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Die Schwestern des Bösen

Originaltitel: Sisters
  • 1972
  • 18
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
6,9/10
22.346
IHRE BEWERTUNG
William Finley, Margot Kidder, and Jennifer Salt in Die Schwestern des Bösen (1972)
A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.
trailer wiedergeben1:31
1 Video
98 Fotos
Psychological HorrorPsychological ThrillerSlasher HorrorHorrorMysteryThriller

Eine Kleinreporterin versucht, die Polizei davon zu überzeugen, dass sie einen Mord in der Wohnung gegenüber ihrer Wohnung gesehen hat.Eine Kleinreporterin versucht, die Polizei davon zu überzeugen, dass sie einen Mord in der Wohnung gegenüber ihrer Wohnung gesehen hat.Eine Kleinreporterin versucht, die Polizei davon zu überzeugen, dass sie einen Mord in der Wohnung gegenüber ihrer Wohnung gesehen hat.

  • Regie
    • Brian De Palma
  • Drehbuch
    • Brian De Palma
    • Louisa Rose
  • Hauptbesetzung
    • Margot Kidder
    • Jennifer Salt
    • Charles Durning
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    22.346
    IHRE BEWERTUNG
    • Regie
      • Brian De Palma
    • Drehbuch
      • Brian De Palma
      • Louisa Rose
    • Hauptbesetzung
      • Margot Kidder
      • Jennifer Salt
      • Charles Durning
    • 167Benutzerrezensionen
    • 114Kritische Rezensionen
    • 70Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Blu-ray Trailer
    Trailer 1:31
    Blu-ray Trailer

    Fotos98

    Poster ansehen
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    Topbesetzung19

    Ändern
    Margot Kidder
    Margot Kidder
    • Danielle Breton…
    Jennifer Salt
    Jennifer Salt
    • Grace Collier
    Charles Durning
    Charles Durning
    • Joseph Larch
    William Finley
    William Finley
    • Emil Breton
    • (as Bill Finley)
    Lisle Wilson
    Lisle Wilson
    • Phillip Woode
    Barnard Hughes
    Barnard Hughes
    • Arthur McLennen
    Mary Davenport
    • Mrs. Peyson Collier
    Dolph Sweet
    Dolph Sweet
    • Detective Kelly
    Cathy Berry
    • Lobster child
    • (Nicht genannt)
    Eddie Carmel
    • Giant
    • (Nicht genannt)
    Olympia Dukakis
    Olympia Dukakis
    • Louise Wilanski
    • (Nicht genannt)
    Art Evans
    Art Evans
    • African Room Waiter
    • (Nicht genannt)
    Catherine Gaffigan
    • Arlene
    • (Nicht genannt)
    Justine Johnston
    • Elaine D'Anna
    • (Nicht genannt)
    James Mapes
    James Mapes
    • Guard
    • (Nicht genannt)
    Laun Maurer
    • Druggist
    • (Nicht genannt)
    Bob Melvin
    • Extra
    • (Nicht genannt)
    Burt Richards
    • Hospital Attendant
    • (Nicht genannt)
    • Regie
      • Brian De Palma
    • Drehbuch
      • Brian De Palma
      • Louisa Rose
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen167

    6,922.3K
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    Empfohlene Bewertungen

    7Jonny_Numb

    Why god created little red pills...

    Hang on to your psychoanalysis, Ladies and Gentlemen...a young Brian De Palma has brought us a fine mindf*ck that is in good company with "Psycho," "The Tenant," and even "Fight Club." "Sisters" is a brain-sizzling thriller that probes the relationship between separated Siamese twins Danielle and Dominique (Margot Kidder) in a maniacally unsettling way. Danielle is a successful actress/model; Dominique is a raving lunatic who becomes violent when sexually aroused. When Dominique murders Danielle's boyfriend, reporter Grace Collier (Jennifer Salt) takes matters into her own hands after the police refuse to help. Meanwhile, Danielle's ex-husband Emil (John Waters doppleganger William Finley) runs a local psych ward. And Charles Durning plays a detective tracking the progress of a particularly heavy couch. De Palma weaves his character interactions seamlessly, employing the types of technical tricks that would be used more superficially in his later works (the use of split-screen to show action from two separate viewpoints, for instance), in addition to some of the trippiest black-and-white imagery this side of "Eraserhead." "Sisters" is an effective, highly influential work that holds up incredibly well today...just make sure you have a refill on your pills before watching it.
    DrLenera

    Early De Palma is enjoyable but best seen as a dry run for later masterpieces

    Although he had made a few films before,Sisters is perhaps the first film in the true De Palma style,you know,the obsession with voyeurism,the show-offy camera-work,the Hitchcock homages,the preferance for long,wordless dreamlike sequences interrupted by bloody violence,etc. Although De Palma HAS made films that are different,he seems to prefer making films that are like this. Sisters has all these elements,albeit sometimes in embryonic form.

    The model here is obviously Psycho,and De Palma doesn't develop elements of that film as well as in the later Dressed To Kill,but it is interesting to watch. The director just about manages to have enough different elements,while riffing on obvious things from Psycho {such as a shocking murder a third of the way in,the basic plot} and even a bit of Rear Window. Things like split screen keep the interest despite a few dull bits,and towards the end De Palma is confident enough to resolve most of the film with some almost surreal dream/flashback sequences and an amusing pay off.

