Dona Flor und ihre zwei Ehemänner

Dona Flor, Sonia Braga, ( The Kiss of the Spider Woman and Robert Redford; Milagro Beanfield War) is married to Vadinho, José Wilker ( well known Brazilian Soapopera star). Vadinho likes women and Flor is a subservient wife who gives cooking lessons because she is well known in town for her good cooking. Vadinho never misses a chance to flirt and even to touch other women in front of Flor, who never catches him. Flor is great denial because she loves him and they have a great sex life. Vadinho dies. She remarries the town pharmacist, Mauro Mendonça (another famous Soap opera actor) who is a complete prude. Vadinho then begins to show up as a ghost, and keeps making fun of her prude husband. Well many funny moments of great laughter. Based on a book by Jorge Amado, one of the foremost Brazilian writers ( Gabriela, Cravo e Canela), this is a fun plot and very much into the Brazilian culture. You must give Vadinho a break at the beginning of the movie because machismo is somewhat accepted in the Latin culture, and as the plot develops his machismo will make you laugh. Well directed by Bruno Barreto, who directed ( Four Days in September) movie that was nominated for an Oscar as Best Foreign Film in 1988, Dona Flor will give great insights into Brazilian culture and a flavor to taste Brazilian food. Very spice, and fun Movie. I highly recommend!

If you hear of a movie wherein a deceased man's spirit sticks around and keeps an eye on his lover, you'd probably think of "Ghost". It turns out that another one was Bruno Barreto's "Dona Flor e Seus Dois Maridos" ("Dona Flor and Her Two Husbands" in English). The title character is a culinary teacher in 1943 Bahia whose uncouth husband dies, except that his ghost won't leave.

In addition to the story, the movie gives on a feeling of 1940s Brazil: the music, the clothes, and the general mindset. I've never read the source novel - and probably never will, given how long it takes me to get through books - but the movie is one fine piece of work. Sônia Braga, José Wilker and Mauro Mendonça put it outstanding (and funny) performances. I recommend it.

The hardworking "Flor" (Sonia Braga) marries the dashing Klaus Kinski lookalike "Vadinho" (José Wilker) but quickly discovers that he is a bit of a philanderer and a complete waste of space. Then, as if my magic, he dies and is conveniently buried with nose blockers so he can't smell his own rotting corpse in the coffin in the ground! That's an early sign of what's to come in this dark and quite entertaining romantic comedy that has shades of "Blithe Spirit" to it. That's because once he has started to push up the daisies, she marries the kindly and decent pharmacy owner "Teodoro" (Mauro Mendonça) who promises to be faithful to her and her alone. The snag with that particular arrangement is that quite rapidly she realises that though solid and reliable, his sexual prowess is less than energetic. Yep, after a while she starts to miss her absent "Vadhino". Well, guess what. He must have been watching her from the netherworld as he almost immediately he appears, usually stark naked, ready to resume his husbandly duties. Quite literally an horny little devil on her shoulder! He turns up at all the wrong times, causes no end of mischief and in the end, poor old "Flor" doesn't really know which way to turn as her husband thinks she's gradually losing the plot and her scheming apparition is enjoying every minute of it! It's maybe not a film for the more politically correct amongst us, as the wandering hands of "Vadhino" know few bounds, but once we appreciate that he is really just the latest in a long line of local Lotharios who is shallow and thoughtless, yes, but ultimately means no no-one any harm then we can settle down to enjoy a series of faintly ridiculous scenarios set in a small town community where chauvinism is as much the currency as the Cruzeiro. There's a suitably jolly score to accompany these antics and a clear message about the grass not always being greener - especially if you are slowly decomposing underneath it. It's maybe a little long and it does recycle itself in the middle, but it is still, an enjoyable romp through a Brazilian way of life that lives by the seat of it's pants.

I rate Bruno Barreto one of the best Brazilian directors ever, and certainly DONA FLOR AND HER TWO HUSBANDS emerged as a noteworthy early success in his career.

To that end he is masterfully helped by the deceptively simple cinematography of Murillo Salles, the musical score by Chico Buarque da Holanda, and the script off writer Jorge Amado's famous novel.

Set in 1943 Salvador da Bahia city, DONA FLOR is imbued with the colors and fragrances of that coastal town, and Barreto keeps the action tight, with touches of human kindness and understanding while others continue backstabbing and decrying everything.

Clever ending. 8/10.

In the dawn of the Sunday of the Carnival of 1943, in Salvador, the thirty-three years old Valdomiro 'Vadinho' Santos Guimarães (José Wilker) dies, with many internal organs not working well. The widow, the teacher of culinary art Dona Flor (Florípides) Guimarães (Sônia Braga), misses him and remember their lives together along seven years of marriage. Gambler, Bohemian, hard-drinker, "bon-vivant", but also good lover, Vadinho left Flor in the honeymoon, after the consumption of his obligations, to gamble in a casino and spend the rest of the night in a brothel. But he knew how to treat and love Flor, and in the end she made peace with him. After his death, Flor marries Dr. Teodoro Madureira (Mauro Mendonça), a good husband and hard- worker, with a great culture and player of oboe in a local orchestra. Teodoro gives a comfortable and very stable life to Flor, but without passion in his love, having boring sexual intercourse with her. After one year of marriage, Flor misses so much the sex life with Vadinho that she includes him in her sexual life. "Dona Flor e Seus Dois Maridos" is a delightful transposition to the cinema of the greatest best-seller of the Brazilian literature, having more than two millions readers. The naive and metaphoric story of a woman in the 40's, in the interior of Brazil, who has a repressed sexual life in her second marriage, and fantasizes thinking in the love of her former husband, is indeed a classic in Brazil. Sonia Braga in the beginning of her career, with her very Brazilian type, is magnificent in the role of Dona Flor, and José Wilker is the personification of the "Brazilian loafer" of the 40's, wearing white suit, asking for money to his friends, spending the money in gamble, women and booze, and having a woman to support him. This movie was awarded in the "Festival of Gramado (Brazil)" in 1977, and was nominated to the Golden Globe of 1979 in the category Best Foreigner Movie. This movie was recently released on DVD in Brazil. My vote is nine.

Title (Brazil): "Dona Flor e Seus Dois Maridos"