Der amerikanische College-Student Billy Hayes wird bei dem Versuch erwischt, Drogen aus der Türkei herauszuschmuggeln, und ins Gefängnis geworfen.Der amerikanische College-Student Billy Hayes wird bei dem Versuch erwischt, Drogen aus der Türkei herauszuschmuggeln, und ins Gefängnis geworfen.Der amerikanische College-Student Billy Hayes wird bei dem Versuch erwischt, Drogen aus der Türkei herauszuschmuggeln, und ins Gefängnis geworfen.
- Regie
- Drehbuch
- Hauptbesetzung
- 2 Oscars gewonnen
- 17 Gewinne & 14 Nominierungen insgesamt
Paul L. Smith
- Hamidou
- (as Paul Smith)
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Im a turkish boy and im proud of being a turk.that movie may be a good movie but its full of exaggerations.Even Billy Hayes admitted that that movie was full of exegerations.Some ppl have some prejudieces about turkey and turkish people.and i don't like that.For ex i watched the movie called 'sleepers' but i dont think that all Americans rape kids in jail.
This movie is pretty good, but speaking as an American who has lived in Turkey, this movie is a dramatization of a true story. While Turkey certainly has its problems with corruption, this movie is hardly something one should use to form an opinion on Turkey.
It's interesting to note the comments on this movie.
I saw it on TV last night, not for the first time, and I noticed how the Turks in the film are all one-dimensional bad people, and physically ugly to boot. I also read that many of the scenes are completely fictional. I am not one of those people who think that a "true" story must be completely true; I think that the purpose of movies is to entertain, and this one certainly does that, if in a harrowing way. But, given the politics of our time, if the author of the screenplay wanted to create a demon people for dramatic effect, perhaps it would have been better to have set the story in a fictional or unidentified country.
The other observation I would make is, we are not much better than they are. We regularly sentence people to ungodly amounts of prison time for drug offenses, both on a state and federal level. Our prisons are no picnic, either, with many of the same sorts of things that were portrayed in the movie happening right here at home.
So, go check "the man in the mirror" before you condemn anyone else.
I saw it on TV last night, not for the first time, and I noticed how the Turks in the film are all one-dimensional bad people, and physically ugly to boot. I also read that many of the scenes are completely fictional. I am not one of those people who think that a "true" story must be completely true; I think that the purpose of movies is to entertain, and this one certainly does that, if in a harrowing way. But, given the politics of our time, if the author of the screenplay wanted to create a demon people for dramatic effect, perhaps it would have been better to have set the story in a fictional or unidentified country.
The other observation I would make is, we are not much better than they are. We regularly sentence people to ungodly amounts of prison time for drug offenses, both on a state and federal level. Our prisons are no picnic, either, with many of the same sorts of things that were portrayed in the movie happening right here at home.
So, go check "the man in the mirror" before you condemn anyone else.
Artistically, MIDNIGHT EXPRESS is quite well made... I do recall several media reports at the time of the film's release that led to contrary impressions, supporting the deliberate attempt by the filmmakers to do a hatchet job on the setting of this film. The first was Billy Hayes himself, when he first arrived on native soil, having pulled off his alleged escape; he said on TV, "I like the Turks...it's the prison I had a problem with" Easy to understand; few prisons are a joy ride, regardless of nation of origin. From this, I gathered he personally didn't have an animosity against the Turks, although MIDNIGHT EXPRESS goes out of its way to make everything negative about the country and culture. Only the "Western" characters are good and attractive, and the folks selected to play the Turks are corrupt, physically ugly and basically sub-human. The exterior scenes in Turkey itself have a grayish tint, implying the land is a hell-hole, and even the near-universally acclaimed cuisine gets a black eye.
The second thing from the (film's release) period I recall was a discussion on radio that claimed the prison Billy served time in was relatively modern, built in the mid-sixties... and not the Devil's Island PAPILLON setting depicted in the movie. (A 19th-Century British barracks in Malta was used for the prison.) Naturally, some artistic leeway is allowed here, since the movie's purpose is to paint a picture of a living nightmare.
I recall reading the book years ago, and when our hero got his unfair sentence, naturally he was in despair... but at that moment, he felt an almost gallant, resigned acceptance. In contrast, when Billy gave his courtroom speech in the movie (which certainly was a defining moment of the film's ill-naturedness... to quote part of the speech: "For a nation of pigs, it sure seems funny that you don't eat them! Jesus Christ forgave the bastards, but I can't! I hate! I hate you! I hate your nation! And I hate your people! And I f**k your sons and daughters because they're pigs! You're all pigs!"), the three ugly judges actually hung their heads in shame. I wonder if there's a courtroom in any nation that would permit such a prolonged and loud outburst.
The August 30th post mistakenly referred to Turkey as an Arab nation.... so the user must not have seen "Lawrence of Arabia," where the Arabs were the heroes and the Turks were the villains. It's interesting that in the rare Hollywood film where Arabs are portrayed "positively," Turks still come across as barbaric.
A Turkish-American friend has told me, contrary to what others here are thinking that the film couldn't really prejudice the viewer, that the film has achieved one of its purposes, to leave a sore, anti-Turkish taste in mouths. Keeping in mind that Americans are generally ignorant of the ways of many foreign nations, this film continues, even today, of being the only source of information most Americans have about Turkey. As cinematically effective and wonderfully made this film is, there's a disturbing side to MIDNIGHT EXPRESS that makes it mildly resemble a contemporary "Jude Suess," or THE ETERNAL JEW ("Der Ewige Jude").
