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Tag der Entscheidung

Originaltitel: Big Wednesday
  • 1978
  • 12
  • 2 Std.
IMDb-BEWERTUNG
7,1/10
7742
IHRE BEWERTUNG
Tag der Entscheidung (1978)
John Milius directs the 1978 coming-of-age surfing film 'Big Wednesday.'
trailer wiedergeben2:52
1 Video
38 Fotos
Coming-of-AgeExtreme SportPeriod DramaWater SportDramaSport

Das Leben einiger kalifornischer Surfer von den frühen 1960ern bis in die 1970er Jahre.Das Leben einiger kalifornischer Surfer von den frühen 1960ern bis in die 1970er Jahre.Das Leben einiger kalifornischer Surfer von den frühen 1960ern bis in die 1970er Jahre.

  • Regie
    • John Milius
  • Drehbuch
    • John Milius
    • Dennis Aaberg
  • Hauptbesetzung
    • Jan-Michael Vincent
    • William Katt
    • Gary Busey
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    7742
    IHRE BEWERTUNG
    • Regie
      • John Milius
    • Drehbuch
      • John Milius
      • Dennis Aaberg
    • Hauptbesetzung
      • Jan-Michael Vincent
      • William Katt
      • Gary Busey
    • 77Benutzerrezensionen
    • 45Kritische Rezensionen
    • 54Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 2:52
    Official Trailer

    Fotos38

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    Topbesetzung69

    Ändern
    Jan-Michael Vincent
    Jan-Michael Vincent
    • Matt
    William Katt
    William Katt
    • Jack
    Gary Busey
    Gary Busey
    • Leroy
    Patti D'Arbanville
    Patti D'Arbanville
    • Sally
    Lee Purcell
    Lee Purcell
    • Peggy Gordon
    Sam Melville
    Sam Melville
    • Bear
    Darrell Fetty
    Darrell Fetty
    • Waxer
    Gerry Lopez
    Gerry Lopez
    • Gerry Lopez
    Hank Worden
    Hank Worden
    • Shopping Cart
    • (as Hank Warden)
    Joe Spinell
    Joe Spinell
    • Psychologist
    Steve Kanaly
    Steve Kanaly
    • Sally's Husband
    Barbara Hale
    Barbara Hale
    • Mrs. Barlow
    Fran Ryan
    Fran Ryan
    • Lucy
    Dennis Aaberg
    Dennis Aaberg
    • Slick
    Reb Brown
    Reb Brown
    • Enforcer
    Robert Englund
    Robert Englund
    • Fly
    Keith Davis
    • Ostrich
    Johnny Fain
    • Breathman
    • Regie
      • John Milius
    • Drehbuch
      • John Milius
      • Dennis Aaberg
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen77

    7,17.7K
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    Empfohlene Bewertungen

    10mijbril

    Awesome

    I first saw this film in 1978, my father took me to see it with my brothers at the drive-in as a double feature with "Every Which Way But Loose." It's a movie that I have never forgotten. It combines brilliantly heart gripping surfing action, heart wrenching emotions, and heart uplifting humour, all set against the back-drop of the Vietnam War, teenagers growing up, the wisdom of elders (Bear) and of course, the surfing.

    I've never surfed a minute of my entire life (although whenever I watch this, I feel like I should), so don't think of this as a "surf movie". It simply is an excellent piece of cinematic history that you will feel you missed on if you never see it.

    Recommended with 2 thumbs way way way up.
    john-sellers

    Top five movie music - take a bow Basil

    What is it about Big Wednesday that inspires so much affection? I won't repeat the many tributes that have been made here, and yes, I was a surfer, and yes, this is in my top five of all time movies, and yes, I watch it about once every eighteen months.

    But something others don't seem to mention much is the perfect score that Basil Poledouris wrote for the movie, sound which echoes and complements the action throughout, and reminds me strongly of artists and music of the time like Jack Nitzches "Lonely Surfer", and "Beyond the Break". Not, for heaven's sake, the Beach Boys or Jan and Dean.

    But isn't that a big part of good movies? When music, image and story all combine? (Discuss)

    The other four of my five are "Andrei Rublev", "If..." "The Piano" "Journey to the Center of the Earth"
    7thehumanduvet

    Spectacular surfing sequences and very hazy 60s lives

    The surfing sequences are what make this movie, some of the waves on Big Wednesday at the end look too huge and powerful to be real, and the sight of these men standing at the foot of them on their puny little boards, battling to outrun the awesome power of the water crashing down, is real heart-gripping stuff. The tale of a group of friends drifting through the sixties and seventies, getting into scrapes, having parties, trying to avoid Vietnam and doing all that stuff sixties movies live for, is well enough done, though the script gets a bit cliche-heavy at some points. The episodic format, a series of brief snapshots taken from various moments over a spread of ten years or so, helps capture the rambling nature of these people's lives, and gives an insight on how much things change and yet stay the same between a gang of old friends as the times move on and the world turns. Katt fares well as the narrator and core, as is Stringfellow Hawk as the former champ surfer, and Busey gives his normal crazy shouty brilliance, but the surf takes the honours.
    10Defenseman13

    Classic beyond classic.

