Blutspur

When "Bloodline" was released in 1979, a major magazine review pointed out that in the course of the story, ostensibly for failure to pay a gambling debt, a character's knees are nailed to the floor. The critic then went on to say, `This is what Paramount Pictures is going to have to do to get audiences to sit through this picture.' There aren't enough negative things to say about this abomination of a movie. The meandering, incoherent story is hampered at every turn by ludicrously bad production values. The direction, the inept blocking of the scenes, the lighting, the sets – in every case conspires to make the results look cheap and hollow. The movie is really a miracle of dreadfulness. The following is one of thousand small crimes against cinema throughout the picture: There is an explosion in the street. This is conveyed by a flash of light on the actors in the scene and a sound effect. The next shot, meant to be the view of the street from the window, is a still photograph beneath which someone is apparently waving a lit piece of paper. Just before the cut from this scene, the photograph actually starts to buckle from the heat of the flame. And the filmmakers left this in the film! The real crime against cinema is the fact that the name of Audrey Hepburn is associated with this repugnant film, a monstrosity so putrid, one wishes every single copy of it would magically disappear.

I enjoyed this movie! Any time Audrey Hepburn graced the screen was an occasion and for her to be paired with Ben Gazzara made this movie extra special for me. The story is interesting; the scenery is beautiful; a delightful romance develops; and who could forget Omar Shariff's shenanigans with his wife, his daughters and his mistresses? I do not wish that every single copy would disappear - I wish that they would put it on DVD. In fact, I have an excellent copy on VHS that I taped from TV. I have tried to copy it on my DVD recorder but they marked it so that it cannot be copied. I don't understand this practice but that has nothing to do with this movie! Sidney Sheldon is an excellent storyteller - and this one is no exception. As pointed out by another reviewer here, there may be cinematic flaws and shortcuts in this film - I did not notice them. I was much too engrossed in the story.

Sam Roffe, president of a multi-national pharmaceutical corporation , is killed while mountain-climbing . When her dad is murdered, a rich heiress , Elizabeth (Audrey Hepburn) , becomes the next target of an unknown murderer amid the international jet set and submitted to a twisted conspiracy . It is first determined to be an accident , but Inspector Max Hormung (Gert Frobe) thanks to an old computer deduces that Roffe was murdered by a hired killer . Hoping to reveal the true guilty , the stubborn commissioner investigates here and there among the supposedly beneficiaries of the death , as the line between love and death is the bloodline . After that , Sam's daughter Elizabeth assumes control of the company , and subsequently traveling through Europe and running the pharmaceutical empire , as well . Suspicion falls on the Roffe cousins , all of whom want to go public with the company and sell their stock at a huge profit . Since this would be against her daddy's wishes , Elizabeth rejects their advice . As Inspector Hormung investigates the background of the cousins , as family secrets run deadly . Then more attempts are made on Elizabeth's life and there are several suspect people , all her relatives : James Mason as Sir Alec Nichols , Claudia Mori as Donatella , Irene Papas as Simonetta Palazzi , Michelle Phillips as Vivian Nichols , Maurice Ronet as Charles Martin , Romy Schneider as Hélène Roffe-Martin and Omar Sharif as Ivo Palazzi .

This intriguing and suspenseful film contains tense scenes , thriller, drama , mystery and shocks . Adding disturbing frames concerning a series of murders on prostitutes , which are recorded on snuff films , and eventually tense sequences especially in its final part , in a creepy denouement , near of the end with a crazy killer attempting to murder her . The plot is plain and simple : a pharmaceutical heiress becomes the next target of an unknown killer amid wealthy relatives craving for the inherited fortune , who's the killer ? . Although it is sometimes slow moving and stagy , however , being entertaining for the continuous suspense and tension . This film was made and released about two years after its source novel of the same name by Sidney Sheldon was first published in 1977 and the book was Sheldon's fourth novel , this prolific writer was very adapted and wrote several scripts , such as : The Bachelor and the Bobby-Soxer , The dangerous hero , The borrowed lady , Gambling Daughters , South of Panama , The Buster Keaton story , Jumbo , among others . The picture has been panned for being an inexcusably repulsive montage of predictability , bad taste and incoherence and the reason for some hardcore fans of Audrey Hepburn will be sickened to see her in such a travesty , in fact , it was only film rated ¨R¨ she played , as it contains graphic sex scenes and grisly violence . A large and notorious cast , that's why the essential entertainment of the film results to be to discover who main and support actor and actress appearing here and there . As a mature Audrey Hepburn is nice as the pharmaceutical heiress who decides to keep the company within the family , resulting to be involved into a conspiracy to kill her and she immediately becomes a deadly target , while Ben Gazarra plays her suspicious lover . The very secondary cast includes a lot of familiar faces from B-European genres , such as : Pinkas Braun , Wolgang Preiss ,Marcel Bozzuffi , Ivan Desny , Dan Van Husen , Ursula Buchfellner , Hans von Borsody, Mike Monty , and many others.

Special mention for the attractive and enjoyable musical score by maestro Ennio Morricone in his usual style . As well as evocative and adequate cinematography by expert cameraman Freddie Young . Shot on a large number of locations in Munich , Burghausen, Bavaria, Germany , London , Paris , Cinecittà , Rome, Lazio , Italy , Copenhagen, Denmark and Sardinia, Italy . This thrilling motion picture was middlingly directed by Terence Young , containing a lot of flaws , gaps , shortcomings and predictibility . Terence was an uneven craftsman who realized three of the first four James Bond films , as ¨Dr No¨, ¨From Russia with love¨ and ¨Thunderball¨, such successful blockbusters were hard to continue , though he attempted in search of more box office hits . His biggest film was , beyond doubt , ¨Wait in dark¨ with Audrey Hepburn and Richard Crenna . However , his last period was largely unsuccessful , full of failures and duds as ¨Amazons¨ , ¨Klansman¨ , ¨Blood line¨, ¨ Inchon¨, ¨Jigsaw man¨, ¨Takeover¨ , though some action scenes remained undiluted . Rating : 5/10 . Mediocre , only for Audrey Hepburn and Ben Gazzara fans.

Very disappointing.

Nobody expects film based on Sidney Sheldon's book to be come art-house masterpiece but at least it could be made into enjoyable crime movie like Death on Nile. Well it was not. Despite the rather famous director (Young is not Fellini of course but most his previous films were enjoyable eye-feasts; would that be a spy adventure (2 Bond movies), eurowestern (Red Sun) or costume drama (Mayerling)) and all-star cast the film is very weak.

The plot is inconsistent and empty the idea to equip the Agatha Christy-like crime puzzle with subplots from other genres may seem not bad idea but it doesn't work at all

Subplot 1- (WWII -Jewish Tragedy with absolutely aimless trip to Poland) and Subplot 2 (French one - Schneider/Ronet story ) seem to be taken from the absolutely different film as well as the type-cast Shariff's line

Actually this all-star cast is the only reason to watch it, but its is painful to watch so much talent wasted. If Hupbern, Gazarra and Mason are at least is doing something during the boringly unveiling plot, the others are just fitting the empty space. especially annoying to see superb dramatic actresses like Papas and Schneider wasting their talent in this turkey.

It was said that midway through shooting "Bloodline" Audrey Hepburn finally realized what a horrible and degrading movie this was going to be and desperately wanted to get out of it, but she was under contract and had no choice.

When you see this movie you will realize exactly why she felt so bad about making it. The absolute only reason to watch "Bloodline" is to see how Audrey Hepburn aged like fine wine.