In der Schlinge des Teufels

Another melange based on William H Gaines tales fron E. C.. comic books , produced by Amicus: Max Rosenberg, Milton Subotsky. A classic terror movie formed by five segments well realized and magnificently played . Vintage horror film financed by Amicus with a Great British Cast and formed by several episodes full of creepy events , chills, thrills , gore and guts. It stars with five strangers at an eerie and sisister room .Later on , there they tell how each of the strangers will die . As they explain fantastic visions about their nightmares . It deals with 5 segments with five protagonists : Real-life brother and sister, Daniel Massey-Anne Massey, Curd Jurgens, Michael Craig, Terry Thomas, Tom Baker get in a lift that transports them to a non exit lounge in the basement of a skyscraper. There they confide their recurring nightmares. Each segment has at least 1 killing. It is formed by 5 stories :Midnight mess with Daniel Massey, Anne Massey. The neat job with Terry Thomas, Glynis Johns. Bargain in death with Michael Craig, Edward Judd. This trick will kill you, with Curd Jurgens, Dawn Addams, Jasmine Hilton . And Drawn and quartered with Tom Baker, Demholm Elliott .The rest of the cast is no less impressive, though delivering brief but enjoyable interpretations. And now ...who is next....

Amicus sixth portmanteau movie that simply slaps down its thrilling and terrifying tales, butressing with dreary slabs of plot and chatter, concluding into eerie results. As at a rare room join five strange people who star 5 segments , all of them are filled with mystery , suspense , terror , grisly killings , twisted events and horrible happenings . The British star-studded results to be pretty good with a plethora of notorious actors . Well made terror antology film, and in some places was released as Tales of Crypt II, being compellingly filmed by the gore-minded lad Roy Ward Baker. The better episodes involve the suburban wife Glynis Johns driven to killing and her house-proud husband Terry Thomas constantly nagging about the housekeeping, resulting in an impeccably tidy disposal of a corpse. As well as the surprising story of a rope with a mind of its own starred by Curd Jurgens, Dawn Addams, including nice special effects. . Each story harbours an ingeniously creepy and ghoulish conceit and at the end each tale takes place a grand guignol climax. The great cast is pretty good, giving nice performances , though Edward Judd, Demholm Elliott, Anna Massey have a few lines.. Most stories previously appeared in American comic books as Tales of Crypt from EC comics as well as in The haunt of fear. Colorful , adequate cinematograhy , shot at Shepperton studios . It was compellingly accompanied by a thrilling and suspenseful musical score .

The motion picture was professionally directed by the British horrormeister Roy Ward Baker, though another terror specialist director, Freddie Francis, was the original choice to shot. Here Baker emphasising the frightening, dramatic and suspenseful possibilities. Roy directed a great number of films. Deemed to be a terror expert, as proved in The monster club, Mask of death, And now the screaming starts, The legend of the 7 gold vampires, Asylum, Dr Jekill and his sister Hyde, The scars of Dracula, The vampire lovers, The anniversary. Roy Baker also directed some Hollywood fims such as Inferno, House in the square, A night to remember, Don't bother to knock, and Night with sleep. Rating : acceptable and passable. 6/10. Worthwhile watching.

It's no surprise to horror fans that HBO's Tales From the Crypt was a huge success -- the UK's Amicus Productions was cranking out 4- and 5-story anthologies in the late 60's and early 70's. Utilizing veteran actors and cameramen who knew how to beautifully combine camp and horror, Vault of Horror was one of the best.

But you'd probably never know it, if you live in the US. Every version ever available on tape or on TV is cut, badly enough to almost totally destroy any payoff. A "Tale from the Crypt" is more dependent than most on a shocking ending; chop out the deliciously gory ending, or water it down, and you've got a big build-up to nothing. I first saw VOH in its hacked-up, PG version, and thought it pretty limp. It's so unfair: the last-minute hacks of a studio butcher (!) can render any carefully created piece of work into tepid mush, making the filmmakers appear incompetent.

Where can you find the uncut version in the US? Legally, nowhere. You'll need a friend in the UK who can lend you a copy, or possibly a Japanese import. This movie begs for release on DVD.

**UPDATE** The uncut version is finally available on DVD from Vipco (Britain). It won't play on most U.S. players, but may be played with some PC software such as WinDVD.

