Füge eine Handlung in deiner Sprache hinzuAn insurance investigator romances a wealthy young beauty when he suspects she may be involved in fencing stolen jewels.An insurance investigator romances a wealthy young beauty when he suspects she may be involved in fencing stolen jewels.An insurance investigator romances a wealthy young beauty when he suspects she may be involved in fencing stolen jewels.
Dana Elcar
- Insurance Company Official
- (Nicht genannt)
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Never quite gets off the ground ... sutherland plays his usual wisecracking self and jennifer o'neill pretty much matches wits with him while jon cypher plays the heavy ... robert duvall didn't quite match up to the role of a real fbi investigator ... jewel thieves always have the problem of where to sell the stolen goods and usually the insurance company is the best bet for a good payoff... its too obvious
4PAL
Dr. Bombay is wrong about this film being made for TV.
It was always intended to be a feature, produced by the General Electric subsidiary, Tomorrow Entertainment. It suffered along the way from problems with the script and was delayed several times.
Alan Trustman, a lawyer and the author of the film, remained mostly in Boston during development, which hindered the process of fixing the script.
While Tomorrow Entertainment did indeed produce many fine TV movies, Lady Ice was one of two features developed by the company. The other was Gravy Train, a bit of cult classic. After the limited success of these films the company concentrated on TV movies.
It was always intended to be a feature, produced by the General Electric subsidiary, Tomorrow Entertainment. It suffered along the way from problems with the script and was delayed several times.
Alan Trustman, a lawyer and the author of the film, remained mostly in Boston during development, which hindered the process of fixing the script.
While Tomorrow Entertainment did indeed produce many fine TV movies, Lady Ice was one of two features developed by the company. The other was Gravy Train, a bit of cult classic. After the limited success of these films the company concentrated on TV movies.
Though there were times when I enjoyed Donald Sutherland's cheeky, rebellious, style of characterisation, for the most part I never really understood why he was such a success. Versatile he isn't, and here though easily stealing the limelight, he does very little with a weak plot, a thinly spread story and a co-star who smiles a lot! He is insurance investigator "Andy" who robs a gangster of a necklace which he then uses to try to lure "Paula" (Jennifer O'Neill) into disclosing her secrets as a highly effective jewel fencer. Of course, she isn't that dumb - even if she is the crook in question, and so for the next ninety minutes we plays a sort of cat and mouse game between the two that errs all too often on the side of predictable romance. It's all rather flat and by-the-numbers with an underwhelming Robert Duvall and an out of sorts Patrick Magee both failing to add much lustre to this not very shiny drama. It's got made for television written all over it, and I was frankly rather bored by it all. Maybe fans of Sutherland might enjoy it to complete a list, but it has little else to recommend it, sorry.
A made-for-TV `Thomas Crown Affair (1968)' tries hard to duplicate the Steve McQueen-Faye Dunaway chemistry, using Donald Sutherland and Jennifer O'Neill in this watery version.
Role reversal sets O'Neill as the wealthy jewel thief, hunted seductively by insurance investigator Sutherland..who works most of the film in shirts open to the navel Ahh, the 70's!!!
O'Neill is beautiful and stylish, drives fast cars, swims unclothed and stays away from complex sentences, while Sutherland smokes those little thin cigars and from time to time falls back on his Hawkeye' grin. There is a nice turn by Jon Cypher as the heavy. Soap opera vet Eric Braeden gets some on-screen time as does, of all people Robert Duvall as the straight-arrow cop.
Fun for a lark. Connoisseurs of the genre only please .
Role reversal sets O'Neill as the wealthy jewel thief, hunted seductively by insurance investigator Sutherland..who works most of the film in shirts open to the navel Ahh, the 70's!!!
O'Neill is beautiful and stylish, drives fast cars, swims unclothed and stays away from complex sentences, while Sutherland smokes those little thin cigars and from time to time falls back on his Hawkeye' grin. There is a nice turn by Jon Cypher as the heavy. Soap opera vet Eric Braeden gets some on-screen time as does, of all people Robert Duvall as the straight-arrow cop.
Fun for a lark. Connoisseurs of the genre only please .
Jennifer O'Neill became a star as the distant object of Gary Grimes' voyeuristic attention in the wonderfully nostalgic Summer of '42. That film showed that she could be captivating when viewed from afar, but her career went off the rails while she was still in her twenties owing to a shortage of technical chops. Simply put, she had the looks of a movie star but not the presence. Here we see Jennifer driving around Miami in a 1970 Maserati Ghibli, taking a late night swim, sunning herself in a bikini, flying off to the Bahamas... Mansions, speedboats, planes and jewels provide the rest of Lady Ice's eye candy. It's all very appealing to look at, but herein lies the problem. The movie is all surface gloss with nothing underneath to drive the wheels. Someone forgot to tell the producers that heist movies are crime thrillers, and crime thrillers are plot driven. They need tight pacing, high stakes, plot twists, none of which appear in this film. The only action is provided by a little routine fast driving. Otherwise, everything meanders along in predictable fashion. Some greedy people are interested in some jewels. No surprises here.
The producers could have recut Lady Ice as a four minute music video or an episode of Lifestyles of the Rich and Famous and lost nothing.
Wusstest du schon
- WissenswertesAccording to one of his biographies, one of the directors who was offered this project, but turned it down, was a then young filmmaker called George Lucas. Wikipedia states: ''George Lucas was offered the chance to direct, but he turned it down in favor of focusing on finding a studio for American Graffiti (1973)''.
- PatzerThe fact that Jennifer O'Neil's character is examining rare stones under a fine microscope within a moving motor home being driven at high speed on a highway seems implausible, if not impossible.
- VerbindungenReferences Der Pate (1972)
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