Mord im Zwiebelfeld

Joe Wambaugh penned this script and told the story of one of the most shocking cases in Los Angeles Police history. Wambaugh was the only man qualified to tell this story since he came out of the ranks of the Los Angeles Police Department.

The story was not just a typical cop story where the cops always win. Rather, it was a story of the tragedy of a lost life, the broken life of another, and the tragic lives of two pathetic, small time killers who would spend the majority of their lives in and out of prison. It was this case that changed Los Angeles police policy from that time on.

The cast was little known at that time. Who would have thought Ted Dansen would go on to TV fame? Who would have thought James Woods would become a big screen actor? The rest of the cast, including John Savage and the late Franklyn Seales would remain a part of the landscape and gain their own fame.

As for Wambaugh, he is one of my favorite writers because of all of the great cop projects he would do: "The Blue Knights," "Police Story" and others.

Some days I really wish for dramas like those especially in these days of mistrust of cops...hey, it's a tough job laying down your life every day of your life. A movie like this might open the eyes of many and change some attitudes.

Ted Danson usually is found jokin' and schmoozin' in sit-coms. But there's no jokin' or schmoozin' in this movie. Here, Mr. Danson plays a police officer who is brutally murdered by two no-account thugs while his partner, completely terrified, looks on and does nothing and then is methodically hunted and only by sheer luck escapes. Remember, the two thugs actually kidnap and terrorize not two hapless civilians, but two police officers armed with their weapons. The message of this movie to me is clear: if this can happen to two police officers, it can happen to anyone, so beware. This is a powerful movie, not only because of the story, which is intense and provocative, but also because of the acting, which offers chilling portrayals of two psychopathic criminals who offer no apologies for their wanton and heinous acts and of an emotionally shattered police officer who is experiencing a nervous breakdown secondary to post-traumatic stress exacerbated by his overwhelming feelings of guilt over having done nothing to save his partner's life. This movie also shows how the criminal justice system reduces this act of terrorism to the level of being just another case as the case drags on for years in the courts. Indeed, the tragedy and terror of the event soon becomes eclipsed by the sheer mountain of legal paperwork it generates in the courts. This is a great movie which is based on an excellent book, which in turn is based on an actual event.

Watching the Onion Field is like being in the trial it portrays. Overlong, boring and ultimately unsatisfying the film drags on until its uninteresting ending which resolves nothing and leaves you wishing you hadn't wasted the last two hours of your life. The opening of the film has some promise. The characters seem to have some potential but after the plotless first half hour you begin to care less and less. Then, after the first 45 minutes almost an entirely new cast of characters is introduced badly and for the rest of the film we really have no reason to care about them. The characters who were introduced early on suddenly disappear into the background and resurface occasionally in scenes that have little or no impact. The film is filled with unnecessary scenes which neither advance the plot or the characters and simply make the film drag moreso. The only character we are really introduced to and care about is Ted Danson and when he's gone the rest of the characters are strangers to us. Overall the film doesn't go anywhere and in the end you know little of what happened after the shooting and in the end you really don't care.

The Onion Field was a story that needed to be told. This is a story that will really make you angry, angry at a legal system that lets vicious criminals off the hook and brutalizes their victims. I was outraged at the horrible crime committed against Officers Ian Campbell and Karl Heninger. They were both abducted and taken to an onion field and Campbell was shot and killed while Heninger managed to get away. As cruel as it may sound, I think Heninger would have been better off if they had killed him as well. Campbell's death was quick, Heninger suffered a living death. He was ostracized by his fellow police officers as a coward and they actually made him tell his story to young officers as an example of what not to do in a crisis situation. I was so angry watching this at how this poor man was treated. I thought policemen were supposed to stand by each other. Heninger was so traumatized by this that he became a kleptomaniac and was forced to resign from the department. What was even more obscene was that the trial of the two killers became the longest most drawn out affair in legal history, it literally dragged on for years with Heninger being forced to testify again and again. Gregory Powell (the triggerman) was represented by a lawyer named Irving Kanarek (who would later represent Charles Manson). Kanarek was legendary in Los Angeles courts for being a professional "obstructionist", a lawyer who dragged out proceedings by objections and legal "foot dragging". Kanarek spent a year and a half on pre trial motions before his own client fired him in disgust. This film is a searing indictment of a legal system that protects the deadly spider and ignores the innocent fly. James Woods was absolutely chilling as this psychopathic killer. He was a young actor just getting started at the time and what a way to debut! The late Gene Siskel said that he was almost like Frankenstein's monster. Yes The Onion Field is not a pleasant story, but it is one that needs to be told. There is one tragic footnote that I would like to add involving Karl Heninger. He died in 1994 of a liver disease. I wrote a letter to Joseph Wambaugh and he told me this. He said Heninger was an alcoholic and he never ever escaped the horror of what happened that night. May he rest in peace.

Greg Powell (James Woods) recruits recently released ex-con Jimmy Youngblood (Franklyn Seales). They're going to rob a liquor store for the money to get to San Francisco. Det. Karl Hettinger (John Savage) is the new partner for Det. Ian Campbell (Ted Danson). They pull Powell over with broken tail lights. Powell pulls a gun on Campbell and take them both hostage. Powell promises to release them in Bakersfield. They drive to an onion field. Powell shoots Campbell and Youngblood screams in disbelieve. Hettinger escapes. Youngblood takes off with the car. Powell end up stealing a car and gets caught. Powell gives up Youngblood right away. The following investigation and trial take a toll on Hettinger's mental state.

This is based on a 1973 book about a 1963 incident. It definitely has the dated feel especially with the dialog. The first half is quite tense and compelling. James Woods give an interesting performance as the weirdly controlling crook. The second half isn't quite as compelling. It's very detailed and it suffers for it. It rambles on with complicated fragmented details. Wambaugh's script may be trying to follow the true story too closely and fails to follow the emotional story more truly.