IMDb-BEWERTUNG
7,6/10
1148
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singe... Alles lesenDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Deborah Manning Thomas
- Self
- (as Debra Manning)
Sonny Warner
- Self
- (as Little Sonny Warner)
Empfohlene Bewertungen
This rarely seen gem has Richard Pryor running on all twelve cylinders, stashed in a Watts bar, rapping with his buddies, the high point of a fascinating unvarnished view of ghetto life that slid down a black hole. This is one of a kind.
After realizing Richard Pryor was in this ,I have spent about 2 years trying to track down a copy ,as I am collecting and have most of his body of work (audio & video).This picture is very seldom seen and a true picture Of us in the early 70's.The beauty of this film is in the impact of seeing real people in the so called 'hood at that time. It was a simpler time, and we still had alot of soul and pride in being what we were.We were one with the music and able to express our individuality. The civil rights movement had just begun to show some gain .But for most of us,it was about sex ,drugs ,and funky soul music .Seeing the young radical looking Rev. Jesse Jackson was incredible and its a shame we recently lost Rufus Thomas ,Johnny Taylor ,Pop Staples .I think in retrospect there is much truth in this film ....
My all time favorite music film, probably because it shows how soul was about so much more than music. Stirring performances (Isaac Hayes, The Emotions, Rance Allen Group) and hilarious running monologue from Richard Pryor (at his peak). Also some provocative social statements from Watts residents in the early '70s who speak out on race and romance. Catch it whenever you can---no VHS or DVD is available.
This is an absolute gem and a richly textured time capsule in so many ways. Growing up making Hip-Hop in the 80's and 90's I used to wish I was a teenager in the late 60's and early 70's just to be around all of that great music. Seeing this movie now has solidified that dream. I should mention the scene when Rufus Thomas comes on and the crowd literally 'bum-rushes' the field in what today would be considered a riot but as the swarm of people descend from the stands to the sound of Rufus's opening number 'Funky Chicken', the riot is a dancing, feel good frenzy! I don't think anywhere in the world in today's society could so many people swarm into a small space like that and there not be any violence. They were just itching to dance and boy did they ever!!! Then, after Rufus wrapped it up he playfully instructed them to kindly move back to the stands and like angels, every single one of them did as requested in unison! OK one drunk guy stayed but Rufus joked with him and then told the crowd to 'go get him' and on cue some of them rushed the field to 'playfully' scurry him back to the stands.
You've really got to see this movie! Very addictive; I watched it three times within a week of first seeing it. Far out and solid!
You've really got to see this movie! Very addictive; I watched it three times within a week of first seeing it. Far out and solid!
This is one great film not only because of the classic concert footage, but because of the fact that the cameras went out into the community and showed how life was and, for the most part, still is in the inner city. Of course, I am a little biased due to the fact that I live in Los Angeles. In fact, the non concert footage could stand alone as a separate film due to the fact that they show various aspects of African-American life. Also, it is quite sad to see Richard Pryor in this film. This was before the years of abuse began to take their toll and probably helped contribute to the Multiple Sclerosis, which would contribute to his death years later. However, the concert footage is what pushed this film over the top, especially the footage of Issac Hayes. You pretty much could see why he was inducted some 30 years later into the Rock and Roll Hall of Fame. This not only a great concert film, but a great commentary Black America.
Wusstest du schon
- WissenswertesOriginally The Bar-Kays were going to enter the L.A. Coliseum riding in horse-drawn chariots. However, when the executives of Stax Records heard what the group had planned they ordered them not to do it. It turned out that the reason they didn't want the group to do it was so that they wouldn't upstage the concert's headliner, Isaac Hayes.
- Alternative VersionenThe 2003 restoration includes the original ending; Isaac Hayes performing the songs "Theme From Shaft" and "Soulsville", which were removed from the film following the 1973 Los Angeles premiere due to the threat of a lawsuit from Metro-Goldwyn-Mayer (MGM) over the use of those songs in a motion picture. The replacement ending, Isaac Hayes performing "Rolling Down A Mountainside" (recorded on a Los Angeles soundstage months after the concert) has been removed and is included as extra material on the 2003 DVD release.
- VerbindungenEdited into Richard Pryor: I Ain't Dead Yet, #*%$#@!! (2003)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- ワッツタックス スタックス・コンサート
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Box Office
- Bruttoertrag in den USA und Kanada
- 16.000 $
- Eröffnungswochenende in den USA und in Kanada
- 16.000 $
- 8. Juni 2003
- Weltweiter Bruttoertrag
- 16.155 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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