Die Mitarbeiter eines Taxiunternehmens in New York City gehen ihrer Arbeit nach, während sie von größeren Dingen träumen.Die Mitarbeiter eines Taxiunternehmens in New York City gehen ihrer Arbeit nach, während sie von größeren Dingen träumen.Die Mitarbeiter eines Taxiunternehmens in New York City gehen ihrer Arbeit nach, während sie von größeren Dingen träumen.
- 18 Primetime Emmys gewonnen
- 27 Gewinne & 56 Nominierungen insgesamt
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Taxi was, and still is, the greatest sit-com I've ever seen. The Louie DePalma, Iggy and Rieger characters were simply magnificent creations. I would laugh until I cried while watching this show. It's still funny today in re-runs. Louie's "affair" with Emily (which was revived in a later episode) is particularly hilarious. Iggy playing piano at a black-tie
gala (as Elaine's "date" for the evening) is both amusing and heart-warming. The scripts were excellent as they blended wry, sarcastic humor with some degree of pathos in each episode. This show succeeded at a time when there was no "political correctness" to erode its rough edges. It's very doubtful one of the three major networks would create and air a show like this in today's more conservative climate.
gala (as Elaine's "date" for the evening) is both amusing and heart-warming. The scripts were excellent as they blended wry, sarcastic humor with some degree of pathos in each episode. This show succeeded at a time when there was no "political correctness" to erode its rough edges. It's very doubtful one of the three major networks would create and air a show like this in today's more conservative climate.
What more can you say about one of the classic situation comedies of all time. Just like many of the classics, this show was a great ensemble. Judd Hirsch may have been the star, but it was the interplay between the cast members that made this show what it was. Tony, Bobby, Elaine, Jim, Louie and, of course, Latka were all great characters and they helped make this show what it was. But, it not only was the characters. The writing made this one of the more intelligent comedies of its era and you could see a lot of what made "Cheers" great in this show. This show deserves a lot of the praise it has gotten over the years and its too bad that that more shows can't follow the example that "Taxi" showed.
When Jim Brooks, David Davis, Ed. Weinberger and Stan Daniels left MTM to form their own production company, they applied what worked well for them on shows like The Mary Tyler Moore Show and Rhoda to create and produce their own show and it would become Taxi.
The show was a true ensemble comedy like The Mary Tyler Moore Show with outstanding writing and a great cast with nobody dominating the story lines like Fonzie on Happy Days and Urkel on Family Matters,
The cast was anchored by Judd Hirsch, who played career cabbie Alex Rieger. He's the father figure of the bunch and supportive to would be boxer Tony Banta, played by Tony Danza, aspiring actor Bobby Wheeler, played by Jeff Conaway and the lone female driver Elaine Nardo, portrayed by Marilu Henner.
Also adding to the hysteria was Andy Kaufman as mechanic Latka, who comes from an unidentified foreign country. He created his mannerisms and language that brought a lot to each episode he was in.
But to me, the best character on the show was Louie DePalma, the nasty dispatcher that turned out to be the role that put Danny DeVito on the map. DeVito's portrayal of Louie turned to be the meanest boss on TV since Mr. Slate on The Flintstones. One the other side of the coin, Taxi was also the show that he worked with the woman who would become his wife, Rhea Perlman.
Another character who to me was very funny was Reverend Jim, the Christopher Lloyd character who became a regular in the second season after Randall Carver was let go. His portrayal of a burned out hippie, especially in the episode where he took his driver's test was outstanding.
One other character who came along later in the run was Simka Dahblitz, played by Carol Kane. She would later marry Latka.
The show would also be the launching pad for brothers Glen and Les Charles, who would later team up with James Burrows to create and produce another classic comedy, Cheers. Though Taxi won 18 Emmys and had a healthy five year run, it was sent to the garage after moving to NBC in the 1982-83 season. I'll close with the tag line that was heard after the closing credits "Thank you Mr. Walters."
The show was a true ensemble comedy like The Mary Tyler Moore Show with outstanding writing and a great cast with nobody dominating the story lines like Fonzie on Happy Days and Urkel on Family Matters,
The cast was anchored by Judd Hirsch, who played career cabbie Alex Rieger. He's the father figure of the bunch and supportive to would be boxer Tony Banta, played by Tony Danza, aspiring actor Bobby Wheeler, played by Jeff Conaway and the lone female driver Elaine Nardo, portrayed by Marilu Henner.
