Stadt in Flammen

This movie had a good idea at a start: the city being burned the same way as Chicago in the 19th Century, London on the 18th Century or Rome, under Nero's rules in about 70 A.D. And shall we say Pompei in 79 A.D. under the wrath of the Vesuvius volcano ?

But in the 20th Century. Good idea ! But the genre has passed an earthquake, a high rise building, a cruiseship and so on... And passing again the City of Montreal as a Midwest city, with a big oil field next to it...

Bring on some big stars, some washed up, others who still has it and some second rates, then throw this scenario like The Towering Inferno with soap-like intrigue, with the center subject: the opening of a brand new hospital...

The result: a boring, too slow and predictable movie, with low-rated special effects and the worst cinematography ever for a movie. And noticing for the climatic scenes that it remained in one city street set build on an old quarry in East End Montreal. And to think of it, looking closely, all cardboard...

Sad that the genre was washed-up at the time.

Acting was so-so. Thank God Mr.Fonda did won an Academy Award two years later in a better film (On Golden Pond), but I believe he should have passed this one...

And to listen to the French Dubbing made in Paris... Wondering who dubbed this crap... Unbearable !

Maybe this film should be redone one day... But hey, aren't we tired of seeing those artificial catastrophes when real ones occurred recently ?

A movie to forget... Despite its all-star cast...

Not the lemon it's often branded, "City on Fire" is an entertaining Canadian disaster movie with a capable cast, some good sets and special effects, and better than average dialogue. Two separate fires converge to create an inferno of biblical proportions, with various notables becoming victims. The plot focuses on a disgruntled oil refinery employee (Welsh) who triggers one of the blazes, while in another part of the city, pre-pubescent kids discover that cigarettes really do kill. Local surgeon's (dependable Barry Newman) disenchantment with bureaucracy, goes on temporary hiatus as he tries to save his hospital, that lies in the path of destruction. His valiant efforts hampered by the mayor's (Nielsen) ill advised attempts to achieve martyrdom, spurred on by the lure of the polls.

Sad Ava Gardner plays an alcoholic has-been news anchor, a timely reflection of her status as a faded Hollywood star at the time, while James Franciscus is wasted in a frivolous supporting role as her line producer. Many recognisable local faces fill out the peripheral roles (Donat, Linder, James), and heavyweights Winters and Fonda provide nice human touches to their dedicated civil servant types. Overall, there's plenty of coverage and a nice symmetry between the righteous and the wrongdoers. Unlike "Towering Inferno" the varnish has been stripped by the flames, and there's no holding back on special effects - as such, expect to see a few gory burns victims.

Not overlong, perhaps not unrealistic (so the tag-line warns anyway), and certainly not as clichéd as most disaster movies, "City on Fire" is an involving film with some impressive credentials and doesn't warrant the unfavourable response it often garners. It's not as sophisticated or indeed convoluted as "Backdraft", but is perhaps an improvement on the Irwin Allen production line that had a mortgage on this genre throughout the 70's. So give this so-called lemon a try and I think you'll find the juice is worth the squeeze.

"City on Fire" was made in 1979, when the disaster genre was already past its prime - and a dispirited, tired affair it is. Most of the actors (except for the amusingly unbalanced villain) sleepwalk through their roles, possibly knowing that the film had no chance of reviving the genre. At least there are some pretty realistic effects, though the movie never makes clear how exactly the fire spread over the entire city. (**)

This movie follows various people in a mid-sized American city. An angry employee sabotages the refinery located in the middle of the city.

It takes a half hour before the sabotaging happens and even longer for the fire to get started. This spends way too much time introducing all these characters. The best and most important character is the fire. They really need to start blowing up stuff sooner. The audience don't care about the human characters, no matter how great the actors. They want explosions, destruction, and mayhem. There's a bit of that but it's not enough. This is before CGI so it's questionable if they could do more. The composite shot of the fire in the city skyline looks very fake. This uses a lot of stock footage to fill out the destruction. It doesn't have nearly enough action. I appreciate some of the stunt work but it's all not enough. It's also ridiculous but I'm less concerned about that.

One of the last of the 70's disaster movie made after T.V. had saturated the genre. The only reason I saw this when it played in a theater was because it was double-billed with "Phantasm" which I HAD to see. The only thing I really remember about this movie was the one scene where some woman has to give mouth to mouth to some old guy who is spitting up a vile looking substance. That frightened me away from CPR forever. I think you will be rooting for the fire before the movie ends.