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Füge eine Handlung in deiner Sprache hinzuIn the Theatre of the Macabre in New York, Sardu and his assistants present a show involving the torture and mutilation of young women. The audience assumes it is just an act, but the tortur... Alles lesenIn the Theatre of the Macabre in New York, Sardu and his assistants present a show involving the torture and mutilation of young women. The audience assumes it is just an act, but the torture is real, as are the deaths.In the Theatre of the Macabre in New York, Sardu and his assistants present a show involving the torture and mutilation of young women. The audience assumes it is just an act, but the torture is real, as are the deaths.
Luis De Jesus
- Ralphus
- (as Louie de Jesus)
Ellen Faison
- Sardu's Assistant - Straight Hair
- (as Saiyanidi)
Alphonso DeNoble
- Middle Eastern White Slaver
- (as Alphonso)
Jenny Baxter
- Electrically Shocked Girl
- (as Janis Beaver)
Crystal Sync
- Caged Girl - Light Brown Hair
- (as Erica Wolfe)
Empfohlene Bewertungen
This is easily one of the most subversive, sick and demented films ever made..and badly made at that. A few of the scenes are stolen from early 1970's porno comics from Europe..as in the beheading/oral sex shot, scavenged from a really nasty little 8-pager called, "Nazi Sex." (!) If 1963 H.G.Lewis style gore and filmed-on-velveeta style direction are your joys, this is the film to seek out above all others..it's as bad as they come, and will get even jaded viewers to feel uncomfortable. I still regret renting this one, although it's good to know that any thought that is human is still available at the local video store...
Having acquired this on Blu-ray, I was most surprised to discover that I had never seen it. I certainly saw plenty of its ilk back in the video collecting days. It has to be said, however, that like the old sex film posters, there was a considerable gap between what was offered and what was provided. Imagine my surprise then to find not only had I never seen it but that it was as described complete with a cage of 'bloodsucking freaks', well naked ladies who eat chunks of human flesh. At the start we cut from an on stage atrocity to an audience shot where some 'complain' that it is all a sham, 'just acting'and the impresario informs us not so. As a film audience, of course, when we see the body parts cut off and eyeballs removed know well that this is acting and effects but it becomes clear that within the film these activities are real Its all very silly and over the top but the effects aren't bad, the humour is amusing and the low budget not as obvious in some. Trouble has been taken with the set design too and most scenes actually look good as opposed to ill lit basement sequences badly put together. Hardly something to recommend to just anyone but if the title appeals, give it a go.
Anyone whose tastes run towards exploitation films kind of knows "the drill," the recurring themes, methodology, and clichés of the genre. We embrace them, and an exploitation film which effectively "plays the game" can get away with a multitude of since which would be unforgivable in mainstream cinema (bad acting, bad writing, bad production values, etc.).
By those standards, "Bloodsucking Freaks" should be hailed as a masterpiece of the genre, and, judging by its enduring cult popularity, it is. Still, there's something about this film which limits the viewer's ability to enjoy it for what it is, and, thus, limits itself. At first, it's hard to put one's finger on exactly what it is, but I think I've finally worked it out. Simply put, filmmaker Joel M. Reed made a film whose spirit is as mean-spirited and diabolical as what we see up on the screen.
"Bloodsucking Freaks," as often as not, plays its numerous horrors for laughs. (Indeed, Sardu and Ralphus occasionally come across as a kind of nightmarish stand-up comedy act.) The trouble is, the intention behind the humor is anything but good-natured. Any viewer with any kind of decency at all can't relate to the motivations behind what they see, and this diminishes the fun of watching this movie to a great degree. For exploitation fans, there is a fine line between brutal and unwatchable, and there are many times during which "Freaks" sinks below that line. And so while this film is an absolute must-see for fans of the genre (although how many such fans have not seen this movie?), it's not going to be one of the films in their collection which can be revisited often.
By those standards, "Bloodsucking Freaks" should be hailed as a masterpiece of the genre, and, judging by its enduring cult popularity, it is. Still, there's something about this film which limits the viewer's ability to enjoy it for what it is, and, thus, limits itself. At first, it's hard to put one's finger on exactly what it is, but I think I've finally worked it out. Simply put, filmmaker Joel M. Reed made a film whose spirit is as mean-spirited and diabolical as what we see up on the screen.