    Down the street from my house is a restaurant/bar called RT's Longboard grill, which was opened by family as a tribute to a brother lost at sea. Adorning the bamboo laden walls, amongst yesteryear photos, boards, posters, and memorabilia, are TV screens which endlessly show classic surfing movies. The feeling one gets in this environment is similar to what one gets watching Big Wednesday. This isn't a surf movie in the sense of the word. You see, the trendy, infantile children that drunkenly roam the streets of Pacific Beach (where I live in San Diego)for the most part don't have souls, sadly, living in the very town in which many surf legends have been born. Hard pressed to find are the light hearted conversations over a good burger, malt, and a good set of waves. Big Wednesday contains such an epic story. OK... I seem bitter. It's because I am. I know the word "dude" and a nose covered in sunscreen is an easy stereotype... but the spiritual life altering experience behind surfing is most often misunderstood. What is your passion? Do you have one? It may be your children. It may be horses. It may be hockey. But no matter what goes wrong in your life, or who dies or what happens, at the core is your passion (translated : spirituality)... something pure. At the heart of this movie is this purity... and after the draft, relationships, addictions, and just plain adolescent insanity, the characters find that their friendship is still alive because of a common love. Don't try and make too much sense of this review. This isn't a restaurant review. I can't explain the feeling nor would I expect the 95% of America that doesn't live near a surf-able wave to get it...just watch the movie.
    LateShow

    Hollywood's Perfect Wave

    "This movie is too good for surfers." Quentin Tarantino was asked about "Big Wednesday" once and this was his answer. Tarantino grew up in southern California and surfers, he says, were mean to him and his friends. Tarantino, however, knows a good movie when he sees one. This truly is Hollywood's "perfect wave", the only time the surf culture was portrayed accurately in a studio film. The surf community consistently refers to this film with reverence, citing it's depiction of the "soul" of surfing as being worthy of their hallowed endeavors in the water. After years of Frankie and Annette or, God forbid, Keanu Reeves, this is one they can be proud of. Writer-director John Milius was a surfer himself referring to it again in his most celebrated screenplay for "Apocalypse Now" ("Charlie don't surf!"). One of the keys to this film's authenticity is the fact that the three stars did a lot of their own surfing. Actually seeing their faces as they stand up for a ride is a bonus. William Kaat, Jan-Michael Vincent and Gary Busey (actually pretty big names from this era) were accomplished surfers, Busey learning for the role. The fine cast is rounded out by cuties Lee Purcell and Patti d'Arbanville and Sam Melville as the mystical mentor Bear. Keep your eyes peeled for legendary surfer Gerry Lopez, "Perry Mason"'s Barbara Hale, future Freddy creep Robert Englund, Larry Talbot from "Miami Vice" and Charlene Tilton and Steve Kanaly who both ended up on "Dallas". If you ever had a group of friends who did stuff together, you'll find this film has a lot of depth and soul. As Matt says after riding Big Wednesday "we drew the line". The three friends have validated the thing that consumed them as young men, that is riding waves and promising to be together when the big one hit. But they also acknowledge the need to embrace adulthood and put surfing where it should be. As Bear himself said "nobody surfs forever". Sad but true. It applies to all of us, no matter what we do.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      George Lucas and Steven Spielberg thought this film would be the American Graffiti (1973) of surfing films - that it was destined to be such a hit that they famously traded profit points on their next two films, Star Wars: Episode IV - Eine neue Hoffnung (1977) and Die unheimliche Begegnung der 3. Art (1977) with director John Milius. This trade would earn Milius millions of dollars while his own film would flop at the box office.
    • Patzer
      Jack's induction notice says he is to serve in the United States Marine Corps. When he comes home from Vietnam he is an Army Airborne Ranger.
    • Zitate

      Matt Johnson: You know, Mrs. Barlow, there's something I'd like straighten out.

      Mrs. Barlow: What's that, Matt?

      Matt Johnson: Well, I did a lot of things around here I'm kind of ashamed of. I tore up your lawn with my '40 Ford...

      Mrs. Barlow: Many times.

      Matt Johnson: Took my pants off in front of your friends...

      Mrs. Barlow: Oh, yes.

      Matt Johnson: And I even passed out in your closet, but I never, and I don't know who could have if I didn't, but I never, and I repeat never, ever pissed in your steam iron.

    • Alternative Versionen
      ABC edited 31 minutes from this film for its 1985 network television premiere.
    • Verbindungen
      Featured in Moviedrome: Big Wednesday (1988)
    • Soundtracks
      Three Friends Theme
      Music by Basil Poledouris

      Lyrics & Vocals by Keola Beamer (as Keola) & Kapono Beamer

    Top-Auswahl

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    FAQ19

    • How long is Big Wednesday?Powered by Alexa
    • WHAT IS THE SONG AT THE ARMY INDUCTION CENTER ? ABOUT A SHIPWRECK THAT (RAN AGROUND IN "53" NOW A VICTIM OF THE SEA ?)

    Details

    Ändern
    • Erscheinungsdatum
      • 24. November 1978 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Big Wednesday
    • Drehorte
      • Pacific Coast Highway, Malibu, Kalifornien, USA(Multiple scenes: Star burger/Cosmic cafe scenes, specifically 26025 Pacific Coast Hwy.)
    • Produktionsfirma
      • A-Team
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 11.000.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 1.496 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden
    • Sound-Mix
      • Dolby Stereo
    • Seitenverhältnis
      • 2.39:1

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