Also adding to the hysteria was Andy Kaufman as mechanic Latka, who comes from an unidentified foreign country. He created his mannerisms and language that brought a lot to each episode he was in.
But to me, the best character on the show was Louie DePalma, the nasty dispatcher that turned out to be the role that put Danny DeVito on the map. DeVito's portrayal of Louie turned to be the meanest boss on TV since Mr. Slate on The Flintstones. One the other side of the coin, Taxi was also the show that he worked with the woman who would become his wife, Rhea Perlman.
Another character who to me was very funny was Reverend Jim, the Christopher Lloyd character who became a regular in the second season after Randall Carver was let go. His portrayal of a burned out hippie, especially in the episode where he took his driver's test was outstanding.
One other character who came along later in the run was Simka Dahblitz, played by Carol Kane. She would later marry Latka.
The show would also be the launching pad for brothers Glen and Les Charles, who would later team up with James Burrows to create and produce another classic comedy, Cheers. Though Taxi won 18 Emmys and had a healthy five year run, it was sent to the garage after moving to NBC in the 1982-83 season. I'll close with the tag line that was heard after the closing credits "Thank you Mr. Walters."
One of the very funniest ensemble US sit-coms ever, I loved "Taxi" when it was first transmitted in the late 70's. I was too young to get into "M.A.S.H." from the start, "Soap" started brightly then faded, "Happy Days" and it's spin-offs were too young, "The Mary Tyler Moore Show" was only shown infrequently in the UK, "The Bob Newhart Show" wasn't picked up at all and "Rhoda" my other favourite of the era, only played on BBC2. "Taxi" was shown on BBC1 in the early evening and I almost never missed an episode.
The main character I suppose was Judd Hirsch as Alex, the go-to guy for anyone with a problem, while Marilu Henner as the sassy Elaine, Jeff Conaway as moonlighting actor Bobby and Tony Banta as Tony the dim-witted boxer were prominent in support, indeed the last two of course can be seen as morphing into the character of Joey in "Friends" 20 years or so later.
The real scene-stealers of course were Danny DeVito as the nasty, lippy depot manager Louie, Christopher Lloyd as the flaky Reverend Jim Ignatowski and Andy Kaufman as the surreal man-child Latka Graves. Without "Taxi" I doubt there would have been a "Cheers" or indeed "Friends" but with very funny scripts by a talented pool of writers including David Lloyd, the Charles brothers, Ken Estin and Earl Pomeranz and produced by James L Brooks, the laugh count in each episode was usually high and the longer you lived with the characters, the more you liked and almost knew them, especially as the action almost never left the front of the depot where the characters congregated.
I've just treated myself by re-watching my favourite episode, where Louie is seduced by the boss's wife, a vamped-up superb guest-shot by Eileen Brennan, in fact I'd go as far to say it's one of the funniest comedic shows ever. They couldn't all hit that standard, of course, but the general consistency kept it going for 114 episodes. It was De Vito and to a lesser degree Lloyd who would go on to break into films and as others have said its perhaps a little surprising that no spin-off shows were ever devised.
Perhaps it's better that way though, leaving the employees of the Sunshine Cab Company in our memory as the collective band of cabbies who regularly drove us into fits of laughter, week after week.
The main character I suppose was Judd Hirsch as Alex, the go-to guy for anyone with a problem, while Marilu Henner as the sassy Elaine, Jeff Conaway as moonlighting actor Bobby and Tony Banta as Tony the dim-witted boxer were prominent in support, indeed the last two of course can be seen as morphing into the character of Joey in "Friends" 20 years or so later.
The real scene-stealers of course were Danny DeVito as the nasty, lippy depot manager Louie, Christopher Lloyd as the flaky Reverend Jim Ignatowski and Andy Kaufman as the surreal man-child Latka Graves. Without "Taxi" I doubt there would have been a "Cheers" or indeed "Friends" but with very funny scripts by a talented pool of writers including David Lloyd, the Charles brothers, Ken Estin and Earl Pomeranz and produced by James L Brooks, the laugh count in each episode was usually high and the longer you lived with the characters, the more you liked and almost knew them, especially as the action almost never left the front of the depot where the characters congregated.
