In der vom Treibhauseffekt und der Überbevölkerung heimgesuchten Welt untersucht ein NYPD-Detektiv den Mord an einem CEO eines großen Unternehmens.In der vom Treibhauseffekt und der Überbevölkerung heimgesuchten Welt untersucht ein NYPD-Detektiv den Mord an einem CEO eines großen Unternehmens.In der vom Treibhauseffekt und der Überbevölkerung heimgesuchten Welt untersucht ein NYPD-Detektiv den Mord an einem CEO eines großen Unternehmens.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
Empfohlene Bewertungen
This movie paints a very bleak future for planet Earth. What makes this movie so good is that the future seen may very well be a reality someday. A poisoned environment, an overpopulated planet and total disregard for human life all seem to be in there early stages today. Soylent Green is a very good and very believable film.
Soylent Green is heartbreaking in its depiction of dystopia. I considered it to be close to Planet of the Apes in quality; a fantastic story and film that had to find ways to work around its limitations. The weakest moments are due to Heston's hammy acting and weak fight choreography but it's about average for the era. Despite Heston's limitations as an actor, he sure knows how to scream a memorable ending line. This is Robinson's last fill, and knowing that, his death scene hits much harder.
"Soylent green" is an ecological dystopia that may not be a highlight in film history but that surely gives something to think about.
I saw it on television in 2022, the year in which the film is situated. The year also in which global warming / climate change was a real ecological worry. The film was made in 1973, a year after the Club of Rome had published his report "The limits to growth", questioning the sustainability of ongoing economic and population growth.
In the famous opening scene the effect of population growth and industrialization on the landscape is made visible, ultimately resulting in the city of New York containing 40 million inhabitants. Inhabitants feeding themselves with dried food of the company Soylent, because fresh fruit and vegetables is only affordable for the very rich.
Just like in a dystopia such as "Blade runner" (1982, Ridley Scott) the distinction between upper class and lower class is very big. Also this is a point of recognition in the "real" 2022, where growing inequality after years of neo liberalism, alongside environmental problems, is a concern. Unlike "Blade runner" the world (especially the interiors of the homes of the rich) is very 70's. As though the film accentuates that it is not the science that has evolved (for the better), but only the environment and the society (for the worse).
A minus for the film is in my opinion the role of women. They are portrayed as a sort of furniture in the houses of the rich. Furniture that is mainly there to be sexy. Overpopulation damaging the environment is plausible, overpopulation rolling back the emancipation of women is much less so.
One of the most provocative and best scenes is an old man choosing for euthanasia. He remembers very wel that he has lived in a better world long ago and he has seen enough. Even in 2022 the issue of euthanasia because you suffer from life itself (and not from some kind of disease) is very controversial. The euthanasia ceremoy consists of beautiful images of nature accompanied by the Pastoral symphony of Beethoven. With the exception of Disney's "Fantasia" (1940) this music has never been used so well in film. This dying scene was played by the old Edward G, Robinson, who died in the year "Soylent green" was released. This dying scene was the last scene in his long career.
The film ends with a shocking discovery. Of course I am not going to disclose this discovery, only that in the final scene the lead characters shouts his discovery to anyone who will listen. An ending very much alike that of "The invasion of the body snatchers" (1956, Don Siegel).
I saw it on television in 2022, the year in which the film is situated. The year also in which global warming / climate change was a real ecological worry. The film was made in 1973, a year after the Club of Rome had published his report "The limits to growth", questioning the sustainability of ongoing economic and population growth.
In the famous opening scene the effect of population growth and industrialization on the landscape is made visible, ultimately resulting in the city of New York containing 40 million inhabitants. Inhabitants feeding themselves with dried food of the company Soylent, because fresh fruit and vegetables is only affordable for the very rich.
