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5,3/10
1092
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhile a small film crew are shooting a low budget horror movie in a house in the woods, the lines between reality and fiction start to blur, and the movie slowly starts to turn into a "snuff... Alles lesenWhile a small film crew are shooting a low budget horror movie in a house in the woods, the lines between reality and fiction start to blur, and the movie slowly starts to turn into a "snuff" film.While a small film crew are shooting a low budget horror movie in a house in the woods, the lines between reality and fiction start to blur, and the movie slowly starts to turn into a "snuff" film.
- Regie
- Drehbuch
- Hauptbesetzung
Joseph Pilato
- Dominic
- (as Joseph F. Pilato)
Charles Hoyes
- Lobo
- (as Chuck Hoyes)
Blay Bahnsen
- Scratch
- (as Blay Bahnson)
Dave Balko
- TV Video Man
- (as Dave Belko)
Jackie Lahane
- Murdered Girl
- (as Jackie Lehane)
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Not that there's a specific shortage, but it's surprising sometimes that there aren't more thrillers and horror flicks that toy with film production; the possibilities are endless when the line blurs between fiction and reality. It's also surprising, perhaps, that such a low-budget and independent production should pursue such a tack, but then again, everyone involved in creating this already had considerable experience in the industry. Set these facets aside, and what's striking is that while we do get some keen horror-thriller flavors early on, there is no meaningful plot development until we hit the halfway mark. We're more than three-quarters through before the turn comes, and at that, comes from out of nowhere. Ultimately the premise is fulfilled and we get what we came for - in a manner that's unexpectedly shrewd and even more sinister than anticipated, especially as the story had seemed at first to be a little more plainspoken. I dare say the strength of the last stretch, and the revelations that it bears concerning all the preceding length, definitely help to elevate the whole and pick up the slack. I'd also be lying if I said this weren't very rough around the edges, and 'Effects' surely won't meet with significant favor from many viewers.
I don't know precisely what the history of the picture is, though I rather assume that given the overall heady, meta, if lo-fi approach to the conglomeration, larger production companies wouldn't have touched this anyway as being too unorthodox, and too risky a venture. That's unfortunate, because all told Dusty Nelson whipped up a(n adapted) story and scenario that's deliciously twisted, and if this had been produced in subsequent years I've no doubt it would have found greater financial support. This falls into that category of horror that's not scary, or even "fun scary," but which instead inspires giddy delight as the underhanded deviousness is unveiled. The foundation is very strong, and this boasts a lot of value in other regards, including excellent stunts and effects. To that point, the enthusiasm that everyone obviously had for the project is quite matched by the skill they contributed. The cast is terrific, all fully embracing their varied roles; Carl Augenstein and Toni Semple's cinematography is unrefined (likely just a reflection of the budgetary limits), but very capable and well done. Nelson's direction can probably be described in those same terms, for that matter, and Pasquale Buba's editing is very sharp. Broadly speaking this is well done.
Well done - but unpolished. It's very noteworthy that the writing effectively shoves all its plot and horror thrills to the last quarter. There's nothing wrong with this; plenty of other titles do the same, and in this case especially I don't know how the material could have been approached in any other fashion and still landed the same way. What's troubling, however, is how brusque and abrupt the shift is, for the incidents of violence in the last portion come so suddenly that if one were shaping 'Effects' as a parody then there might not be any need to drastically change anything. Prior to that, the dialogue is sometimes less than convincing if not just plain bad (note the passing and absolutely unnecessary tinge of homophobia), and the scene writing is variable. For all the good ideas that there are on hand, in the first half especially there's also a fair amount of frivolous nothing that makes one wonder when something is going to happen - an emptiness that only exacerbates the suddenness with which the plot kicks up at long length. I think the feature needed more discrete substance outside the major story beats, something to uplift the front end especially: more emphasis, perhaps, on the dynamics between the characters; subtle bread crumbs pointing toward the turn; more use of the multilayered framing to give us red herrings.
Again, this is all made better by the revelations to come in the last stretch, and overall the result is solidly entertaining. It's just that the last stretch shouldn't have had to do this much heavy lifting, and with a few tweaks, it wouldn't have. Of course, it's also possible that I'm just being overly critical, and nitpicking. All I can say is that I very much enjoyed this when all is said and done, with the caveat that I had a hard time even keeping my eyes open for a sizable portion of the runtime. Unless you're a diehard fan of someone involved, Pittsburgh-area film production, or maybe horror-thrillers that play in similar spaces, I don't think this is anything one needs to go out of their way to see, and I must repeat that the rough spots are an issue. Still, when you get down to it 'Effects' is clever, and a pretty good time, and it's worth checking out if you have the chance.
