IMDb-BEWERTUNG
6,1/10
2991
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.Tong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.Tong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.
Eun-joo Im
- Chung Cau-ping
- (as Yin-Ju Lin)
Szu-Cheng Mu
- Ngai Cong-long
- (as Chiang Kao)
Hsu Hsia
- Chong Saam-taai
- (as Hsia Hsu)
Yeong-il Kim
- Laam-ceng
- (as Eagle Han)
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We all gotta be careful in what 70's Jackie movies we watch, but this one certainly isn't bad. The plot has something to do with Jackie's master being killed. There actually is a mildly shocking twist (shocking for Jackie, but don't expect Usual Suspects here). Anyway, the kung-fu is very good, definitely up to snuff. Jackie is good, and there's scenes where the old men fight. Even the dubbing isn't horrible. Very good overall, but Snake and Crane Arts of Shaolin is better (even though it has an awkward title) if you're looking for something from this era. I gave it a 7.
Jackie Chan's master is dead, so he travels with their survivors. But when they come to a new town, he finds himself -- and them -- caught in the middle of a feud between a clan and gangsters.
This came out after SNAKE IN THE EAGLE'S SHADOW and DRUNKEN MASTER, so it looks like a reversion to a safe but standard formula. Actually it was filmed before, which makes me think they rushed the other movies out, or perhaps this was shelved until Chan's suddenly risen star made its release commercial. There may be a tendency to denigrate it because it isn't the comedic Chan, but that, I feel, would be an error. I think it can be enjoyed for what it is, another highly competent film by director Wei Lo.
This came out after SNAKE IN THE EAGLE'S SHADOW and DRUNKEN MASTER, so it looks like a reversion to a safe but standard formula. Actually it was filmed before, which makes me think they rushed the other movies out, or perhaps this was shelved until Chan's suddenly risen star made its release commercial. There may be a tendency to denigrate it because it isn't the comedic Chan, but that, I feel, would be an error. I think it can be enjoyed for what it is, another highly competent film by director Wei Lo.
That's the answer you are looking for to...should I watch this.
I have watched a lot of JC movies some good, some great, some horrible.
This is a good one for sure. I was lucky enough to enjoy a remastered version which really enhanced the viewing experience (some of the original prints available for this era of JC movies are hard to watch).
The story is ok and the acting quite good. To note, this is action/drama JC NOT funny silly JC, so your preference will impact how you take this film. I prefer the more serious of JC (The Protector, Police Story/s etc).
Grab some popcorn, get you ears ready for the sound effects of 50,000 punches and have fun :)
I have watched a lot of JC movies some good, some great, some horrible.
This is a good one for sure. I was lucky enough to enjoy a remastered version which really enhanced the viewing experience (some of the original prints available for this era of JC movies are hard to watch).
The story is ok and the acting quite good. To note, this is action/drama JC NOT funny silly JC, so your preference will impact how you take this film. I prefer the more serious of JC (The Protector, Police Story/s etc).
Grab some popcorn, get you ears ready for the sound effects of 50,000 punches and have fun :)
If you're a recent Jackie Chan convert, or you've been watching his films since 'Police Story' his backlog of seventies films is a daunting place. There's a lot of terrible, terrible stuff out there. You might have seen 'Eagle Shadow Fist' or 'The Killer Meteors' and shied away from anything else. I wouldn't blame you. But he made some decent films in this era. It's just a matter of finding them.
The Director of Dragon Fist is a man called Lo Wei. I say a man, not a director. Lo Wei was more interested in Gambling than directing.
Bruce Lee nearly came to blows with Wei in the filming of 'Fist of Fury'. Wei spent more time listening to horse racing and sleeping than he did with a megaphone. The result? Lee got his own input. Better movie. That's maybe the point with Lo Wei. The less he directs, the more the other people direct. And that could be a good thing.
Lo Wei director or produced (almost) all of Jackie Chan's films between 1976 and 1978. Chan = Lee. That was the plan. At first anyway. His first starring role in this period was 'New Fist of Fury'. It didn't work. Wei was trying too hard. When he sleeps the stars talent takes over. Anyway, Chan can't play straight. Or can he?
Most of us will be cursed to see Dragon Fist in it's 4:3 pan and scan, poorly dubbed, damaged washed out version. Even taking this into account I think it's the best film Jackie did before 'Snake in the Eagles shadow.' (yes 'Snake and Crane arts of Shaolin' had the best action, but it wasn't as good a film.)
This film is crying out for a remake.
It takes the simple themes of revenge and distorts them till your not sure who's in the wrong. Or Right.
Yam Sai-Kun plays the bad guy. One of his earliest roles. He's a hard, hard man. In the late 60's he swam from China to Hong Kong with the aid of a basketball. He later played roles in Films such as 'Fearless Hyena' and 'Iron Monkey'. But this role, like Iron Robe Yen in 'Once Upon a Time in China' is one of his most psychologically complex. He chops off his leg early on to try and ease his guilt. His self redemption seems, to this viewer, to excuse him of his crime. That makes things more uncomfortable when it's the very crime that Jackie's out to avenge. Jackie, in his role as avenger, blurs the line between good and evil. He joins the 'bad guys' (to comply with the black and white polarisation of these films). He goes too far. But he goes further. There's always a point when you think. 'Come on Jackie, realise that your fighting for the wrong side, beat the hell out of them.' But he still fights. It's a dark film.
