Füge eine Handlung in deiner Sprache hinzuA new judge closes a cheese factory for pollution; its owner, La Noce, bribes a monsignor who points him toward an official who might fix it. La Noce needs leverage and discovers the officia... Alles lesenA new judge closes a cheese factory for pollution; its owner, La Noce, bribes a monsignor who points him toward an official who might fix it. La Noce needs leverage and discovers the official's taste for other men's wives. He sends his stuttering assistant, Albertini, to hire a w... Alles lesenA new judge closes a cheese factory for pollution; its owner, La Noce, bribes a monsignor who points him toward an official who might fix it. La Noce needs leverage and discovers the official's taste for other men's wives. He sends his stuttering assistant, Albertini, to hire a willing woman to pretend to be La Noce's wife. Albertini finds a virginal-looking prostitut... Alles lesen
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Fenech enthusiastically throws herself into the role of a streetwalker with a heart of gold who is asked to pose as the wife of a shady businessman (Gigi Ballista) in order to seduce a government official (Vittorio Caprioli) into reopening a cheese factory that was closed for pollution.
The usual sexual hijacks ensue! Very little sex, just occasional nudity, and a lot of screwball comedy.
Fenech looks magnificent. This was Martino and Fenech's first sexy comedy after a string of successful giallos and set the tone for future entries in the genre.
It was starting to look like a Benny Hill movie at the end, but everything worked out.
It was actually quite odd watching this film as after watching a number of Italian sex movies, I've come to expect a lot of sleaze. This one features brief nudity and some swearing, but it's extremely tame overall. Martino has made the film more 'cheeky' than anything else, as the lead characters are sexually promiscuous, but sex itself isn't actually seen. This is no bad thing, however, as loads of sex would have distracted from the comedy. Of course, my main reason for seeing this film was because it stars the beautiful Edwige Fenech - and although I say this almost every time I see one of her films, she really has never looked better than she does here! Martino and Fenech worked together on a number of occasions throughout their careers, and it shows as the director really knows how to make best use of his stunning lead actress! The plot is quite incidental to the set pieces, but it's not important as the film is never boring. The scenes aboard the train midway through are the best, but the film introduces new things to chew every time it seems to be drying up, and this ensures that Giovannona Long-Thigh is absolutely great fun to watch!
This sex comedy has the usual nude scenes from Edwige Fenech, but it's a lot more enjoyable than the vast majority of Italian sex comedies because it's a lot more satirical and clever, not to mention genuinely funny in places. Obviously, Edwige Fenech is gorgeous, but there was certainly no shortage of gorgeous women in 1970's Italian sex comedies. Fenech, however, shows some genuine comic talent that puts her above the likes of Gloria Guida or Nadia Cassini, who were equally ubiquitous in these kind of films, but were more just eye candy. And it helps that this film was directed by the talented Sergio Martino, a regular collaborator with Fenech (his producer brother, Luciano Martino, was a one-time paramour of Fenech, but it was their professional collaboration that proved the most fruitful).
I actually rented this thinking it was a "decamerotici" or other period sex comedy like "Ubalda--All Naked Warm" which Fenech was known for. It is actually more a political satire, like Fulci's "The Eroticist" (albeit with more "Benny Hill"-style high-speed antics and other "physical humor"). Like that one it may be "too Italian" for some people, but also its pretty clever for an Italian sex comedy, hell, for ANY sex comedy.
Wusstest du schon
- WissenswertesItalian censorship visa # 62160 delivered on 6-4-1973.
- VerbindungenReferenced in Il secondo tragico Fantozzi (1976)
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