" (recorded on a Los Angeles soundstage months after the concert) has been removed and is included as extra material on the 2003 DVD release.
- VerbindungenEdited into Richard Pryor: I Ain't Dead Yet, #*%$#@!! (2003)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- ワッツタックス スタックス・コンサート
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 16.000 $
- Eröffnungswochenende in den USA und in Kanada
- 16.000 $
- 8. Juni 2003
- Weltweiter Bruttoertrag
- 16.155 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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