Der Clan

There's only one reason to watch this film. It's not the quality of the acting or the strength - or otherwise - of the plot. Rather, it's a study in excess, and my favourite excess in this film would have to come under L for lust. Kathleen Beller is extremely photogenic and I absolutely love the swimming pool scene !

One of the Star Trek sequels has Harold Robbins and Jacqueline Susann referred to as the "Old Masters." Personally, I'm betting that The Carpetbaggers or The Betsy will not be on a high school English class reading list in about 200 years.

The Betsy, by the way, refers to both Kathleen Beller's character and a newly designed car named for her by her great grandfather the patriarch of an automobile pioneer family. Said patriarch is played by none other than Sir Laurence Olivier, arguably the greatest actor the English speaking world has ever produced.

He was certainly thought of as that at the time The Betsy was made. He had nothing to prove as a player in 1978, but Olivier was concerned about leaving a nice sizable estate for his children. So he did take on projects like these that were guaranteed box office.

I have to say Olivier's Loren Hardiman was an offbeat part for him. Prominent in the Olivier bag of thespian tricks is a great ear for accents. Hard to believe that this is the same actor who gave us definitive film versions of Hamlet, Richard III, and Othello.

In filming one of Harold Robbins empire and scandal novels all you can do is ham it up. And following Lord Olivier's cue the rest of the cast hams it up big time. I'm surprised no one in television thought of this as a Dallas like series.

The Betsy has the usual business double dealing and sexual peccadilloes that saturate a Robbins epic. If that's your taste you'll love The Betsy.

An errant thought just struck me. What if someone had thought to hire Sir Laurence Olivier as Jock Ewing in Dallas. I think he'd have done it for the right price and he could have pulled it off.

Laurence Olivier is the multi-millionaire head of a family, who's rich due to the family business, making cars. Larry wants to make a new car whose engine would be environmentally safe. He needs Tommy Lee Jones' (a race car driver) assistance in creating the engine. And, that begins the present day plot. There are flashbacks that show just how and why things are the way they are today. The presence of Katharine Ross and Kathleen Beller make this feel like Dynasty. And, Robert Duvall is Larry's grandson who'll stop at nothing to stop the development of "The Betsy," which is what Larry named the engine. The movie is nothing like "The Oscar" in that it's not flashy or campy; and, it doesn't have any it's-so-bad-it's good value to it. Instead, you get the impression they tried to take themselves seriously and in doing so, only emphasized the fact these are not nice people and it gives the movie a kind of seedy, mean quality to it. Its love scenes add to its trashy feel to it and not entirely in a good way. The music is so understated, mellow, and refined, it sounds like some "Godfather" copy. All in all, once you've seen the ending, you may want to see it again, knowing what you know. But, it's not much to really write home about.

I have always been curious as to how so many big name stars came to agree to appear in "The Betsy". Was Harold Robbins' name alone enough for them to believe they were starring in a hit? Perhaps they all were paid handsomely. I hope it's the latter. As you might expect with Harold Robbins' name on the title "The Betsy" is about sex and greed and sex and power and sex and murder and sex. This is pure trash all the way but if you don't take it seriously and catch yourself in a goofy mood then you might enjoy it.

The story is simple. A family headed by patriarch Laurence Olivier manufacture cars and become wealthy and powerful. That's all you really need to know. This family is one sick group. Take for example one scene early on in the movie. A boy (who would grow up to be Robert Duvall) witnesses his father committing suicide. He runs upstairs to be with his mom (Katherine Ross) only to find her in bed shagging grandpa Olivier. All in a matter of moments for this poor kid. And yet he still grows up and goes to work for Olivier. You can't take the story seriously for a second.

Also on hand are Tommy Lee Jones as a stud race car driver and the beautiful Lesley-Anne Down as his mistress who happens to be Duvall's wife. She is sexy and alluring and almost worth the price of admission. And then there is Duvall's granddaughter who seduces Jones on her 18th birthday. The Carrington family from "Dynasty" almost seem normal next to this clan.

Trash movie lovers unite. This is a film for you. It's somewhat of a guilty pleasure for me but I still sit there and shake my head at many scenes more then just enjoying the garbage being presented.

How can you make a bad movie with Olivier, Duvall, Tommy Lee, Katherine Ross, Jane Alexander, and plenty of other capable people?

Study this film to find out.

I felt awful for Olivier. First, let me say that I am a great fan of his, and have worn out my VCR watching him in Wuthering Heights, Rebecca, Spartacus, and other great performances. Having said that, I must now regretfully say that his performance in The Betsy ranks among the worst ever captured on film. He has no clue how to affect an American accent. Worse still, he plays himself in the flashbacks ... and he looks like an old guy on Miami Beach wearing youthful fashions and spray-on hair color. I had to turn away from it at times.

Oh, I wish I had never seen this movie at all.

If you have a choice between this and "Manos", plan on a Torgo evening.