Füge eine Handlung in deiner Sprache hinzuIn Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes a... Alles lesenIn Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also t... Alles lesenIn Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older si... Alles lesen
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Nea is also a perfect example. It clocked in on the success of Emmanualle because it was also called Nea: A Young Emmanuelle. But the German release said it all, Die erotischen Phantasien einer 16 Jährigen.
It's about a 16 year old girl (Ann Zacharias)trying to write an erotic novel. She succeeds and finds a publisher (Sami Frey). He agrees. But she wants to find out more about love and by seeing her mother having a lesbian affair which she's watching, she decides to find out what love is all about and starts a relation with the publisher. But the publisher is of course messing around with other girls. She's out for revenge.
No don't think to see blood or whatsoever. The reason I watched it is because the way she's taking revenge is a bit sleazy. She knows a guy who never had love and she takes him in her room to make use of his semen for the revenge, that part is sleazy but never becomes explicit. In fact, up to today's standards it's a bit low on everything. It do contains nudity and frontal male nudity but as I said, never becomes explicit. The theme about a 16 year old wanting sex with an adult was a shocker back then. But Maladolescenza and Last Tango In Paris were more shocking due the age of the youngsters. Still, it's fun to watch how she seducing the publisher and when she's playing with herself it's being edited with a cat, one to see. Sometimes funny but never shocking, still, if you want to see sleaze from France watch it or go for Une Vraie Jeunne Fille from the same year. All about the same theme, searching for the perfect sex.
Gore 0/5 Nudity 3/5 Effects 0/5 Story 3/5 Comedy 0,5/5
This film was directed by a woman (Nelly Kaplan), and while it's not really any less erotic, it is (for better or worse) considerably less sleazy than some of the "Emmanuelle" knock-offs (especially the Italian ones). It has solid production values and surprisingly good acting. Ann Zacharias was actually in her early twenties at the time, but is pretty convincing playing a younger character. She does sexy pretty well of course, but her character is also pretty funny--putting on a thick pair of glasses to studiously observe the sex scenes, or clinically inspecting her horny servant boy's manhood with a pair of forceps. (For whatever, reason Zacharias kind of struck me as a French-Scandinavian version British actress Pamela Franklin in films like "The Prime of Miss Jean Brodie"). She is actually a much better actress than either Sylvia "Emmanuelle" Kristel or Annie "Laure" Belle, the two much more famous actresses to portray Arsan's erotic heroines. It's kind of a shame she never did much beyond this.
I've seen just about all the 1970's riffs on "Emmanuelle", and this is definitely one of the better ones. I'd recommend it.
It is a well made movie and highlights quite a few issues very nicely. For example, parental relations and sibling relations are handled very sensitively. Over that, Ann is very cute and she fits the role of the obsessed adolescent perfectly. I would recommend this movie to anyone who is bored and want some fun.
Wusstest du schon
- WissenswertesAlthough Ann Zacharias speaks French, her native Swedish accent was still deemed strong enough to justify dubbing over her entire performance. The voice heard in the finished film belongs to director Nelly Kaplan.
- VerbindungenReferences Atalante (1934)
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