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Die Schwestern des Bösen

Originaltitel: Sisters
  • 1972
  • 18
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
6,9/10
22.348
IHRE BEWERTUNG
William Finley, Margot Kidder, and Jennifer Salt in Die Schwestern des Bösen (1972)
A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.
trailer wiedergeben1:31
1 Video
98 Fotos
Psychological HorrorPsychological ThrillerSlasher HorrorHorrorMysteryThriller

Eine Kleinreporterin versucht, die Polizei davon zu überzeugen, dass sie einen Mord in der Wohnung gegenüber ihrer Wohnung gesehen hat.Eine Kleinreporterin versucht, die Polizei davon zu überzeugen, dass sie einen Mord in der Wohnung gegenüber ihrer Wohnung gesehen hat.Eine Kleinreporterin versucht, die Polizei davon zu überzeugen, dass sie einen Mord in der Wohnung gegenüber ihrer Wohnung gesehen hat.

  • Regie
    • Brian De Palma
  • Drehbuch
    • Brian De Palma
    • Louisa Rose
  • Hauptbesetzung
    • Margot Kidder
    • Jennifer Salt
    • Charles Durning
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    22.348
    IHRE BEWERTUNG
    • Regie
      • Brian De Palma
    • Drehbuch
      • Brian De Palma
      • Louisa Rose
    • Hauptbesetzung
      • Margot Kidder
      • Jennifer Salt
      • Charles Durning
    • 167Benutzerrezensionen
    • 114Kritische Rezensionen
    • 70Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Blu-ray Trailer
    Trailer 1:31
    Blu-ray Trailer

    Fotos98

    Poster ansehen
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    Topbesetzung19

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    Margot Kidder
    Margot Kidder
    • Danielle Breton…
    Jennifer Salt
    Jennifer Salt
    • Grace Collier
    Charles Durning
    Charles Durning
    • Joseph Larch
    William Finley
    William Finley
    • Emil Breton
    • (as Bill Finley)
    Lisle Wilson
    Lisle Wilson
    • Phillip Woode
    Barnard Hughes
    Barnard Hughes
    • Arthur McLennen
    Mary Davenport
    • Mrs. Peyson Collier
    Dolph Sweet
    Dolph Sweet
    • Detective Kelly
    Cathy Berry
    • Lobster child
    • (Nicht genannt)
    Eddie Carmel
    • Giant
    • (Nicht genannt)
    Olympia Dukakis
    Olympia Dukakis
    • Louise Wilanski
    • (Nicht genannt)
    Art Evans
    Art Evans
    • African Room Waiter
    • (Nicht genannt)
    Catherine Gaffigan
    • Arlene
    • (Nicht genannt)
    Justine Johnston
    • Elaine D'Anna
    • (Nicht genannt)
    James Mapes
    James Mapes
    • Guard
    • (Nicht genannt)
    Laun Maurer
    • Druggist
    • (Nicht genannt)
    Bob Melvin
    • Extra
    • (Nicht genannt)
    Burt Richards
    • Hospital Attendant
    • (Nicht genannt)
    • Regie
      • Brian De Palma
    • Drehbuch
      • Brian De Palma
      • Louisa Rose
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen167

    6,922.3K
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    Empfohlene Bewertungen

    6Jeremy_Urquhart

    A decent effort from a young De Palma

    Starts out very strong, and you can tell pretty quickly that De Palma is already a far stronger director than he was when he made Murder A La Mod just a few years prior.

    The mystery is initially interesting, and the extended sequence where split screens are used is also great (if a little gimmicky, but it's a fun gimmick, and probably far less common back in the 1970s).

    Unfortunately it lost steam for me in the second half. It starts to really emphasise the "psychological" part of psychological thriller, and I don't think it does so particularly well. The theme of doubles/pairs is often popular in thrillers, but I didn't think it was too well-explored here. By the end, it was difficult to feel very invested in the way things wrapped up.

    But as far as early De Palma goes, this might be the earliest film of his I've seen that definitely feels very "De Palma", in the sense that it has his distinct visual style already quite well defined.

    It's worth a watch for those stylish visuals and the strong first half, but in the end it was still a very slight disappointment.
    Infofreak

    De Palma's first Hitchcockian thriller, and still one of his best.

    Brian De Palma is often unfairly dismissed as "that guy that rips off Hitchcock", a statement that overlooks the variety of his output. Of his twenty-odd full length movies only a handful have been thrillers, in fact before 'Sisters' he was best know as a maker of quirky comedies like 'Greetings' and 'Get To Know Your Rabbit'. 'Sisters' was De Palma's first foray into Hitchcock territory, and I think his subsequent stereotyping shows just how impressive he was in this genre. He has made several more famous and successful movies subsequent to this one, but it still remains one of his most entertaining works. Margot Kidder, a few years prior to her fame as Lois Lane, is brilliant as troubled separated siamese twins with a secret. Jennifer Salt ('Midnight Cowboy') plays a spunky newspaper columnist who believes she has witnessed one of the twins commit a murder (a deliberate nod to 'Rear Window'). She cannot get the police to believe her and begins to do her own investigations, helped by a small time private eye Larch (Charles Durning - 'Oh Brother, Where Art Thou?'). She finds out that there is a lot more to the sisters' than meets the eye, and vows to find out what is really going on. Kidder is of course the star of the movie, but equally memorable is De Palma regular William Finley ('The Phantom Of The Paradise', 'Eaten Alive') in a wonderfully creepy performance as one of twins ex-husband. Kidder and Finley and De Palma's assured direction, which includes a brilliant murder sequence and cool use of split screen in another, make this a thriller that won't easily be forgotten. Highly recommended.
    DrLenera

