Norma Rae - Eine Frau steht ihren Mann

In trying to get the textile mill she and her family work for unionized, Sally Field's Norma Rae Webster also tries to earn self-respect at any cost. She's been leading a dead-end existence: a single mother, still living with her family, sleeping with married men who abuse her. But after being inspired by a union-organizer (Ron Liebman, in an Oscar-worthy supporting performance), Norma Rae is awakened to the possibilities of life, and, what's more, everything that is wrong with the mill that seems to suck the energy and hope from those who stand there day after day trying to earn an honest dollar. There are problems with the picture: Beau Bridges' role as new husband Sonny is treated in a trivial manner (he's supposed to be a voice of reason, but he's too smooth, maybe condescending, and it's an unconvincing character); Oscar-winner Field's fiestiness occasionally feels overdrawn and/or one-note, but in many of the scenes outside the factory she does indeed excel, seeming vibrantly natural and exuberant. Martin Ritt's direction is focused and firmly rooted (he never sugarcoats Norma Rae's character, and sometimes she's not that likable) and the script manages to sidestep preachiness to get its points across entertainingly. The art direction is really the second star of the film: vivid, palpably hot and sweaty, with bits of cotton floating about in the air. The mill in question becomes very familiar to us, as do the people who work there. "Norma Rae" is involved and long, yet it is memorably bittersweet, and with a simple, haunting finish. *** from ****

Typical under-dog story that is so well-made that its success makes for a very memorable cinematic experience. The titled character (Sally Field in a super Oscar-winning part) tries to get her fellow textile workers to unionize in her small town, but there are consequences abound. A good supporting cast which includes Ron Leibman, Pat Hingle and Beau Bridges all add to Field's show-stopping performance. Field proved that she could handle delicate material and carry a film to cinematic history. 4.5 out of 5 stars.

It's the summer of 1978. Norma Rae (Sally Field) works in a textile mill with her whole family. Her mother is going deaf from the noisy factory. Her father Vernon (Pat Hingle) threatens union organizer Reuben Warshowsky (Ron Leibman) who comes knocking on their door. She's a single mom and she ends her affair with a married man. She marries fellow worker Sonny (Beau Bridges). She starts helping Reuben causing tension in her relationships.

Sally Field is brilliant as an ordinary woman. She is eminently likable. The movie is a straight forward union story. It has a good sense of realism. It helps to have the noisy mill going. It's a great movie.

One of those rousing films in which a blue-collar normal Joe (or in this case perhaps we should say normal Joan) stands up against the big boys in the corporate office for what is right and just. Movies like "Erin Brockovich" wouldn't exist today if movies like "Norma Rae" hadn't existed first.

And "Norma Rae" is a lot easier to swallow, because it's done without all the Hollywood ritz and glamour. Director Martin Ritt specialized in making movies about blue-collar folks that looked like blue collar movies, and Sally Field, playing the factory worker who's sympathetic to an invading union organizer from the north and becomes his ace card in rallying the other workers, is a much better actress than Julia Roberts, and we're actually able to believe her in the role.

The image of Field standing up on a table silently holding up a placard that says "Union" has become indelible.

Grade: B+

This film is in no way a documentary, but the filming style and plot line lend to its feeling so. Sally Field's acting in this movie is impeccable. She becomes Norma Rae. We see her fear, her disgust, her anger at the mill's treatment of its employees, and the passion she has for what she believes in. Although the best known scene from the movie is her standing at the mill with the "Union" sign, I believe the most memorable scene is towards the end when she talks to her children, telling them what to expect. The movie tends to turn away from her children, but this scene focuses in on her relationship with them. Beau Bridges is great, and the character of the Union leader (can't remember his name) is terrific. The sexual tension between Norma Rae and he is palpable. I strongly recommend this film to any Sally Field fans, or anyone interested in social issue films.