The second thing from the (film's release) period I recall was a discussion on radio that claimed the prison Billy served time in was relatively modern, built in the mid-sixties... and not the Devil's Island PAPILLON setting depicted in the movie. (A 19th-Century British barracks in Malta was used for the prison.) Naturally, some artistic leeway is allowed here, since the movie's purpose is to paint a picture of a living nightmare.
I recall reading the book years ago, and when our hero got his unfair sentence, naturally he was in despair... but at that moment, he felt an almost gallant, resigned acceptance. In contrast, when Billy gave his courtroom speech in the movie (which certainly was a defining moment of the film's ill-naturedness... to quote part of the speech: "For a nation of pigs, it sure seems funny that you don't eat them! Jesus Christ forgave the bastards, but I can't! I hate! I hate you! I hate your nation! And I hate your people! And I f**k your sons and daughters because they're pigs! You're all pigs!"), the three ugly judges actually hung their heads in shame. I wonder if there's a courtroom in any nation that would permit such a prolonged and loud outburst.
The August 30th post mistakenly referred to Turkey as an Arab nation.... so the user must not have seen "Lawrence of Arabia," where the Arabs were the heroes and the Turks were the villains. It's interesting that in the rare Hollywood film where Arabs are portrayed "positively," Turks still come across as barbaric.
A Turkish-American friend has told me, contrary to what others here are thinking that the film couldn't really prejudice the viewer, that the film has achieved one of its purposes, to leave a sore, anti-Turkish taste in mouths. Keeping in mind that Americans are generally ignorant of the ways of many foreign nations, this film continues, even today, of being the only source of information most Americans have about Turkey. As cinematically effective and wonderfully made this film is, there's a disturbing side to MIDNIGHT EXPRESS that makes it mildly resemble a contemporary "Jude Suess," or THE ETERNAL JEW ("Der Ewige Jude").
While this film is entertaining to watch and has its level of suspense at various points it is not a truly `true story' much of it according to the real Billy Hayes never happened and his eventual escape is very different from what is depicted in this motion picture. It also tends to demonize the nation of Turkey and presents a distorted view of its people. Is it possible to have sympathy for the main character? He was fully aware of what he was doing and knew the consequences should he be caught so sympathy is on an individual basis. You may have sympathy or may not.
A number of years ago a public service commercial narrated by actor Hal Holbrook frequently ran on Television, which told of Americans being held in foreign prisons. He spoke of one American held in a Turkish prison. Was it Billy Hayes? The commercial ends with the line `When you're busted for drugs over there you're in for the hassle of your life' That's the message this film was intended to send out irregardless if the events in it were true or fictionalized for dramatic purposes. As always purchase or rent a copy to see the uncut unedited version.
A number of years ago a public service commercial narrated by actor Hal Holbrook frequently ran on Television, which told of Americans being held in foreign prisons. He spoke of one American held in a Turkish prison. Was it Billy Hayes? The commercial ends with the line `When you're busted for drugs over there you're in for the hassle of your life' That's the message this film was intended to send out irregardless if the events in it were true or fictionalized for dramatic purposes. As always purchase or rent a copy to see the uncut unedited version.
Wusstest du schon
- WissenswertesBanned (and never released theatrically) in Turkey until 1992 when the private television channel HBB broadcast it.
- PatzerThe Turkish spoken by the Turkish characters in the film is uniformly broken. The actors are obviously not Turkish; sometimes the language is so broken it is difficult for native speakers to understand what they are saying.
- Zitate
Max: The best thing to do is to get your ass out of here. Best way that you can.
Billy Hayes: Yeah, but how?
Max: Catch the midnight express.
Billy Hayes: But what's that?
Max: [laughs] Well it's not a train. It's a prison word for... escape. But it doesn't stop around here.
- Crazy CreditsThe only opening titles are: Columbia Pictures presents a Casablanca FilmWorks production an Alan Parker film Midnight Express After this, the opening prologue text reads "The following is based on a true story. It began October 6, 1970 in Istanbul, Turkey."
- Alternative VersionenSome of the VHS and Betamax copies included text before the end credits run that did not appear on the DVD and Blu-ray copies "On May 18,1978 the motion picture you have just seen was shown to an audience of world press at the Cannes Film Festival.... 43 days later the United States and Turkey entered into formal negotiations for the exchange of prisoners." This dialogue existed on HBO's showing of the movie back in 1985.
- VerbindungenEdited into Running Man (1987)
- SoundtracksIstanbul Blues
Vocals by David Castle
Written By Oliver Stone, Billy Hayes (as William Hayes)
Arranged and Lyrics by David Castle
Acoustic / Electric Guitars by Patrick McClure
Drums, Percussion by Jerry Summers
Strings by Fritz Sonnleitner and Sid Sharp
Bass by Rick Tierney
Piano, Electric Piano, Clavinet by David Castle
Published by Rick's Music Inc./Gold Horizon Music Corp. (BMI)
(p) 1978 Casablanca Record and FilmWorks, Inc.
© 1978 Columbia Pictures
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Expreso de medianoche
- Drehorte
- Fort St. Elmo, Valletta, Malta(as the Turkish prison)
- Produktionsfirmen
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Box Office
- Budget
- 2.300.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 35.000.000 $
- Weltweiter Bruttoertrag
- 35.000.000 $
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What is the Hindi language plot outline for 12 Uhr nachts - Midnight Express (1978)?
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