I've just treated myself by re-watching my favourite episode, where Louie is seduced by the boss's wife, a vamped-up superb guest-shot by Eileen Brennan, in fact I'd go as far to say it's one of the funniest comedic shows ever. They couldn't all hit that standard, of course, but the general consistency kept it going for 114 episodes. It was De Vito and to a lesser degree Lloyd who would go on to break into films and as others have said its perhaps a little surprising that no spin-off shows were ever devised.
Perhaps it's better that way though, leaving the employees of the Sunshine Cab Company in our memory as the collective band of cabbies who regularly drove us into fits of laughter, week after week.
Taxi was, during it's five-year run, the most funny, engaging, memorable, and heartbreaking show on television. The show helped to redefine situation comedies and created a handful of classic characters.
The show revolves around the drivers at the Sunshine Cab company: Alex Rieger (Judd Hirsch) was the good-hearted mensch who finds himself solving everyone else's problems. Bobby Wheeler (Jeff Conaway) is an aspiring actor and ladies man. Tony Banta (Tony Danza) is a struggling boxer who can never seem to win a fight. Elaine Nardo (Marilu Henner) is a single mother of two with dreams of opening her own art gallery. Reverend Jim Ignatowski (Christopher Lloyd) is an absolute space cadet, and Louie DePalma (Danny DeVito) is surely the nastiest, angriest, most miserable boss in history. Thanks to DeVito's charm, he is still somehow lovable.
Besides the great acting in "Taxi," there was the writing- always funny and often bittersweet without ever being maudlin or melodramatic. There are episodes that can make you laugh so hard you cry, and vice versa. Thanks to the genius of director James Burrows Taxi stands as one of television's best shows. And who can forget the haunting theme by Bob James?
If you get a chance to see "Taxi," take it... here's hoping it gets a DVD release in the near future.
Grade: A+
The show revolves around the drivers at the Sunshine Cab company: Alex Rieger (Judd Hirsch) was the good-hearted mensch who finds himself solving everyone else's problems. Bobby Wheeler (Jeff Conaway) is an aspiring actor and ladies man. Tony Banta (Tony Danza) is a struggling boxer who can never seem to win a fight. Elaine Nardo (Marilu Henner) is a single mother of two with dreams of opening her own art gallery. Reverend Jim Ignatowski (Christopher Lloyd) is an absolute space cadet, and Louie DePalma (Danny DeVito) is surely the nastiest, angriest, most miserable boss in history. Thanks to DeVito's charm, he is still somehow lovable.
Besides the great acting in "Taxi," there was the writing- always funny and often bittersweet without ever being maudlin or melodramatic. There are episodes that can make you laugh so hard you cry, and vice versa. Thanks to the genius of director James Burrows Taxi stands as one of television's best shows. And who can forget the haunting theme by Bob James?
If you get a chance to see "Taxi," take it... here's hoping it gets a DVD release in the near future.
Grade: A+
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- WissenswertesWhen ABC cancelled the series in 1982, HBO considered purchasing the show, only to lose out to NBC, which promoted the show in ads stating "Same time, better network". However, NBC then cancelled it after one season.
- PatzerLatka's mechanic overalls always have the exact same stains.
- Zitate
[during a written driving test]
"Reverend Jim" Ignatowski: Pssssttt... what does the yellow light mean?
Bobby Wheeler: "Slow down."
"Reverend Jim" Ignatowski: What... does... the... yellow... light... mean?
Bobby Wheeler: "Slow down"!
"Reverend Jim" Ignatowski: Whaaaat... dooooeeees... theeeee... yeeeel-looowwww... liiiiight... meeeeaaan?
- Crazy CreditsThough no single character was the main star, Judd Hirsch received a pre title credit. He only took the role of Reiger under this condition.
- Alternative VersionenOn the DVD release, popular songs had to be removed from the soundtrack of a few episodes, due to rights issues.
- VerbindungenFeatured in The 31st Annual Primetime Emmy Awards (1979)
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