    Accompanied by a sometimes TERRIFYING Bernard Herrmann score {nowhere near his best,but incredibly effective},and with plenty of humorous touches and an interesting feminist heroine,Sisters is nowhere near top De Palma,but it's a good dry run for classics like Dressed To Kill and Blow Out.
    Infofreak

    De Palma's first Hitchcockian thriller, and still one of his best.

    Brian De Palma is often unfairly dismissed as "that guy that rips off Hitchcock", a statement that overlooks the variety of his output. Of his twenty-odd full length movies only a handful have been thrillers, in fact before 'Sisters' he was best know as a maker of quirky comedies like 'Greetings' and 'Get To Know Your Rabbit'. 'Sisters' was De Palma's first foray into Hitchcock territory, and I think his subsequent stereotyping shows just how impressive he was in this genre. He has made several more famous and successful movies subsequent to this one, but it still remains one of his most entertaining works. Margot Kidder, a few years prior to her fame as Lois Lane, is brilliant as troubled separated siamese twins with a secret. Jennifer Salt ('Midnight Cowboy') plays a spunky newspaper columnist who believes she has witnessed one of the twins commit a murder (a deliberate nod to 'Rear Window'). She cannot get the police to believe her and begins to do her own investigations, helped by a small time private eye Larch (Charles Durning - 'Oh Brother, Where Art Thou?'). She finds out that there is a lot more to the sisters' than meets the eye, and vows to find out what is really going on. Kidder is of course the star of the movie, but equally memorable is De Palma regular William Finley ('The Phantom Of The Paradise', 'Eaten Alive') in a wonderfully creepy performance as one of twins ex-husband. Kidder and Finley and De Palma's assured direction, which includes a brilliant murder sequence and cool use of split screen in another, make this a thriller that won't easily be forgotten. Highly recommended.
    7evanston_dad

    Good Twin/Bad Twin

    SPOILER: A movie that doesn't really make a lick of sense when you think about it but that is so stylishly entertaining that you can't look away....yep, you guessed it, another Brian De Palma movie.

    In this one Margot Kidder plays a woman whose Siamese twin died when they were separated and who now has a good twin/bad twin split personality. The good twin is a mousy thing with a French accent; the bad twin hacks people up with butcher knives. A busy body reporter (Jennifer Salt) who lives across the way witnesses one of the murders and tries to convince the police to investigate. When they don't take her claims seriously, she enlists the help of a private detective (Charles Durning). I'm not sure why she does so, because he does barely anything and she goes off on her own to investigate the crime herself. This leads her to a mental institution where.....oh, just see the wackadoodle thing yourself.

    De Palma again tips his not so subtle hat to Hitchcock, and even hires frequent Hitchcock collaborator Bernard Herrmann to compose the film's terrific score. Themes of voyeurism (again, see Hitchcock) abound, but I'm not sure what De Palma is really using them to say, or indeed if he's trying to say anything at all. I just enjoyed watching his groovy use of split screens.

    Grade: B+
    7macabro357

    Saw it back in '74

    This one holds a nostalgic value for me, long before I saw the re-release of Hitchcock's REAR WINDOW. It was the *first* R-rated film I was ever able to get into (since I was like 13 at the time) and it scared the hell outta me. Add to it the frightening Bernard Hermann score and I wound up having nightmares for days afterwards.

    I recently saw it again for the first time in 30 years, and it still holds up if you view it in the context of the time it was made.

    We're talking the early 70s, folks. It's not Freddie or Jason or the dude with the weird mask in SCREAM. This is a deeper, twisted psychological film, sort of along the macabre lines of David Cronenberg, who I also happen to like.

    Yeah, I suppose the slashing would be mild by today's standards, but this one was ahead of most all of 'em...

    A good beginning for DePalma. 7 out of 10

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    Handlung

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    • Wissenswertes
      Brian De Palma said the film's producer doubted anyone could be stuffed into a sofa bed, but the director recalls, "I shot it in one shot to show that you can in fact fit somebody into the sofa bed."
    • Patzer
      After leaving Danielle's apartment, Grace and her mother exit that building, and Grace's mother suggests she should change clothes. Grace then reenters the lobby of the same building, to go up to her own apartment.

      Although it may not be apparent, Grace and Danielle live in the same apartment complex, in the same building. The former "Alexander Hamilton" - now 36 Hamilton Avenue - in Staten Island is an H-shaped building, meaning apartments on its inner courts face each other across two courtyards. Therefore, Grace has a view across one of the courtyards directly into Danielle's windows. In addition, the elevators that characters take to and from both apartments are identical.
    • Zitate

      Arlene: Did you know that the germs can come through the wires? I never call and I *never* answer. It's a good way to get sick. Very, very sick. That's how I got so sick! Someone called me on the telephone!

    • Alternative Versionen
      For the original 1973 UK cinema release cuts were made by the BBFC to edit the violent stabbing of Phillip Woode. All later releases were fully uncut.
    • Verbindungen
      Featured in Terror im Parkett (1984)

    Top-Auswahl

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    FAQ17

    • How long is Sisters?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 19. August 1977 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Siamesas diabólicas
    • Drehorte
      • 1757 Victory Boulevard, Staten Island, New York City, New York, USA(formerly Four Corners Bakery)
    • Produktionsfirma
      • Pressman-Williams Enterprises
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 500.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 318.348 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 33 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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    William Finley, Margot Kidder, and Jennifer Salt in Die Schwestern des Bösen (1972)
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