The Vault of Horror (1973) was another Amicus adaptation of the stories that were originally published in comic book form during the fifties. These stories came from the minds of publishing guru Bill Gaines and his staff of brilliant artists and story tellers. E.C. during the fifties was a hugely successful independent comic book company. But due to concerned parents and the crack down on comic book publishers by conservative politicians "who were protecting the children" created the Comic Book decency code that moralized all future comic books.

These brilliant stories first appeared in the VAULT OF HORROR series. Unlike the first film, the main character narrator is missing, other than that, it's the same omnibus style of film making. Odd stories with even mondo bizarro endings. Five tales that'll make you crave for more! Stars Terry-Thomas, Denholm Elliot and Glynis Johns. Watch out for the European cut. It has more blood and gore than the tamed U.S. release.

Highly recommended.

"The Vault of Horror" is not one of the best horror anthologies to come from Amicus. The main problem is that the stories just don't have that much kick to them. The execution is reasonable, and there are a few creepy moments as well as some very funny ones. The most valuable asset that the movie can boast is a sterling group of actors who make the most out of so-so material, taken from the old E.C. comics published by William M. Gaines.

A quintet of men are taking the elevator in a big hotel ALL the way down. They end up in a sub basement that they weren't aware existed. With no way out of the place (which looks like a club of sorts), they decide to hang around. Soon, they're regaling each other with the nightmares that are plaguing them.

In "Midnight Mess", Rogers (Daniel Massey) tracks down his sister Donna (Anna Massey) to a rather strange community where it's not advisable to be out and about after dark.

Terry-Thomas plays Mr. Critchit in "The Neat Job". A fussy anal retentive, he drives his new bride Eleanor (Glynis Johns) right up the wall, until she can't take it any longer.

"This Trick'll Kill You" stars Curd Jurgens as Sebastian, a magician who finds a young woman performing a trick that fascinates him. In fact, he's willing to kill to be able to use this trick.

In "Bargain in Death", author Maitland (Michael Craig) thinks he's arranged for the perfect insurance scam, only for his plans to be derailed by some desperate medical students.

Appropriately enough, we end with the best segment, "Drawn and Quartered". Tom Baker plays a painter named Moore. Eager to get revenge on those who exploited him, he makes a deal with a voodoo master, and acquires the ability to destroy people and objects by painting pictures of them, then altering the pictures.

Erik Chitty, Dawn Addams, Edward Judd, and Denholm Elliott are also among this superior British cast. There's a little bit of gore, including one ingenious image in "Midnight Mess". A hysterical comic gag involves Mr. Terry-Thomas. In-jokes add to the fun, with Craig seen reading the novelization for "Tales from the Crypt". In fact, Craig has the best line in the movie when he says, "There's no money in horror."

We fans of the genre know differently. Overall, this is fun. Nothing great at all, but it has its pleasures.

Seven out of 10.

An uneven anthology of EC horror comics stories from Amicus, this time directed by Roy Ward Baker who had worked on 'The Avengers' and was responsible for some of the best Hammer movies ('Quatermass And The Pit', 'The Vampire Lovers', 'Dr Jekyll And Sister Hyde'). Baker had already made 'Asylum' for Amicus the previous year. It was a similar anthology, only based on stories by Robert Bloch. 'The Vault Of Horror' has an even better cast of actors than 'Asylum', but is slightly less enjoyable for me. Maybe it's because there's five stories instead of four, and is therefore a bit rushed in places, but a lot of it has to do with the uncertainty of the tone. Gruesome black comedy is easy to pull off in a comic book, but not so easy in a movie. Well, not in this movie anyway. It's starts off strangely, almost like a Bunuel film. Five strangers (Donald Massey, Terry-Thomas, Curt Jurgens, Michael Craig, Tom Baker) enter a lift which unexpectedly takes them down to a basement. They get out and see a table waiting for them, so they sit and begin to recount nightmares that haunt them. Massey's involves looking for his missing sister, Terry-Thomas plays a newly married neat freak, Jurgens a magician looking for new ideas in India, Craig a man with an ingenious insurance scam and Baker a painter who uses voodoo to punish his enemies. All the stories have their moments but the final one starring Tom Baker (just before he became Dr Who #4) is the most effective. The film is full of well known faces in supporting roles including Denholm Elliot, Glynis Johns, Edward Judd, and even a surprise appearance from Robin Nedwell and Geoffrey Davies from the "Doctor" TV shows, playing yes, medical students. I can't honestly say that 'The Vault Of Horror' is all that good, but I enjoyed it for the most part, and if you approach it not expecting all that much you should have some fun.