Shao Lin si

If you want to see a non-stop action Kung Fu flic, this movie will be a good choice. More fighting than talking, and good fighting at that. The actors were taken from the chinese national wushu team, and these guys coordinated the fighting scenes themselves without a stunt coordinator. Many styles and weapons are used, such as drunken staff, mantis boxing, and such. The shaolin monks in the film don't seem to take their rules very seriously... they eat meat(dog meat!), drink wine and kill people...The movie was shot on location at the shaolin temple. Shaolin Temple was such a huge hit in Asia, that it made hundreds of chinese children go to the temple in hope of learning shaolin Kung Fu. Also Jet Li's first movie.

My rating of early kung fu movies is probably 20% story and 80% fighting and choreography. I never rate them on acting because the acting is tertiary.

The fight choreography was decent. I thought some of the fights lasted too long. Usually every fight except those with bosses are over rather quickly. It seemed that even fights with the lower level henchmen dragged on longer than they should have.

Still, this was early Jet Li so it's always worth taking a gander.

This is a very cool movie, I loved every second of it. Jet Li, in his first film, displays some of his most brilliant fighting moves and skill. It's no wonder this flick made him a superstar and martial arts icon.

The acting is quite alright, though the plot, which really no one cares about, is actually quite interesting.

All of the fights were totally massive and stylish, the pace was excellent. The weapons fight between Jet and the main bad guy general dude is awesome. Jet moves unbelievably fast in this bout and they repeat this excellent performance in the final battle. Jet shows true skill, just like the rest of the cast here.

The Tang Emperor is betrayed by one of his own generals, who installed himself as the new Emperor of the eastern region. The population of this area are the ones to suffer, with many forced into slavery to work at his demand. Chieh Yuan and his father are two such men but, one day Chieh and his father fight back and, although the two bravely hold off the guards, his father is killed as he instructs Chieh to flee to fight another day. Near-death, Chieh finds himself at a Shaolin monastery where he is taken in and nursed back to health. He takes up the teachings of the monks – in particular the martial arts – and prepares for the day he will meet his father's killer. In the meantime though, he has to worry about the many rules that his new life imposes on him.

On some levels this film is a terrible mess of a thing. The plot is quite basic and the writers really need to hit three stages of narrative which are 1) events before the monastery, 2) events at the monastery and 3) events around the conflict that closes out stage (1). These are all in place but it is up to them how they fill out these three stages and, in this case, it must be said the answer is "not that well". We get lots of things happening but not of them are that good. Chieh manages to kill a dog (which belongs to the daughter of his master), eat meat (and get the others eating meat) and do all manner of things that kinda go against the whole Buddhist monk vibe that he had been working on. The film has these come up and be laughed off by the others and after a while it just feels a bit weird. I'm not defending Buddha here and if these bits had been funny or engaging then I would not have cared one bit but, as it is, they don't work and even as time filler they are not that worth while.

In reality though, this doesn't matter because nobody has come to this film for the plot so much as they have to see Jet Li making his film debut and jumping right into film success. And jump he does (I'm not want to avoid rubbish linking puns) as almost all of the action in this film is impressive and engaging. Some of it is quite soft in regards the danger faced by our characters whereas some is pretty tough but whether it is a training demonstration or the final montage of fights, it is really impressive on physical and technical levels. It also helps that it is well short. Having just watched Transporter 3 recently, Shaolin Si comes over as a breath of fresh air in how it is willing to put the camera down and shoot action sequences where each take is longer than (gasp) 1 second and (brace yourselves) we get several moves in each take (no!). This lets us see that the cast can do their stuff and you can see why Li became a massive name because he is unbelievably skilled and has great physical control – heck I've started to make a little grunting noise every time I stand up whereas he seems to do the impossible in his stride. Looking back (and even then) Li does get all the attention but everyone else is just as good, with lots of impressive moves. Not everyone has as good a screen presence (the daughter being a bit weak for example) but when it comes to the action everyone performs.

Shaolin Si doesn't have the greatest script and, by extension, the performances and also how much the viewer will care about the characters are also weakened. However in regards simple physical ability of those involved in the making it is very engaging indeed. There are consistent and enjoyable scenes of martial arts action – a couple stand out above the rest but all of them are impressive and fun to watch. Ignore the narrative but definitely stay for the action.

"The Shaolin Temple" is the first Chinese martial arts film to use gongfu artists instead of actors. Initially, the Japanese investors hired actors, but didn't like the results, so they hired regional and national wushu champions. Although Jet Li is the main character and his wushu is exceptional, don't underestimate the other gongfu artists; they are just as good. The film was two years in the making due to injuries the cast received doing their own stunts. The credits state that the fight choreography was done by Pan Qing Fu, but this is not so. The cast choreographed their own fight scenes and deserve the credit they've been denied.