Den Mörder trifft man am Buffet

Imagine a crime film without all the usual elements - a beginning (crime), middle (investigation) and end; a guilty criminal and an investigative detective; a femme fatale who is punished; a restoration of order. BUFFET FROID is the nightmare flipside of the policier, where the hero is an unemployed philosopher, who may or may not be a murderer, who befriends his wife's killer, and his neighbour, a detective who sanctions paid homicide and is trapped in a plot where the answer he seeks is himself. Every revelation leads to further obfuscation and instead of the restoration of order is its destruction.

The film plays like a futuristic thriller directed by Bunuel - and if Blier's ultimate timidity means it's never quite as good as that, it's still a remarkable achievement in mainstream, never mind generic, cinema, and very, very funny.

I went in really having no idea what this movie was about. I do that sometimes so as to get more surprise, in essence to get more out of the experience. Well in this case I was not only surprised but even amazed. Nothing that I was expecting was coming out as I thought... ohhh yes, except at the end. The final was the only logical way to conclude such a strange story. And interestingly enough, that too goes against common sense, whereas in regular movie, the final is often an attempt to surprise the viewers.

Of course this is a farce, of course it makes no sense whatsoever. But the point is that it's funny and clearly out of this world. So, once you get the idea, all you have to do is let yourselves be carried by the flow. In fact, after a while I was even playing with possible next victims... but I was fooled all the time. I am just too Cartesian, hehehe!

At any rate, it does take a special sense of humor to appreciate this movie. The acting by all the seasoned actors is just right, cool, no exaggeration, just enough to get the story moving along, however weird it might be.

In conclusion, this is a very unusual and therefore interesting movie.

Alphonse Tram is plagued by nightmares of murder and pursuit. Employing existentialism, absurdism and even a little slapstick, writer/director Bertrand Blier leads Alphonse (Gerard Depardieu), his randomly acquired companions, and the viewer through a maze of hallways, stairways, and pathways to meet his fate.

The performances by Depardieu, Blier's father Bernard Blier, and a supporting cast made up of stars from French film and theatre (including an early cameo by Michel Serrault, best known as Albin/Zaza in "La Cage aux Folles"), are all marvelously nuanced and the film hasn't a beat out of place.

This is one of my favorite black comedies, on a level with Strangelove, After Hours, The Loved One, Little Murders and Cul de Sac. A kind of Three Stooges meets Samuel Beckett, it successfully traverses farce, slapstick, absurdism, and intellectual existential psychodrama. The stooges are hilarious, particularly Bernard Blier, the great French character actor (and father of director,) while the women are all in danger but really in control of this careening nightmare. The shift 3/4ths of the way through from the surreal city nightscape into the sunny countryside is brilliant and leads to a perfect ending...

I won't go into the plot, it's not important, except to say that it centres on a "friendship" between three men. One may have murdered someone in the subway. One is a probably homicidal detective. And the third murdered the first man's wife. This is a French film, and it's hard to see it working well in any other language or setting. The sudden shift to the countryside is a little jarring, but that would be my only minor criticism of the film.