The Rose

"The Rose" -which they say was inspired by Joplin's life- has stood the test of time quite well;the main reason is Bette Middler's sensational performance .She has not still yet found another part as rewarding as Rose .Full of strong scenes and of extraordinary renditions (the title track and "when a man loves a woman" particularly),it grabs you till the last picture (a light which goes out).The scene in the gay nightclub where another Rose,"Diana Ross" and "Barbra Streisand" join the singer for a song is almost scary.So is that scene when a respectable country singer -Rose covered one of his songs - treats the poor girl like dirt ,this man must be a saint or else he is a hypocrite:could you imagine ,say,Kris Kristofferson blaming Janis Joplin for covering "Me and Bobby McGee " ,a tune she took to number one ? With fine support from Alan Bates as the evil manager and Frederick Forrest as the big hearted deserter,"the rose" still remains one of the best film about the cruel thankless world of rock.It avoids the mistakes of movies dealing with true stars (Ray Manzarek did not think much of "the Doors" ).

This was Bette Midler's first starring role in a film and she finally showed the world what a great talent she is. This story is very loosely based on Janis Joplin and it takes place (Supposedly) in 1969. Midler is a famous rock n' roll diva Mary Rose Foster and she's known just as "Rose". She's burnt out and lonely but is kept working by her gruff manager/promoter Rudge Campbell (Alan Bates) who supplies her with shots of adrenalin to keep her going. Rose is an alcoholic and a former drug user and she has a tough past from growing up in Florida. This past haunts her and she keeps talking about showing everyone from there how she has made it. After a country singing star named Billy Ray (Harry Dean Stanton) orders her to never sing one of his songs again and ridicules her morals Rose is furious. She takes off with a limo driver named Huston Dyer (Frederic Forrest) and starts a romance with him. Rudge thinks Huston is just another hanger on but Rose thinks she has finally met her true love. Huston tells her that he's actually AWOL from the army and she tells him of her past in Florida. They have a rocky relationship and Rose meets an Army PFC named Mal (David Keith) who tags along on the tour. This film is directed by Mark Rydell who went on to direct "On Golden Pond" and one thing he has shown in both films is complete trust in his actors. There is very little structure to this film and its mainly just a showcase for Midler. Without her dynamite performance this would have been one of the biggest duds in history. Give Rydell credit for a good eye in giving Midler the opportunity. The film consists of two types of scenes. The concert footage that shows Midler's tremendous voice and stage presence, and the scenes where she's on the verge of a nervous breakdown and the inability to exist in the real world. Its very rare to see an unknown explode on screen like this. Midler is nothing short of riveting and astonishing. Her character is so dark and bleak that an actress of lesser strength would have gave out but Midler has so much energy that she appears tireless. The films cinematographer is the great Vilmos Zsigmond and over 90% of the scenes are either at night or in low lit rooms. This gives the film the dark and bleak look that epitomizes Rose's personality and future. Forrest as Huston is also excellent. Aside from "Apocalypse Now" this was his finest performance and the two of them have real chemistry on screen. Forrest spent most of his career playing hardnoses or heavies but here he plays a real normal guy who is at odds with himself and if he should remain with the always drunken Rose. The film does go way too long and some of the scenes are pointless. It seemed irrelevant when a former lesbian lover pops up out of nowhere and Rose and Huston have a big fight. This part of the film could have been edited out completely as it serves no purpose. Ponderous handling of the material by Rydell but with Midler's gut wrenching performance it becomes a film that is ultimately unforgettable.

In THE ROSE, Bette Midler plays a character based on the life of Janis Joplin. This one of those rare movies where everything works perfectly. Although she is amazingly talented, I sometimes wonder if Bette herself ever looks back on this movie and wonders how she managed such an amazing portrayal, in the same way that an Olympic skater reviews the footage of a 10.0 performance and is stunned that every blade stroke really is picture perfect.

While the storyline is memorable, and the acting superb, music outshines everything else. This is a movie from 1979, a time when rock and roll was still considered a lifestyle, and big rock bands were treated with absolute god-like adoration. Music mattered. It was a vital part of peoples' lives, and in THE ROSE it reaches the heights of excellence that normally exist only in memories that have improved with age. In this case, the music sounds as vibrant, exciting, and fresh today as when the movie debuted.