    Early De Palma is enjoyable but best seen as a dry run for later masterpieces

    Although he had made a few films before,Sisters is perhaps the first film in the true De Palma style,you know,the obsession with voyeurism,the show-offy camera-work,the Hitchcock homages,the preferance for long,wordless dreamlike sequences interrupted by bloody violence,etc. Although De Palma HAS made films that are different,he seems to prefer making films that are like this. Sisters has all these elements,albeit sometimes in embryonic form.

    The model here is obviously Psycho,and De Palma doesn't develop elements of that film as well as in the later Dressed To Kill,but it is interesting to watch. The director just about manages to have enough different elements,while riffing on obvious things from Psycho {such as a shocking murder a third of the way in,the basic plot} and even a bit of Rear Window. Things like split screen keep the interest despite a few dull bits,and towards the end De Palma is confident enough to resolve most of the film with some almost surreal dream/flashback sequences and an amusing pay off.

    Accompanied by a sometimes TERRIFYING Bernard Herrmann score {nowhere near his best,but incredibly effective},and with plenty of humorous touches and an interesting feminist heroine,Sisters is nowhere near top De Palma,but it's a good dry run for classics like Dressed To Kill and Blow Out.
    LLAAA4837

    A Good Horror film

    The first time I viewed it was in 2003, on cable television. Considering that it was a Brian DePalma film, I was expecting something interesting and suspenseful. I really enjoyed his films BLOW-OUT(1981), and THE UNTOUCHABLES(1987). Here were two films where he demonstrated his effective use of creating suspense that was more integral to the plot. After recently re-watching his 1973 shocker, SISTERS, my opinion of him has been unchanged.

    Sure, maybe there are things about it, such as visuals and styles,that are extremely similar to Hitchcock, but I thought that this movie was completely original story wise. The opening sequence is very cleverly played out so that you don't quite know what you're going to watch and by the end you are surprised by the direction it takes. The story involves a woman who says that her identical twin sister lives with her and is apparently crazy.

    This may ring a bell with Hitchcock fans as sounding a little too familiar and indeed it does as there are very similar events that somewhat mirror scenes from his films. Before long, an innocent man is murdered and we are immediately introduced to a woman reporter who believes that there is something amiss. Afterward, the movie gets very creative with some of the strangest characters. The film also ends with a weird twist that seems to have some sci-fi overtones to it.

    Despite being a little twisted and confusing toward the end, the film is very well made and effectively scary. I wouldn't recommend the film to people who don't really like thinking during movies as this film has an ending that leaves a confusing plothole behind. It is the kind of plot hole that was left in too obviously to be done on accident. But I guess that's part of the charm of DePalma. All of his films offer something similar in the suspense element, but different in every other way.
    7bilitamp

    You can see the twist coming a mile away, but still good.

    So, to begin, the twist ending isn't unpredictable in these days, but I don't blame Brian De Palma for that. Audiences in 1972 may very well have been wowed by it.

    However, I still enjoyed this movie for it's homages to Hitchcock and the performances of Margot Kidder and Jennifer Salt. De Palma's obsession with voyeurism and split screen storytelling are also prominent here.

    A great film to watch as a De Palma fan who seeks out the director's obsessions that he would use in better films like "Carrie" and "Blowout."

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    Handlung

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    • Wissenswertes
      Brian De Palma said the film's producer doubted anyone could be stuffed into a sofa bed, but the director recalls, "I shot it in one shot to show that you can in fact fit somebody into the sofa bed."
    • Patzer
      After leaving Danielle's apartment, Grace and her mother exit that building, and Grace's mother suggests she should change clothes. Grace then reenters the lobby of the same building, to go up to her own apartment.

      Although it may not be apparent, Grace and Danielle live in the same apartment complex, in the same building. The former "Alexander Hamilton" - now 36 Hamilton Avenue - in Staten Island is an H-shaped building, meaning apartments on its inner courts face each other across two courtyards. Therefore, Grace has a view across one of the courtyards directly into Danielle's windows. In addition, the elevators that characters take to and from both apartments are identical.
    • Zitate

      Arlene: Did you know that the germs can come through the wires? I never call and I *never* answer. It's a good way to get sick. Very, very sick. That's how I got so sick! Someone called me on the telephone!

    • Alternative Versionen
      For the original 1973 UK cinema release cuts were made by the BBFC to edit the violent stabbing of Phillip Woode. All later releases were fully uncut.
    • Verbindungen
      Featured in Terror im Parkett (1984)

    Top-Auswahl

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    FAQ17

    • How long is Sisters?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 19. August 1977 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Siamesas diabólicas
    • Drehorte
      • 1757 Victory Boulevard, Staten Island, New York City, New York, USA(formerly Four Corners Bakery)
    • Produktionsfirma
      • Pressman-Williams Enterprises
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    Box Office

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    • Budget
      • 500.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 318.348 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 33 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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    William Finley, Margot Kidder, and Jennifer Salt in Die Schwestern des Bösen (1972)
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