Budget constraints. Technological constraints. Lo Wei. Lot's of elements try and turn this film into the 70's schlock it's often compared to. But somehow it rises above all of this. The Choreography varies between the average and the mind blowing. Chan hasn't been better in a straight role until Crime Story (15 years later.) You can probably pick this up for a few pounds. If so it's a good place to start. Enjoy.
The Director of Dragon Fist is a man called Lo Wei. I say a man, not a director. Lo Wei was more interested in Gambling than directing.
Bruce Lee nearly came to blows with Wei in the filming of 'Fist of Fury'. Wei spent more time listening to horse racing and sleeping than he did with a megaphone. The result? Lee got his own input. Better movie. That's maybe the point with Lo Wei. The less he directs, the more the other people direct. And that could be a good thing.
Lo Wei director or produced (almost) all of Jackie Chan's films between 1976 and 1978. Chan = Lee. That was the plan. At first anyway. His first starring role in this period was 'New Fist of Fury'. It didn't work. Wei was trying too hard. When he sleeps the stars talent takes over. Anyway, Chan can't play straight. Or can he?
Most of us will be cursed to see Dragon Fist in it's 4:3 pan and scan, poorly dubbed, damaged washed out version. Even taking this into account I think it's the best film Jackie did before 'Snake in the Eagles shadow.' (yes 'Snake and Crane arts of Shaolin' had the best action, but it wasn't as good a film.)
This film is crying out for a remake.
It takes the simple themes of revenge and distorts them till your not sure who's in the wrong. Or Right.
Yam Sai-Kun plays the bad guy. One of his earliest roles. He's a hard, hard man. In the late 60's he swam from China to Hong Kong with the aid of a basketball. He later played roles in Films such as 'Fearless Hyena' and 'Iron Monkey'. But this role, like Iron Robe Yen in 'Once Upon a Time in China' is one of his most psychologically complex. He chops off his leg early on to try and ease his guilt. His self redemption seems, to this viewer, to excuse him of his crime. That makes things more uncomfortable when it's the very crime that Jackie's out to avenge. Jackie, in his role as avenger, blurs the line between good and evil. He joins the 'bad guys' (to comply with the black and white polarisation of these films). He goes too far. But he goes further. There's always a point when you think. 'Come on Jackie, realise that your fighting for the wrong side, beat the hell out of them.' But he still fights. It's a dark film.
Budget constraints. Technological constraints. Lo Wei. Lot's of elements try and turn this film into the 70's schlock it's often compared to. But somehow it rises above all of this. The Choreography varies between the average and the mind blowing. Chan hasn't been better in a straight role until Crime Story (15 years later.) You can probably pick this up for a few pounds. If so it's a good place to start. Enjoy.
Lo Wei, director of Bruce Lee classics The Big Boss and Fist Of Fury saw potential in Jackie Chan and cast him in several kung fu flicks, including this great film, Dragon Fist. With Bruce Lee gone way too soon and martial arts movies being more popular than ever film makers from east and west scrambled to replace him. Jackie Chan is in rare form as an invincible Bruce Lee type of bad ass. He is on a mission of revenge once his teacher was killed and disgraced by a leader of a rival school. Things get complicated when Chan, his master's widow and daughter arrive at the rival school. I'm not going to give away too much of the plot, but things don't end up all that peachy and all of the violence contains consequences. During this period the market was flooded with similar kung fu films, so Chan found success later with Drunken Master and other lighthearted kung fu comedies. He did a great job here though I think. Jackie was awesome as indestructible, kung fu iron man that becomes fury incarnate at the film's conclusion. Lo Wei also made a well paced, solid chop sockey film with a good story serviced with the right amount of kung fu action. Great kung fu!
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- WissenswertesAllegedly filmed in between Jackie Chan's two Seasonal Productions movies, Snake in the Eagle's Shadow (1978) and Drunken Master (1978), but not released until after the success of the latter Seasonal Production due to Lo Wei's financial constraints. This movie was filmed as a Mandarin-language movie, yet the focus on the dubbing switched to Cantonese, due to the success of the Cantonese-language Seasonal movies, and other studios (i.e. Golden Harvest) beginning to lean into Cantonese as well. This is why most releases feature Cantonese as the only Chinese dialect option, despite the fact that the harder-to-find Mandarin track syncs up with most of the actors (save for the South Korean cast members) far more accurately.
- Alternative VersionenThe Japanese theatrical cut is only about 89 minutes (compared to the uncut 96 minutes of the Hong Kong cut), but features a primarily unique music track. While it uses some of the same music cues as the Hong Kong cut, most of the music is produced especially for this edition, including two vocal tracks: "Dragon Fist" and "Do or Die". Aside from this, the opening fight montage with Hsiu Hsia has been replaced with footage of Jackie Chan's penultimate fight from the finale, while the opening credits play over set to the aforementioned "Dragon Fist" theme. As of now, this version is only available on a late 2014 Japanese blu-ray (the earlier Japanese blu-ray only features the alternate opening as an extra.)
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