Bette belts out these songs with soul and fiery passion. The only other contemporary singer I can imagine doing a similarly credible job is Melissa Etheridge.

Sissy Spacek won the Best Actress Oscar for Coal Miner's Daughter (1980), but in retrospect I'm sure a lot of people regret not having awarded it to Bette Midler. This was not only an amazing, high caliber performance, but one that the passage of time has not diminished. This is a stunning movie. My dream is to rent a movie theatre for an evening, invite 30 friends, and relive this great experience.

Movie theatres used to be bigger, and were aptly called "movie palaces". THE ROSE deserves to be seen in such a grand venue. In the rich pantheon of movie history, THE ROSE is true royalty.

Note added October 9, 2007: It has been over a year, and I have no indication if anyone has ever read this review. If you read it, even if you give it a thumbs down, please answer whether the review was useful to you or not. I just am so curious if anyone will EVER read it. Right now, I'm listening to the soundtrack. This movie is timeless.

Originally intended as a flat-out biography of Janis Joplin's last days titled "Pearl" ( Janis' nickname and alter-ego ) the filmakers allegedly ran into privacy issues with the Joplin family which caused them to take a more "loosely based" approach of a "composite" character! Even Bette Midler herself had some ideas of her own that promised to provide a fictious portrayal! Since I had always found Janis Joplin's life both fascinating and tragic I had to write off seeing this movie in the theatres when it first came out in 1979.It wasn't until sitting through it on HBO that I could truly appreciate how utterly great Bette Midler's performance was!It certainly stayed close enough to the "truth" while adding some dynamic elements that a Janis biography portrayed by anyone else would have sorely lacked! Bette Midler is truely at her best! She pours out her heart and soul into this role and leaves nothing behind!Her rock concert scenes alone show her broad talent as a stage performer! Her scenes drunk & stoned give a rare glimpse into a lonely and crazy world of rock stars(like Janis Joplin was!) Her scene with her childhood country-music idol reminded me of a similar situation between Janis and Johnny Cash! Her former lesbian lover is reminiscent of Janis' one-time "biographer/lover" Peggy Caserta! The "homecoming" concert at the film's end reminded me of Janis' 10-year-highschool reunion which she attended only shortly before her death! All in All I regret not having seen (in the theatre) this "loosely based" and yet "thinly disguised" story of Janis!With Bette Midler at center stage it stands as both a glowing tribute to Janis AND Bette!

As a pumped-up, neurotic 1960s rock star named Rose, Bette Midler energizes this film with a soulful, emotional performance deserving of Oscar recognition. Midler animates the character so well that, paradoxically, she rather overwhelms the film's plot about a famous singer who nonetheless is insecure and fragile.

I would estimate that roughly a quarter of the film's runtime consists of Midler on-stage singing and performing in front of an audience of hundreds, and in one case thousands, of extras as part of a real-life concert. The technical logistics of putting together such a believable event is quite impressive, with multiple cameras, special effects, complex lighting, and in only one camera take.

The non-concert plot has Rose in various states of emotional highs and lows, mostly lows, as she laughs and cries, whines and moans, and argues and fights with those around her. This is a lady who is controlled by emotion, not reason or logic. She laughs one minute, cries the next, then laughs, then cries some more.

As such, the plot trends emotionally repetitive, though we as viewers sense that all this enormous gushing of raw feeling can't continue indefinitely. And thus with great effect, the film has a dramatic ending, one that combines character resolution with stunning visuals, followed by end credits set against the musical backdrop of Amanda McBroom's moving, hymn-like title song, "The Rose".

By far the best element of the film is Midler's electrifying performance. Yet, the concert footage and film editing are also impressive. The weak link is a plot that, though acceptable, seems anemic in comparison to Midler and the stunning visuals.

Inspired by the unnerving musical career of Janis Joplin, "The Rose" presents viewers with an emotionally moving story, character driven, that is set within an overall film production that is technically both competent and credible.