"Bloodsucking Freaks," as often as not, plays its numerous horrors for laughs. (Indeed, Sardu and Ralphus occasionally come across as a kind of nightmarish stand-up comedy act.) The trouble is, the intention behind the humor is anything but good-natured. Any viewer with any kind of decency at all can't relate to the motivations behind what they see, and this diminishes the fun of watching this movie to a great degree. For exploitation fans, there is a fine line between brutal and unwatchable, and there are many times during which "Freaks" sinks below that line. And so while this film is an absolute must-see for fans of the genre (although how many such fans have not seen this movie?), it's not going to be one of the films in their collection which can be revisited often.
The term "torture porn" came into vogue some years ago, referring to movies deemed to have no value, purpose, or anything to offer, other than shocking violence / gore. It's a bit humorous that many people act as if this were some new phenomenon.
BLOODSUCKING FREAKS stands as part of a tradition started by the likes of Herschell Gordon Lewis in the early 1960's. Basically, these are true, updated Grand Guignol theater presentations on film. Grand Guignol didn't rely heavily on plot, but on pure shock. This movie does what it sets out to do. It's violent, vile, and visceral, much like LAST HOUSE ON DEAD END STREET, though with decidedly less structure or story line. It does have a wicked sense of humor to -somewhat- offset the senseless, grisly acts.
If you are averse to cannibalism, dismemberment, decapitation, degrading female nudity, etc., you might find this quite disturbing. However, if the thought of a mad doctor drinking someone's brains through a straw intrigues you, then this is your movie! Is it art? Is it pointless rubbish? Is it dangerous? Well, perhaps it's none or all of these things. One thing is certain, it's not easily forgotten...
BLOODSUCKING FREAKS stands as part of a tradition started by the likes of Herschell Gordon Lewis in the early 1960's. Basically, these are true, updated Grand Guignol theater presentations on film. Grand Guignol didn't rely heavily on plot, but on pure shock. This movie does what it sets out to do. It's violent, vile, and visceral, much like LAST HOUSE ON DEAD END STREET, though with decidedly less structure or story line. It does have a wicked sense of humor to -somewhat- offset the senseless, grisly acts.
If you are averse to cannibalism, dismemberment, decapitation, degrading female nudity, etc., you might find this quite disturbing. However, if the thought of a mad doctor drinking someone's brains through a straw intrigues you, then this is your movie! Is it art? Is it pointless rubbish? Is it dangerous? Well, perhaps it's none or all of these things. One thing is certain, it's not easily forgotten...
Bloodsucking Freaks is genuinely disgusting, but it's hard to say it's absolute trash, because it's so obvious that everything is done in a tongue in cheek way. It's as much a satire on the theatre world as it is a grimy, gory exploitation film.
The premise of the film is that the head of an experimental theatre group named Sardu is miffed that his torture stage show has been panned by a powerful critic so he kidnaps the critic, a ballet dancer, and a few other vixens and tortures them.
The entire film is absolutely ridiculous, but you'll recognize a few actors from the film Alice, Sweet Alice and the gore effects manage to be both impressive and hokey at the same time. It's not must see entertainment, but there are worse movies out there.
The premise of the film is that the head of an experimental theatre group named Sardu is miffed that his torture stage show has been panned by a powerful critic so he kidnaps the critic, a ballet dancer, and a few other vixens and tortures them.
The entire film is absolutely ridiculous, but you'll recognize a few actors from the film Alice, Sweet Alice and the gore effects manage to be both impressive and hokey at the same time. It's not must see entertainment, but there are worse movies out there.
Wusstest du schon
- WissenswertesTroma had the film cut to gain an "R" rating, then shipped the unrated print to theaters telling them it was the R rated version. This was discovered when a woman allegedly complained after taking a very young child to see the movie. Eventually the MPAA sued Troma for improper use of the copyrighted "Rated R" logo.
- PatzerWhen Ralphus begins sawing the girl's hand off in the 'dismemberment' scene, the saw is to the inside of the shackle. When the camera view changes, the saw is to the outside of the shackle.
- Zitate
Master Sardu: Her mouth shall make an interesting urinal!
- Alternative VersionenThe R-rated cut runs 84 minutes, the director's cut is also the uncut version and runs 89 minutes. Some DVDs state it is 91 minutes long, but this is an error. There never was a 91-minute version.
- VerbindungenEdited into Dying: Last Seconds of Life, Part II (1988)
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By what name was Bloodsucking Freaks (1976) officially released in India in English?
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