I don't know precisely what the history of the picture is, though I rather assume that given the overall heady, meta, if lo-fi approach to the conglomeration, larger production companies wouldn't have touched this anyway as being too unorthodox, and too risky a venture. That's unfortunate, because all told Dusty Nelson whipped up a(n adapted) story and scenario that's deliciously twisted, and if this had been produced in subsequent years I've no doubt it would have found greater financial support. This falls into that category of horror that's not scary, or even "fun scary," but which instead inspires giddy delight as the underhanded deviousness is unveiled. The foundation is very strong, and this boasts a lot of value in other regards, including excellent stunts and effects. To that point, the enthusiasm that everyone obviously had for the project is quite matched by the skill they contributed. The cast is terrific, all fully embracing their varied roles; Carl Augenstein and Toni Semple's cinematography is unrefined (likely just a reflection of the budgetary limits), but very capable and well done. Nelson's direction can probably be described in those same terms, for that matter, and Pasquale Buba's editing is very sharp. Broadly speaking this is well done.
Well done - but unpolished. It's very noteworthy that the writing effectively shoves all its plot and horror thrills to the last quarter. There's nothing wrong with this; plenty of other titles do the same, and in this case especially I don't know how the material could have been approached in any other fashion and still landed the same way. What's troubling, however, is how brusque and abrupt the shift is, for the incidents of violence in the last portion come so suddenly that if one were shaping 'Effects' as a parody then there might not be any need to drastically change anything. Prior to that, the dialogue is sometimes less than convincing if not just plain bad (note the passing and absolutely unnecessary tinge of homophobia), and the scene writing is variable. For all the good ideas that there are on hand, in the first half especially there's also a fair amount of frivolous nothing that makes one wonder when something is going to happen - an emptiness that only exacerbates the suddenness with which the plot kicks up at long length. I think the feature needed more discrete substance outside the major story beats, something to uplift the front end especially: more emphasis, perhaps, on the dynamics between the characters; subtle bread crumbs pointing toward the turn; more use of the multilayered framing to give us red herrings.
Again, this is all made better by the revelations to come in the last stretch, and overall the result is solidly entertaining. It's just that the last stretch shouldn't have had to do this much heavy lifting, and with a few tweaks, it wouldn't have. Of course, it's also possible that I'm just being overly critical, and nitpicking. All I can say is that I very much enjoyed this when all is said and done, with the caveat that I had a hard time even keeping my eyes open for a sizable portion of the runtime. Unless you're a diehard fan of someone involved, Pittsburgh-area film production, or maybe horror-thrillers that play in similar spaces, I don't think this is anything one needs to go out of their way to see, and I must repeat that the rough spots are an issue. Still, when you get down to it 'Effects' is clever, and a pretty good time, and it's worth checking out if you have the chance.
I bought this movie because I am a fan of Joe Pilato. When I bought it, I actually expected him to be a little like Capt. Rhodes (DAY OF THE DEAD). I was very wrong. This movie and his performance blew me away.
Joe Pilato plays Dom, a very likable cameraman. He's basically an every day guy. He is even funny at times. And he falls in love with his gaffer, Celeste (Susan Chapek). He is just an average guy. He wasn't the ***hole he was in DAY OF THE DEAD. Instead, the ***hole of the movie is Nicky (Tom Savini).
He is also the only one in this movie who is completely innocent.
After watching a home-made murder movie from the director, Lacey (John Harrison), he suspects the murder was real. Even after Lacey tells him it isn't. He gets very suspicious. It turns out Lacey is directing two movies. The low-budget horror movie with the set of actors. And a real horror movie with real horror and murder. It is all up to Dom to make sure that it doesn't happen.
Joe Pilato plays Dom, a very likable cameraman. He's basically an every day guy. He is even funny at times. And he falls in love with his gaffer, Celeste (Susan Chapek). He is just an average guy. He wasn't the ***hole he was in DAY OF THE DEAD. Instead, the ***hole of the movie is Nicky (Tom Savini).
He is also the only one in this movie who is completely innocent.