Just like in a dystopia such as "Blade runner" (1982, Ridley Scott) the distinction between upper class and lower class is very big. Also this is a point of recognition in the "real" 2022, where growing inequality after years of neo liberalism, alongside environmental problems, is a concern. Unlike "Blade runner" the world (especially the interiors of the homes of the rich) is very 70's. As though the film accentuates that it is not the science that has evolved (for the better), but only the environment and the society (for the worse).
A minus for the film is in my opinion the role of women. They are portrayed as a sort of furniture in the houses of the rich. Furniture that is mainly there to be sexy. Overpopulation damaging the environment is plausible, overpopulation rolling back the emancipation of women is much less so.
One of the most provocative and best scenes is an old man choosing for euthanasia. He remembers very wel that he has lived in a better world long ago and he has seen enough. Even in 2022 the issue of euthanasia because you suffer from life itself (and not from some kind of disease) is very controversial. The euthanasia ceremoy consists of beautiful images of nature accompanied by the Pastoral symphony of Beethoven. With the exception of Disney's "Fantasia" (1940) this music has never been used so well in film. This dying scene was played by the old Edward G, Robinson, who died in the year "Soylent green" was released. This dying scene was the last scene in his long career.
The film ends with a shocking discovery. Of course I am not going to disclose this discovery, only that in the final scene the lead characters shouts his discovery to anyone who will listen. An ending very much alike that of "The invasion of the body snatchers" (1956, Don Siegel).
Very interesting. The big twist wasn't as big a shock as maybe they had hoped for and it was very dated but it did get my mind working. It really got me thinking about a world without vegetation or livestock and made me appreciate the world I live in a lot more. Charlton Heston does a good job, as do all the supporting characters, and it was a very realistic film which was surprising. It lacked direction at times and a lot of the settings and background needed more explanation but it was still a surprisingly good and intelligent movie. The main fault that I could find was that I didn't want the film to end when it did, I would have liked to see what happened next.
7/10
7/10
I saw this movie shortly after it first came out - when I was a kid. The scene that sticks with me to this day is when the scoops come to break up the riot. The cop says, "The supply of Soylent Green has been exhausted. The scoops are on the way." Then the front-end loader trucks come and scoop the people up like so much garbage. The fact that 2022 looks like 1973 is entirely plausible because society has gone retrograde. Charlton Heston's performance is beautifully nuanced and believable. Edward G. Robinson is unforgettable as Sol. References to this movie pop up in shows like "The Simpsons" and "Millennium" for the simple reason that it is a visionary look at the future with real heart - a true classic.
Wusstest du schon
- Wissenswertes(at around 33 mins) The scene where Thorn and Roth share a meal of fresh food was not originally in the script, but was ad-libbed by Charlton Heston and Edward G. Robinson at director Richard Fleischer's request.
- Patzer(at around 9 mins) The piece of meat Shirl buys for Simonson is clearly not the same piece Thorn unwraps in front of Sol (at around 23 mins).
- Zitate
Sol: [Thorn is seeing the beautiful images shown in Sol's euthanasia chamber] Can you see it?
Det. Thorn: [choked up] Yes...
Sol: Isn't it beautiful?
Det. Thorn: Oh, yes...
Sol: I told you.
Det. Thorn: [humbly] How could I know? How could I... how could I ever imagine?
- Alternative VersionenDeleted scene: When Tab Fielding (Chuck Connors) goes shopping with Shirl, he is mugged, and wins the fight. This scene was filmed, but deleted.
- VerbindungenEdited from Die Herrin von Thornhill (1967)
- SoundtracksSymphony No. 6 in B Minor, Op.74: 'Pathetique': I. Adagio - Allegro non Troppo
(uncredited)
By Pyotr Ilyich Tchaikovsky
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Cuando el destino nos alcance
- Drehorte
- Chevron Refinery Power Generating Station, 300 Vista del Mar, El Segundo, Kalifornien, USA(Soylent factory Exterior)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 210 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
What is the Hindi language plot outline for ...Jahr 2022... die überleben wollen... (1973)?
Antwort