After watching a home-made murder movie from the director, Lacey (John Harrison), he suspects the murder was real. Even after Lacey tells him it isn't. He gets very suspicious. It turns out Lacey is directing two movies. The low-budget horror movie with the set of actors. And a real horror movie with real horror and murder. It is all up to Dom to make sure that it doesn't happen.
The director just filmed scenes. They obviously forgot to write a script. It's just a bunch a long, boring scenes of people hanging out, doing drugs, and arguing in very few locations. What even was the point? I could only make it 30 minutes because my time is valuable. Too bad, cause the premise (at least what the description promised) was interesting. The movie couldn't have been less interested in it, however.
A low-budget horror film is being shot in a secluded mountain area by a hard-working crew and a cast of bewildered actors.However it soon becomes apparent that another crew is shooting the making of the horror film and their intentions are evil.They intend to make the ultimate horror film with real victims,real blood and real death-a genuine snuff movie."Effects" is pretty hard movie to recommend.There are plenty of dull moments where nothing interesting happens.The acting is fairly decent and there are some memorable moments including the director showing 8mm snuff film to his crew,the hunt for Dominic in the woods and startling final twist.It's a shame that the pace of the film is so sluggish.Worth a look for fans of snuff phenomenon.
I knew nothing about the film "Effects" going into it. I'm glad I avoided reading any reviews or summaries because in the end I walked away from it feeling like I had not watched just another 70s exploitation or slasher flick- and those are most of my collection by the way.
I have a feeling that there will be a large number of Tom Savini gore fans who will go into it expecting a slice 'em up blood fest in the tradition of Maniac or Dawn of the Dead. Instead, what you get is a film that resembles more of a drama about a group of people making a low budget horror film. It isn't really until the 3rd or 4th quarter of the film where the true horror begins; and it throws the story into a spin. This is why i'm glad I didn't research this film and spoil it. I was really impressed with the way these actor performed. This film could have easily given any "high brow" dramas a run for there money. For you Day of the Dead fans, Joe Pilato doesn't play an "out of his mind" military man in this one. Instead he plays one of the main characters, and his performance is on the mark. He is a likable guy in "Effects". That is one of the strengths of this film; there is a decent amount of character development. What may confuse people is that a few of the characters in this movie are also actors in the horror movie they are shooting. So you get sort of a duel role from the same people. So for all you pot smokers or slow people out there, this may mess with you- LOL.
All and all this is a much better film then a lot of horror fans may give it. And if it rubbed you the wrong way the first time, give it another try. If you want to watch a zombie-slasher movie with lots of blood and guts, then pick up any of the classic zombie flicks- hey Cannibal Holocaust just got re-released on DVD!
I have a feeling that there will be a large number of Tom Savini gore fans who will go into it expecting a slice 'em up blood fest in the tradition of Maniac or Dawn of the Dead. Instead, what you get is a film that resembles more of a drama about a group of people making a low budget horror film. It isn't really until the 3rd or 4th quarter of the film where the true horror begins; and it throws the story into a spin. This is why i'm glad I didn't research this film and spoil it. I was really impressed with the way these actor performed. This film could have easily given any "high brow" dramas a run for there money. For you Day of the Dead fans, Joe Pilato doesn't play an "out of his mind" military man in this one. Instead he plays one of the main characters, and his performance is on the mark. He is a likable guy in "Effects". That is one of the strengths of this film; there is a decent amount of character development. What may confuse people is that a few of the characters in this movie are also actors in the horror movie they are shooting. So you get sort of a duel role from the same people. So for all you pot smokers or slow people out there, this may mess with you- LOL.
All and all this is a much better film then a lot of horror fans may give it. And if it rubbed you the wrong way the first time, give it another try. If you want to watch a zombie-slasher movie with lots of blood and guts, then pick up any of the classic zombie flicks- hey Cannibal Holocaust just got re-released on DVD!
Wusstest du schon
- WissenswertesDue to a distributor problem, the film never received a theatrical release or home video release. It never aired on television either. The October 2005 Synapse Films DVD release is the film's first official release anywhere in the world. Although AGFA (American Genre Film Archive) is releasing a Blu-Ray of the film mastered from a rare 35mm print that was made before the distributor backed out.
- Zitate
Lacey Bickle: Would you like to have sex?
Rita: You mean with you or just in general?
- VerbindungenFeatured in After Effects: Memories of Pittsburgh Filmmaking (2005)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Death's Director
- Drehorte
- Ligonier, Pennsylvania, USA(Pittsburgh Film History by John Tiech)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 55.000 $ (geschätzt)
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